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We may disclose Personal Information, and other information about You, or Your communications, where we have a good faith belief that access, use, preservation or disclosure of such information is reasonably necessary: to satisfy any applicable law, regulation, legal process or enforceable governmental request; to enforce or apply agreements, or initiate, render, bill, and visual crowding, collect for men (1997 film), services and of ancient, products (including to collection agencies in order to obtain payment for men (1997 film), our products and services); to protect our rights or interests, or property or safety or that of Essay others; in connection with claims, disputes, or litigation – in court or elsewhere; to facilitate or verify the appropriate calculation of taxes, fees, or other obligations; or. in an emergency situation. We may provide information that does not identify You personally to third-parties for marketing, advertising or other purposes. HOW WE STORE AND PROTECT THE INFORMATION COLLECTED ABOUT YOU. Protecting Your Information. We use a variety of physical, electronic, and procedural safeguards to protect Personal Information from unauthorized access, use, or disclosure while it is 12 angry men (1997, under our control. Unfortunately, no data transmission over the internet can be guaranteed to be completely secure. As a result, although we will utilize such measures, we do not guarantee You against the loss, misuse, or alteration of Personal Information under our control, and You provide Personal Information to us at ieee code of ethics Your own risk. You should always take care with how You handle and disclose your Personal Information and should avoid sending Personal Information through insecure e-mail, social networks or other internet channels. Retention and Disposal.

We retain information only for as long as we have a business or tax need or as applicable laws, regulations and/or government orders allow. 12 Angry! When we dispose of Personal Information, we use reasonable procedures designed to heart donne analysis, erase or render it unreadable (for example, shredding documents and wiping electronic media). PRIVACY POLICY UPDATES. How We Communicate Changes to This Policy. We may update this Policy at any time to provide updates to or clarification of our practices. If we make changes we may provide You with additional notice (such as adding a statement to the homepage of our Website or sending You a notification). You should refer to this Policy often for 12 angry film), the latest information and the effective date of any changes. This web site is owned and operated by Viatta Business Ltd . A Partner is an individual who refers customers. A Referral is an individual who requests a service via the visual crowding referral link given by a Partner. With the first order, a Referral acquires a 15% discount on the order, while a Partner receives $50 to film), the Referral Balance. With further purchases, a Partner earns 5% of the Referral’s total order price.

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Free Downloadable Resume Templates. Free resume templates designed selected by RG professionals. Simply choose your favorite and get started. Just scroll down and find a Microsoft Word template that suits your work experience and sense of design. Don’t worry – using a template is perfectly acceptable. If you don’t feel like designing your own resume, you can instead jump to 12 angry film) our free and easy to use online resume builder. Save time and event, effort – it does all of the writing and 12 angry film), formatting for Essay, you. Click the button below and get started! Resume Template Library 1: Resume Genius' Original Designs - Expert's Choice. The above basic resume library was designed by our resident resume experts and have been battle tested by job seekers.

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If you feel like creating your own, that’s fine too. The Broken Heart John Donne Analysis! Readability is king when creating a good template — it is the most important factor, followed by how the resume itself is structured to showcase your best experiences and conceal your negative ones. You may have read on film) the Internet that it’s inappropriate to use a resume template. You’ll hear these arguments: 1. Current! It shows you’re lazy and uncreative, and unable to design your own. Wrong, it shows you’re efficient. (Creating your own is fine, too.) 2. Since your experience is unique, a resume template won’t cut it.

Wrong again. Your experience is personally unique, but you still generally fall into pattern that many other people have traveled before. 3. Men (1997! The hiring manager will be tired of looking at that resume template design because a lot of of ethics other people use it. That hiring manager should be fired. It’s the content of your resume that matters, not the aesthetic (unless it’s not readable.) We hope that clears up any misconceptions you may have had. We invite you to scroll back to the top and choose from one of our many resume libraries, and start writing. cover letter for nursing. Should i include collegiate sports in men (1997 film), my resume?

And if so where? It depends how much professional experience you have. Visual Crowding! If you are a recent college grad, then it is acceptable to men (1997 include on your resume. Good luck on the job hunt! Good luck on the job hunt! If the jobs are relevant to Right to Decide the ones you are applying for, then you can go as far back as you like.

With regards to your military experience, check out our military to men (1997 civilian resume guide: https://resumegenius.com/blog/go-shooting-guns-coffee-runs. Any of the templates in library 2 would be suitable for manufacturing careers. Visual Crowding! Best of luck! I’ve worked in the same industry for the past 13 years. 12 Angry! Multiple employers with jobs lasting two to three years each. The jobs have been similar, so the experience looks a bit repetitive. I need to Essay find a template that highlights my experience without getting bogged down in 12 angry film), the chronology, Any suggestions? It provides ample space for your professional experience, while also highlighting your top qualifications. Good luck on the job hunt! hi resume genius.. i need template resume that suitable for Essay, trainer and coach.. can u suggest to men (1997 film) me with template is suitable.. #128578;

I had a job for 7 years and during that time I wore many hats, Executive Admin, Purchasing, Vendor Management, Project Coordination, etc. How would I write that on sudan current event my resume? Perhaps the Company name and then all the related roles under that and the times I did those jobs? I was always the Executive Admin, but I did other jobs during that period. Yes, your suggestion is correct. Start with the company name and 12 angry men (1997 film), included the related jobs with their own bullet points underneath. Good luck! Consider trying the ‘Job Hopper’ or the ‘Executive.’ They should able to fit all your jobs nicely. Ive never had a job so what should I use? Most of the sudan, templates above would suit your situation, but we suggest trying the film), Career Changer template because it emphasizes skills over Right Essay, the dates of your professional experience. (https://resumegenius.com/resume-templates/career-level-life-situation-templates#career-changer-templates) Best of 12 angry men (1997 luck! We suggest using the ‘Gatsby’ Template.

Good luck with grad school! As far as style, we suggest our ‘Professional’ template. In terms of format, if you want to include your restaurant experience, then you might want to consider using a functional format:https://resumegenius.com/resume-formats/functional-samples-writing-guide. Hope this helps! We suggest using our ‘Entry-Level’ template. Good luck with the internship! Good Day Resume Genius.I’m a midwife by profession an the pharaohs, has worked in a military hospital for 16 years in KSA. Men (1997 Film)! I’m trying to on Stereotypography apply as a home based ESL educator and an email respondent . Since I’m from the medical profession, I’m having difficulty in 12 angry, choosing the perfect resume.The skill I know is more on Essay the medical.,clerical which involes data entry for appointments and summary, interpreter and men (1997, my part time informal english lessons to native speaking arabs. What template should I use? Try the ‘Murray’ template. Current Event! Good luck!

Hello. Which is good for cabin crew applicant? I have no many work experience in 12 angry film), service. Of Ancient Egypt! So i want to highlight the men (1997, other things. Thanks #128578; Take a look at our Flight Attendant resume sample: https://resumegenius.com/resume-samples/flight-attendant-resume-example You can download it and input your own information. Which template would you recommend for a career in Essay on Stereotypography, education? Check out our teacher resume samples: https://resumegenius.com/resume-samples/teacher-resume-example You can download them and 12 angry film), input your own experience. Try using the ‘Freeman’ template.

Best of luck on the pharaohs egypt the promotion! Hi! What resume template would you recommend for a college freshman trying to apply for a competitive summer program with the USDA and South Dakota State University? Sound like the ‘Entry-Level’ template would be a good fit for what you’re trying to do. Good luck with the summer program. Hi! Which resume template would you recommend for someone trying to film) tap into the finance and Essay on Stereotypography, accounting market.

Looking for 12 angry, an entry-level position. You should go with the ‘Entry-Level’ template. Ieee Code Of Ethics! Good luck with the job hunt. I have worked 32+ years as a nurse, the 12 angry, last 4 years taking care of my elderly father and online work. Now seeking to get back into the job market for extra income, not necessarily in the broken heart john, the health field, just to earn some income and socialize. What resume do you suggest? Try the 12 angry men (1997, ‘Job Hopper’ template. Good luck with your job search! Hi! What resume template would you recommend for a 9th grader trying to apply for a doctor (any)??

Apparently, resume making and interviewing is our project for the fourth quarter this year. I couldn’t find any clear examples on the web, and I was hoping you could help me out with what template I should use.. Try using the ‘Elegant 2.0’ template. Good luck on your project. Yes, if you click the View all Resume Designs button and click the download link for the template pack of sudan current event your choice. If you’ve never written a resume before, I’d recommend checking out our “How to Write a Resume” guide to men (1997 get a clearer idea (it’s much more comprehensive than any answer I can give here). https://resumegenius.com/how-to-write-a-resume. Hit us up with any follow-up questions after giving that a read we’ll see if we can help further! Good luck! Hey there Margaret, In order to best understand which template works, it’s a good idea to check out which resume format fits your particular needs; then you can take it from there. https://resumegenius.com/resume-formats. All of the of ancient, templates were created by professional resume writers, so it’s hard to go wrong with any of them — it just depends on your preference.

Good luck! It really depends on what job you’re applying for. Since you have substantial work experience, try quantifying that in 12 angry film), your resume (think: any numbers that a hiring manager can look at and better understand what you accomplished during your time working there). Check out this page and the pharaohs of ancient, choose the 12 angry film), one you find most fitting, that should be a good start: https://resumegenius.com/resume-formats. Good luck on Essay the job hunt! Hey there hbil036, This way, you can focus on your skills qualifications critical to the job application. As an aside, you may want to look into whether you’re qualified to get back into accounting after that many years outside of the field. Film)! I understand that some regulations and rules change over the years — it may just be a matter of Essay on Stereotypography taking a test or updating your certifications, but I’m not certain. Film)! If that doesn’t seem to be a problem then go with the functional resume for sure. Right To Decide Essay! Good luck on 12 angry film) the job hunt!

If you are lacking in heart analysis, major experience, I’d recommend using a reverse chronological format for your resume. Our “Classic” template on this page should do the trick: https://resumegenius.com/resume-templates/ Good luck at the job fair! I recommend you first check out our internship resume sample page: https://resumegenius.com/resume-samples/internship-resume-example. Men (1997 Film)! Afterwards, feel free to choose any format – just use a comprehensive education section instead of a professional experience section, and you should be good. Good luck landing that internship! Share Free Downloadable Resume Templates

Our code geeks and HR experts are proud to the pharaohs egypt introduce our new Free Resume Builder software to 12 angry help you land more interviews in today’s competitive job market. We provide HR-approved resume templates, built-in job description bullet point phrases to choose from, and easy export to sudan current event MS Word and PDF. Get awesome job opportunities sent directly to your inbox. By clicking Send Me Job Alerts, I agree to 12 angry film) the Resume Genius Terms of Use and Privacy Policy. Play the One-Minute Game That’ll Show You How to Improve Your Resume. Think you can judge the quality of a resume within 6 seconds? The answer may surprise you. Put your skills to heart analysis the test, and learn how to make your resume 6 second worthy! 3 Reasons Why I Wouldn't Hire Tom Brady. Tom Brady’s resume is a couple yards short of a touchdown.

There are tons of errors throughout. See why. How to Modify and Maximize your Resume Template. Need a resume template? Feel free to download one, but be sure to make small modifications to unlock your. Would You Rather Work for a Man or a Woman? Do people still care whether they work for film), a man or woman, or do most people simply look for visual crowding, a nice job.

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A Critical Evaluation of Assisi by Norman MacCaig Essay. point of view. By close reference to the poetic techniques used, show. how successful the poet has been in making you share his/ her point of. poem, which has put across a definite point of view to me which I. believe is that all people should be treated equally and we should try. to help those less fortunate than ourselves. In this essay I will. show how successful the poet has been in making me share his point of. view, with the help of literary techniques such as language, word – choice and imagery. across his point of view to me, is alliteration. The poet uses this. in stanza three when he refers to the tourists who ignored the dwarf. and went after the priest, who was also ignoring the dwarf as he says, C, MacCaig is 12 angry film), alluding to the parable of the sower when the seed fell. on the path and the birds came to eat it up. Here MacCaig is comparing. the tourists that are at the church to the broken heart analysis being the birds in the parable. 12 Angry Men (1997 Film). of the sower.

This is because in the parable, the sower threw seed on. the ground for the birds to eat and they were clucking around him. after it. Essay. This is a comparison as this is what is happening with the. tourists that are fluttering around the priest as he spreads the. understand the poem better by 12 angry men (1997, referring to the parable. means that it was skilful of Giotto to visual crowding paint pictures to help the. illiterate understand the goodness of God. However MacCaig also is. Essay about Critical Thinking: Evaluation. determine whether the information is relevant, significant, and valid? The main concepts presented in 12 angry men (1997 film), the article are the varying definitions of each author on the concept of critical thinking. The information the author uses are definitions which are the opinions of varied authors and are similar in foundation in that to apply critical thinking one must be able to identify a problem, pose a question(s), provide valid supporting evidence, and come to a conclusion. Although the author’s definitions do Analysis of Visiting Hour by Norman Maccaig Essay. Stanza four begins with describing the nurse from their experience to their appearance. The phrase Nurses walk lightly, swiftly, here and up and down and there tell you the movement of the nurses.

The phrase here and there is split up by up and down to sudan emphasise the movement of the nurses. The movement is very unpredictable. I think that the movement of the nurses is to indicate the movement of thoughts in the poets head. The poet has many thoughts coming in and out of his His controversial opinions and assertions about race and politics made him a controversial figure. He totally disagrees with Washington whose recommendations of what the Negroes should be and catapults the Black race into disfranchisement and inferiority (Du Bois, 1903). He saw and lived in an American society where the Negroes were forced to men (1997 film) abide by of ethics, the dictates of the Whites. His open conflict with Booker T. Washington on the role of the 12 angry men (1997 film), Negroes in American society is the vehemently expressed He went into the dangers that would be caused by the use of the bombs, and visual crowding, that they would only cause “ruthless annihilation and irreversible devastation .” Szilard believed that Japan should have the chance to surrender before that tragedy that would be caused from an attack like this was imposed on them.

He believed that after given the chance to surrender, if Japan still chose the ladder by not surrendering, then an attack involving an atomic bomb could be discussed . President Truman authorized During that same time Elizabeth Cady Stanton was head of the Women’s Rights Convention in New York. 12 Angry Film). It was with much time and the pharaohs of ancient egypt, effort put into many conferences that the amendment which gave the men (1997, women the right to vote was written by Susan Anthony, but the amendment was not passed and made law until 1920. During this time is event, when Crystal Eastman started stating her views and ideas of what she would like to happen. Eastman was there first hand to men (1997 see that women did not have any rights during her short He got his first chance when Assisi declared war on their longtime enemy, the Essay on Stereotypography, nearby town of 12 angry men (1997 film), Perugia. When Francis was just barely twenty years old, he fought in the war between Assisi and Perugia and was taken prisoner. Most of the troops from Assisi were butchered in the fight.

Only those wealthy enough to expect to of ethics be ransomed were taken prisoner. At last Francis was among the nobility like he always wanted to be, but chained in 12 angry men (1997 film), a harsh, dark dungeon. Ieee. All accounts say that he never lost his happy A Critical Evaluation of An Inspector Calls Essay. The change in the lighting indicates one thing. It signals a change in the mood of the play. With the arrival of the Inspector a note of tension and menace is men (1997, introduced. Priestley has cleverly created a sense of false security that lulls the audience into visual crowding, expecting the smugness and complacency of Birling and his world to be challenged.

If we look at Priestley's stage directions on the entrance of Inspector Goole it shows us that this person is going to be an film) interesting and important character Critical evaluation of current, An Inspector Calls Essay. In the introduction, the play is said to be set in a large suburban house which has good solid furniture. It is comfortable but not cosy or homelike. It is an evening and film), they are seated in the dining room round a table near a fire. This setting creates a very eerie mood as they are in a large empty house.

The fact that it is an visual crowding evening produces a stronger impact on 12 angry the mystery, (suspense as the events unfold). There is a change in Sheila’s behavior just after the john analysis, inspector arrives. For Critical Evaluation ? Lamb to the Slaughter Essay. Until his death he is a very cold and 12 angry film), irritable person and it doesn't make you feel very sorry for him when he dies. Essay. As his wife is six months pregnant, he should be helping her not the opposite and the men (1997, news he is leaving her now gives him no sympathy from the the pharaohs, reader. The murder takes place in men (1997, the house of the Maloney's. The house adds to the unexpected scenario fro the action to take place. A murder so gruesome would usually take place in a cold, creepy and dark place, not in a warm, homely Essay on Critical Evaluation of the Psychodynamic Approach. The boy experiences the Oedipus complex; he sexually desires his mother and wants to kill his father out of jealousy. The girl develops penis envy and begins to hate her mother for not providing a penis.

The girl then transfers her love to ieee code of ethics her father, which is known as the 12 angry, Electra complex. Sudan Current Event. Also in this stage the child gets gratification through genitals. After age five, the latency period ensues, during which sexual impulses lie dormant and the child turns away from anything

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Camera obscura und Phantasmagoria. Zwei Modelle filmischer Visualität. Die Vielschichtigkeit der Vorgeschichte filmischer Visualität wurde bis in 12 angry men (1997 film), die 1980er Jahre fast komplett ignoriert. Ieee? Warum? Weil ein dominantes Modell alle anderen Vorläufer zu Randerscheinungen der visuellen Kultur degradierte. Men (1997? Die Camera obscura diente nicht nur als Erklärungsmodell für die Entwicklungsgeschichte des Kinos, sondern auch ganz allgemein als Metapher für die Funktionsweise des Auges bzw. Heart John? des Sehens. Men (1997 Film)? Dabei basiert unsere (post-)moderne Visualität viel eher auf den Prinzipien der einst (in der Kunst- und Filmgeschichte) unterdrückten Marginalerscheinungen: den Jahrmarktskuriositäten der 'niederen' Kultur.

Eine dieser Kuriositäten, die Phantasmagoria -- eine Geister-Show aus dem 18. Ieee Code? Jahrhundert --, eignet sich möglicherweise am besten als historisches Modell für zumindest einige Trends des zeitgenössischen Kinos am Anfang des 21. 12 Angry Men (1997 Film)? Jahrhunderts. Der lineare Raum der Aufklärung, der nach den euklidischen Regeln für die Repräsentation von Raum und Zeit konstruiert war, hatte auch ganz konkrete Auswirkungen auf das, was frühere Film- und Kunsthistoriker als die dominante Form der visuellen (oder filmischen) Repräsentation in current event, der westlichen Kultur bezeichneten. 12 Angry? Moderne Konzepte eines post- oder nicht-euklidischen Raums, wie sie in the pharaohs egypt, der Physik und Mathematik durch Albert Einstein (im Makrokosmos der Astronomie) oder Werner Heisenberg (im Mikrokosmos der Quantenphysik) im letzten Jahrhundert entwickelt wurden, veränderten aber nicht nur unsere naturwissenschaftliche Konzeption von Realität, sondern auch das Denken über die Darstellung von (visuellem) Raum und (historischer) Zeit. Nicht nur im Bereich der Filmhistoriographie, sondern auch ganz allgemein im Bereich der Geschichtsschreibung der visuellen Kultur entstand seit etwa Anfang der 1990er Jahre eine wachsende Notwendigkeit, die ' established trajectories ' (Entwicklungsbahnen) -- die etablierten, großen Narrative -- umzuschreiben. Men (1997 Film)? Herausragende Autoren dieser ersten Versuche, die Geschichte der Visualität neu zu reflektieren und neu zu historisieren, waren, im Bereich der Kunstgeschichte, Jonathan Crary ( Techniken des Beobachters -- Über Sehen und Modernität im 19. Essay? Jahrhundert , orig.

1992); im Bereich der Filmwissenschaften Anne Friedberg ( Window Shopping -- Cinema and 12 angry the Postmodern , 1994) oder auch Tom Gunning ( Das Kino der Attraktionen -- Der frühe Film, seine Zuschauer und die Avantgarde , orig. The Broken Donne Analysis? 1992). Diese insbesondere von Michel Foucault ( Die Ordnung der Dinge , orig. Men (1997? 1966) inspirierten historiographischen Umschreibungen reflektieren gerade im Hinblick auf die virtuellen Realitäten der Computerspiele, Science-Fiction-Welten, Digitalanimationen oder Horrorfilme unserer heutigen visuellen Kultur, auf welche Weise man neue historische Entwicklungsbahnen -- im Sinne einer Art der Archäologie des Sehens -- denken kann. Right To Decide Essay? In diesem Essay soll eine dieser neuen möglichen historischen Entwicklungsbahnen vorgestellt werden; zunächst jedoch möchte ich kurz das seit den 1960er Jahren dominante Modell für die Historiographie des Visuellen vorstellen, von dem letztlich alle neueren (postmodernen) Geschichtsschreibungen ausgehen: das Camera-obscura-Modell. Camera obscura: Monokulare Perspektivität und das Zeitalter des Lichts. Machines are social, before being practical -- dieses Zitat von Gilles Deleuze ( Foucault , orig. Men (1997 Film)? 1988) ist in Essay on Stereotypography, besonderer Weise auf die Camera obscura übertragbar. 12 Angry Men (1997 Film)? Die Camera obscura (lat. Event? für dunkle Kammer) war eine technische Apparatur, die lange vor der Renaissance bereits griechischen Philosophen und Naturforschern (z.B. 12 Angry Film)? Euklid, Aristoteles), aber auch arabischen Astronomen (Alhazen) bekannt war. On Stereotypography? In der Renaissance wurde sie jedoch zu einer Leitmetapher, nicht nur für Philosophen, Astronomen und Mathematiker, sondern auch für Künstler.

Die grundlegenden (epistemologischen) Prinzipien der Camera obscura wurden dementsprechend von Medizinern wie Giambattista della Porta, Künstlern wie Leonardo da Vinci, Mathematikern wie dem Holländer Gemma Frisius oder Astronomen wie Johannes Kepler eifrig diskutiert. 12 Angry? Jonathan Crary bemerkt hierzu: Vom späten 15. Event? Jahrhundert an men (1997 film), wird die Figur der Camera obscura zunehmend wichtiger, da sie es ist, die die Beziehungen zwischen Beobachter und Welt abgrenzt und definiert. Essay? Crary beschreibt, wie in men (1997, den nächsten zwei Jahrhunderten, insbesondere durch Philosophen wie John Locke, Gottfried Wilhelm Leibniz oder René Descartes, diese Apparatur zu einem Modell rationalistischen und empiristischen Denkens wurde, und darüber hinaus zu einer Leitmetapher für die Funktionsweise des Sehens bzw. Ieee? der visuellen Wahrnehmung. Erst während des Barockzeitalters jedoch, im späten 17. 12 Angry Men (1997 Film)? Jahrhundert, begannen vor allem Astronomen und Künstler, die Camera obscura praktisch bei ihrer Arbeit zu benutzen.

Die Apparatur an ieee code, sich ist im Grunde genommen nichts anderes als ein abgedunkelter Raum mit einer Öffnung, die das Licht hereinläßt; wenn das Licht durch die Öffnung (an der auch eine Sammellinse angebracht wurde) tritt, entwirft es ein invertiertes Bild der Szene außerhalb des Raumes auf eine Wand. 12 Angry Men (1997 Film)? Der Raum mußte deshalb, bis auf die kleine Öffnung an Essay on Stereotypography, der Wand, komplett abgedunkelt sein; ein auf den Kopf gestelltes Bild von der Außenwelt -- z.B. Men (1997 Film)? von Häusern, Bäumen oder Menschen -- konnte damit auf eine weiße Wand (oder eben auf eine 'Leinwand'), die gegenüber der Öffnung lag, projiziert werden. Right To Decide? Später wurden die Camera obscuras in 12 angry men (1997 film), ihrer Größe reduziert. Heart Donne? Der deutsche Optiker und Erfinder Johannes Zahn konstruierte 1686 eine kleine tragbare Box, die mit einem Objektiv und einem Spiegel in film), einem 45-Grad-Winkel ausgestattet war, so daß das Bild 'aufrecht' und fokussiert auf einen kleinen Bildschirm projiziert werden konnte. Essay? Dies war insbesondere für Künstler, die on 12 angry men (1997 film) location ihre Skizzen anfertigten, eine große Hilfe, wenngleich man erst im 19.

Jahrhundert mit der Daguerreotypie einen Weg fand, Bilder permanent festzuhalten. Der vielleicht wichtigste Aspekt der Camera obscura jedoch ist, daß sie eine monokulare, also einäugige (von griech. The Broken Heart John Donne Analysis? monos für ein und lat. Men (1997? oculus für Auge) Perspektive erzeugt. Ieee Code Of Ethics? Dabei unterscheidet sie sich von allen vorherigen ästhetischen und visuellen Perspektiven und Systemen seit der klassischen Antike bis ins Mittelalter, von den Wandmalereien der Steinzeitmenschen bis zur klassischen asiatischen Kunst. 12 Angry Men (1997? Der Filmhistoriker Steve Neale beschreibt das System der monokularen Perspektivität in the broken heart donne analysis, seinem Buch Cinema and 12 angry men (1997 Technology: Image, Sound, Colour (1985) folgendermaßen: Das Prinzip der Monokularität impliziert demnach also 1) die Fixiertheit des Standpunkts (oder des Gesichtsfelds), 2) die rationale Organisation des Raumes auf eine flache zweidimensionale Matrix und 3) einen Rahmen, der die Bildmotive in code, ein symmetrisches, zentralperspektivisch komponiertes Rechteck zwängt. 12 Angry Men (1997 Film)? Mit anderen Worten: Monokulare Perspektivität ist eine höchst idealisierte (bzw. Event? illusorische) Form von Visualität. Nichtsdestotrotz wurde diese idealisierte Form von Visualität naturalisiert und als 'natürliche' Funktionsweise des menschlichen Auges, des Betrachtens von Natur, konzeptionalisiert. Men (1997 Film)? Die Camera obscura wurde im philosophischen Diskurs seit der Renaissance bis hin zur Aufklärung (oder eben: le siècle des lumières : das Zeitalter der Lichter) als Substitution oder gar als Verlängerung des menschlichen Auges verstanden.

Die Beziehungen zwischen Betrachter und Welt, Innenraum und Außenraum, Subjekt und Objekt wurden als klar voneinander getrennte Entitäten beschrieben -- was sich dann am deutlichsten in to Decide Essay, René Descartes' berühmtem Körper/Geist-Dualismus (oder besser Körper/Geist-Spaltung) ausdrückte und zur Epistemologie neuzeitlicher Rationalität und Naturwissenschaft wurde. Michel Foucault bezeichnete in men (1997, Die Ordnung der Dinge das Zeitalter des Barocks als Ordnungssystem der Repräsentation, in of ancient, dem die reine Repräsentation durch die Abwesenheit des Subjekts gekennzeichnet ist. 12 Angry Men (1997? Die Utopie einer durch Zentralperspektive genormten visuellen Realität, eines klar in Essay, Raster, Quadrate und Rahmen vermeßbaren visuellen Raumes, hängt somit unmittelbar auch mit der Abwesenheit (oder dem Tod) des Subjekts zusammen. Men (1997 Film)? Das Camerai- obscura-Modell menschlicher Wahrnehmung konstruierte einen privatisierten, in event, einem 'dunklen Raum' eingesperrten und von der Außenwelt isolierten Betrachter; Visualität wurde von der körperlich-biologischen Konstitution des Betrachters abgekoppelt -- dieses Modell beschreibt somit ein zutiefst subjektloses oder entkörperlichtes Modell von Visualität . Von der Camera obscura zum klassischen Erzählkino. Der Filmwissenschaftler Stephen Heath stellt in 12 angry, seinem berühmten Essay Narrative Space (1986) einen Zusammenhang zwischen den Regeln der Raum-Konstruktion im klassischen Erzählkino (oder Classical Narrative Cinema: gemeinhin ist damit das Hollywoodkino zwischen 1920 und 1960 gemeint) und der monokularen Perspektivität des Camera-obscura-Modells her. Code Of Ethics? Heath argumentiert, daß es sich bei diesem Modell um die vorherrschende Form visueller (Raum-)Repräsentation in 12 angry men (1997 film), der westlichen Kultur handelt, deren Wurzeln in john donne, der Malerei der Renaissance aufzufinden sind. 12 Angry Film)? Die Übergangsphase dieser 'Genealogie' des narrativen Raums von der Renaissance-Malerei bis zum Hollywoodkino markiert, so Heath, einerseits der Fotoapparat mit seiner ebenfalls monokularen Perspektivität und andererseits die Camera obscura: Das klassische Erzählkino repräsentiert Raum als kohärente, in Right to Decide Essay, sich geschlossene und objektive Einheit, um den sogenannten 'Realitätseffekt' zu erzeugen. 12 Angry Men (1997 Film)? Heath erklärt, daß im klassischen Erzählkino Visualität durch den Prozeß der Narrativisierung organisiert wird; d.h. Ieee Of Ethics? die konstruierte 'Flüssigkeit' der Erzählung stopft die Löcher, die Diskontinuitäten, Absenzen und Widersprüche des visuellen Raums (offscreen Räume und Sounds, zeitliche und geographische Sprünge zwischen den Szenen etc.). 12 Angry Men (1997? Dadurch wird die Illusion eines organisch einheitlichen (oder naturalisierten) visuellen Raums erzeugt; dies ist sozusagen der 'Effekt' der klassischen filmischen Kontinuität, der im wesentlichen durch die Montage erzeugt wird. Ziel des klassischen Kontinuitätsprinzips ist es jedoch nicht, den offscreen-Raum zu verstecken oder ihn zu ignorieren, sondern, ganz im Gegenteil, diesen 'unsichtbaren', fluktuierenden, ständig sich bewegenden Raum zu regulieren, ihn sich anzueignen und zu bändigen.

Dieses Prinzip bezieht sich, so Heath, auf die rationalistische, zentralperspektivische und universalistische Organisation von Raum, die man in code of ethics, der Epistemologie des Camera-obscura-Modells wiederfindet. 12 Angry Film)? Wie im 'dunklen Raum' der älteren Camera-obscura-Apparaturen sitzt der Zuschauer quasi fixiert und gefesselt im verdunkelten Kino; er blickt auf die zweidimensionale Matrix eines gerahmten Rechtecks, das als 'Fenster zur Welt' ( aperta finestra ) fungiert. Visual Crowding? Heaths Hauptargument ist, daß es eben insbesondere die Narrativisierung ist, die diese Fixierung des Zuschauers und die naturalisierte Geschlossenheit des Visuellen erzeugt. In der Filmtheorie setzte sich diese historiographische trajectory -- von der Camera obscura über den Fotoapparat zum Kino -- in men (1997 film), der Form der sogenannten Apparatus-Theorie (siehe: Jean-Louis Baudry, Ideological Effects of the ieee code of ethics, Basic Cinematographic Apparatus , 1974) in 12 angry, den 1960er und 1970er Jahren durch. Ieee Code? Von Platons Höhlengleichnis und Louis Althussers marxistischer Ideologiekritik ausgehend, argumentiert die Apparatus-Theorie, daß der Zuschauer sich unbewußt mit dem (monokularen) Apparat, der nichts weiter als die dominante (oder hegemoniale) Ideologie des Staats-'Apparats' repräsentiert, identifiziert. 12 Angry Men (1997? Diese radikal marxistische und ideologiekritische Lesart der Zentralperspektive betonte die illusorische oder konstruierte Form (bürgerlich, privatisierter) Realität, die das klassische Hollywoodkino, sozusagen als Fortführung des rationalistischen Camera-obscura-Modells, erzeugt. Phantasmagoria: Virtual Reality und die Visualisierung der Psyche. 1798 präsentierte der belgische Erfinder, Physiker und Optiker Etienne-Gaspard Robertson in Essay, Paris die, wie er es nannte, erste Fantasmagorie -- einen Projektionsapparat für öffentliches Entertainment. Men (1997 Film)? In einer verlassenen Kapuzinergruft inszenierte er eine Geister-Show, indem er mehrere Camera obscuras so arrangierte, daß sie freischwebende Bilder ohne Leinwand in heart john donne, den offenen Zuschauerraum projizierten. 12 Angry? Robertson und andere frühe Horror-Show-Vorführer benutzten die typischen visuellen Motive der Schauerromane ( Gothic novels ), wie zum Beispiel Bilder von Schädeln, Skeletten, Teufeln, Geistern oder blutenden Nonnen. Ieee Code Of Ethics? Das ganze wurde deshalb auch oft auf Friedhöfen oder in 12 angry film), Gruften aufgeführt und mit Sound-Effekten wie Kettenrasseln, heftigem Regen, Donnerraunen oder Totenläuten versehen.

Pariser Journalisten berichteten, daß die Zuschauer dieser ersten Horror-Vorstellungen der Moderne vor Schreck erstarrten, kreischten oder gar flohen. The Broken John Donne? Robertson kamen dabei die zahlreichen Opfer des jakobinischen Terrors während der Französischen Revolution zugute. 12 Angry Film)? Die Bilder Verstorbener oder durch die Guillotine Geköpfter projizierte Robertson in Right Essay, den Raum (z.B. 12 Angry? auf künstlich erzeugte Nebelschwaden) und erschuf somit die Illusion einer leibhaftigen Wiederauferstehung. On Stereotypography? Die prominenteste Wiederbelebung war daher natürlich die des guillotinierten Königs Ludwig XVI. 12 Angry Men (1997 Film)? -- weswegen Robertsons Geister-Show von den Pariser Behörden aus Angst vor einer Wiederauferstehung der Monarchie kurzerhand verboten wurde. Die Phantasmagoria war eigentlich eine riesige Laterna magica (eine technische Verbesserung und Erweiterung der Camera obscura), die auf hohe hölzerne Beine mit Rädern gestellt wurde. Of Ethics? Dieser einfache Trick erlaubte es dem Vorführer, die Apparatur auf Schienen hin- und herzuschieben; dadurch erzeugte die Vorrichtung Zoom- und Bewegungseffekte und Veränderungen der Größe des projizierten Objekts.

Der belgische Medienarchäologe Thomas Weynants beschreibt in film), seinem Aufsatz The Fantasmagoria -- Virtual Reality techniques during the sudan event, French Revolution and 12 angry the early 19th Century (1997), wie diese Vorführungen eine Art Virtual-Reality-Erfahrung -- ohne rechteckigen Rahmen, Leinwand und zweidimensionale Matrix -- für das Publikum ermöglichte: Allgemein könnte man sagen, daß die Phantasmagoria auf den Prinzipien der Diskontinuität, Transformation (oder stetiger Metamorphose) und Offenheit beruht und einen 'Virtualitätseffekt' erzeugt -- das genaue Gegenteil der epistemologischen Prinzipien des Camera-obscura-Modells und seines 'Realitätseffekts'. The Pharaohs Egypt? Die gespenstischen Bilder folgten in 12 angry, schneller und unaufhörlicher 'Schnittfolge' aufeinander, und die einzige Verbindung zwischen diesen frei im Raum schwebenden Objekten war nicht narrativ, sondern assoziativ, verbunden durch Themen wie die Wiederbelebung von Toten -- ein völlig neues Konzept visueller Darstellung. Essay? Im Gegensatz zur gerahmten, monokularen und rationalen Welt der Camera obscura zeigte die Phantasmagoria eine Welt jenseits von Aufklärung und Rationalität, eine Welt des Übernatürlichen, Hybriden und Liminalen. Film)? Die Grenzen zwischen Leinwand und Publikum, Objekt und Subjekt, Betrachter und Welt verschwommen und kreierten ein verunsichertes, desorientiertes Publikum, ein interaktives Virtual-Reality-Spektakel, wobei zugleich auch die Grenzlinien zwischen Leben und Tod verwischt wurden. Die feministische Literaturwissenschaftlerin Terry Castle erklärt in Essay, ihrem Essay Phantasmagoria and 12 angry the Metaphorics of Essay Modern Reverie 1995), daß die wörtliche Bedeutung des Begriffs Phantasmagoria im Verlauf des 19. 12 Angry Film)? Jahrhunderts verlorengegangen ist und sich in event, eine Metapher verwandelte. 12 Angry Men (1997 Film)? Robertsons Gespenster-Show und ihre Verbindung zum post-revolutionären und post-aufklärerischen kulturellen Wandel gerieten in ieee code, Vergessenheit; statt dessen wurde der Terminus 'Phantasmagorie' zunehmend dazu benutzt, psychische oder mentale Phänomene zu beschreiben: Diese Geistifizierung des Psychischen bzw. 12 Angry? des Imaginären muß, so Castle, als ein Versuch der Visualisierung (und somit auch der Rationalisierung) vormoderner übernatürlicher Phänomene aber auch unerklärlicher 'geistiger' Erkrankungen verstanden werden. Current? Die rationalistische Sprache der Psychologie benutzte diese Metapher beispielsweise, um Wahnbilder psychisch Kranker zu beschreiben. 12 Angry Men (1997 Film)? Aber auch in the broken john donne analysis, anderen Bereichen der Wissenschaft und auch in men (1997, der Philosophie und Literatur des späten 18. Sudan Event? und frühen 19.

Jahrhunderts wurde die Phantasmagorie eine beliebte Metapher für mentale Bilder, Imaginationen und Einbildungen (siehe dazu z.B. Film)? Liliane Weissberg, Geistersprache. Essay On Stereotypography? Philosophischer und literarischer Diskurs im späten achtzehnten Jahrhundert , 1998). Film)? Im Zeitalter der Industrialisierung verschwanden Geister und Gespenster zunehmend aus dem Alltag der Menschen; die mentalen und psychischen Erfahrungen jedoch wurden paradoxerweise immer öfter 'phantasmagorisch', so Castle. Durch einen Prozeß diskursiver Verschiebung wurden das Denken und die Psyche selbst als phantasmagorische Landschaften imaginiert. John? Castle beschreibt deshalb, wie die Phantasmagorie nicht nur zu einer beliebten Metapher der romantischen Lyrik wurde, sondern später eben auch eine der Psychoanalyse, da die zunehmend wissenschaftliche Auseinandersetzung und Erkundung des noch unerforschten mentalen Kontinents (Freud) nur mit Hilfe rhetorischer Rückgriffe auf Übernatürliches erklärt werden konnte; wie eben mit der Visualisierung von Gespenstern oder 'Geistern'. Film)? Die Geistifizierung der menschlichen Psyche in the broken heart john donne analysis, wissenschaftlichen, literarischen und philosophischen Diskursen ging andererseits aber auch Hand in 12 angry, Hand mit der wachsenden Bedeutung von Visualität in the pharaohs, der modernen industrialisierten Kultur, wie Anne Friedberg in men (1997, ihrem Buch Window Shopping beschreibt. The Pharaohs Egypt? Aus der rhetorischen Assoziation des Begriffs Phantasmagorie mit Delirien, Halluzinationen, geistigem Chaos, dem Zusammenbruch der Grenzen zwischen Fiktion und Realität (Psychose) und dem Verlust der Kontrolle über den Körper (wie etwa beim Phänomen weiblicher Hysterie, an men (1997, der Sigmund Freud seine Psychoanalyse erschuf) wurde somit eine Metapher für mentale Prozesse: nicht nur die Außenwelt, sondern auch die innere Welt der Psyche wurde zunehmend visuell. Von der Phantasmagoria zum postklassischen Kino.

Terry Castle argumentiert in visual crowding, ihrem Aufsatz auch, daß die Geister-Shows der Phantasmagorien zudem zahlreiche Verbindungen zur visuellen Kultur des Kinos aufweisen: George Méliès' phantastische Stummfilme könnte man als erste Indikatoren einer phantasmagorischen trajectory zwischen den Geister-Shows des späten 18. 12 Angry Men (1997 Film)? und dem Kino des 20. Right To Decide Essay? Jahrhunderts bezeichnen. 12 Angry Men (1997? Tatsächlich kann man die Repräsentationsprinzipien des frühen Stummfilmkinos und des postklassischen (oder postmodernen) Hollywoodkinos mit denen der Phantasmagoria-Vorführungen vergleichen. Visual Crowding? Sowohl das Stummfilmkino als auch das postklassische Kino lassen sich viel eher als phantasmagorisches denn als Camera-obscura-Kino beschreiben. So wurden die Filmemacher des frühen Kinos von ihren Zeitgenossen beispielsweise als (irrationale) Zauberer und Magier verstanden und nicht als technisch versierte (rationale) Experten im Umgang mit der Kamera. Men (1997? Wichtiger noch: Das frühe Stummfilmkino zeichnete sich insbesondere durch bestimmte ästhetische oder formale Prinzipien aus, die man folgendermaßen umschreiben könnte: 1) keine zentralperspektivische Organisation des Bildes; 2) Interaktivität zwischen Publikum und Leinwand (z.B. The Broken? die notorische Zugfahrt in men (1997, das Publikum); 3) nicht-narrative, assoziative und fragmentierte Bilderfolgen und Schnitte; 4) Betonung des Spektakels, Vernachlässigung des Narrativen. Of Ancient Egypt? Der Filmwissenschaftler Tom Gunning beschreibt deshalb den frühen, vor-narrativen Film als ein Kino der Attraktionen (1992). 12 Angry? Gunning sieht im performativen Zurschaustellen ein wesentliches Charakteristikum des frühen Kinos. Visual Crowding? Die Filmemacher und Vorführer dieser visuellen Spektakel des frühen 20.

Jahrhunderts wandten sich mit (psychologischen) Tricks, Gestikulationen zur Kamera, aber auch durch das Programm und die Aufführungssituation direkt an men (1997, das Publikum. Right Essay? In diesem Sinne kann man das frühe Stummfilmkino im Kontext populärer Unterhaltungsevents und -spektakel dieser Zeit -- wie etwa Zirkusse, Freak-Shows, Sport-Spektakel, Varietés, Boulevard- und Vaudevilletheater -- als eine Fortführung des phantasmagorischen Prinzips spektakulärer visueller Darbietungen verstehen. Doch in 12 angry film), welchem Bezug stehen die Phantasmagoria und das frühe Kino zu unserer heutigen visuellen Kultur? Die Stummfilmforscherin Miriam Hansen erklärt in to Decide Essay, ihrem Essay Early Cinema, Late Cinema: Transformations of the film), Public Sphere (1994), wie man gewisse Ähnlichkeiten zwischen dem frühen vor-narrativen Kino und unserer (postmodernen) visuellen Kultur erkennen kann: Vor allem das Horrorfilm-Genre könnte man als phantasmagorisches Kino par excellence bezeichnen. Essay? In der Tat war es insbesondere das Horror-Genre, das dafür verantwortlich war, das Hollywoodkino in film), den späten 1960er und frühen 1970er Jahren zu revolutionieren: Aus dem klassischen (Camera-obscura-)Kino wurde das sogenannte 'New Hollywood', das postklassische (Phantasmagoria-)Kino. Essay On Stereotypography? In Filmen wie Ridley Scotts Alien (1979), William Friedkins Der Exorzist (1973) oder Stanley Kubricks Shining (1980) entstanden filmische Techniken, die versuchten, den Zuschauer in men (1997 film), den Horror des Geschehens gleichsam körperlich 'einzusaugen'. Right? Gleichzeitig spielte das 'Reale' des Körpers eine zunehmend wichtige Rolle, wie am besten aus Ridley Scotts Alien ersichtlich wird.

Die Re-Konfigurationen narrativer Paradigmen des klassischen Erzählkinos gingen Hand in men (1997 film), Hand mit der Thematisierung traumatischer politischer und historischer Ereignisse (wie etwa dem Krieg in visual crowding, Vietnam), aber auch mit der Darstellung von durch Gewalt ( Taxi Driver, 1976), Psychosen ( Shining , 1980) oder Übernatürliches ( Der Exorzist , 1973) traumatisierter Protagonisten. Men (1997? Auch in sudan event, diesem Sinne gibt es eine Verbindung -- sozusagen eine psychologische trajectory -- zur traumatisierten Atmosphäre im post-jakobinischen Frankreich während der Napoleonischen Kriege mit ihren zahlreichen Gewaltopfern. Der Filmwissenschaftler Thomas Elsaesser erklärt in 12 angry men (1997 film), seinem Essay Augenweide am Auge des Maelstroms? (1998), in egypt, welcher Hinsicht die stilistischen Charakteristika des Horror-Genres eine entscheidende Rolle bei der Neuformierung der Paradigmen des Hollywoodkinos spielten: Das Prinzip des Offscreen-Horrors besteht im wesentlichen darin, daß das eigentlich Entsetzliche die Offscreen-Sounds, die seltsamen Geräusche, Stimmen und Töne des 'anderen' sind. Men (1997 Film)? Gerade postklassische Horrorfilme haben dieses Prinzip des Offscreen-Horrors perfektioniert: In Wiliam Friedkins Exorzist (1973) ist das eigentlich Entsetzliche die vulgäre Stimme, die aus dem Inneren des Mädchens spricht -- der 'andere', der in visual crowding, ihr steckt, wird niemals 'visualisiert'; in men (1997 film), Roman Polanskis Rosemaries Baby (1968) sind die 'anderen' die nervigen Nachbarn von nebenan, die für die entsetzliche Geräuschkulisse sorgen -- ein obskures satanistisches Ehepaar. Visual Crowding? Der Horrorfilm betont, so könnte man behaupten, die phantasmagorischen, oder eben die imaginären (unsichtbaren) Aspekte ihres Narrativs, da die Abwesenheit der Quelle des Sounds mental rekonstruiert werden muß. Der Hollywoodfilm The lllusionist (2006), der zur Zeit Sigmund Freuds, am Anfang des 20. Film)? Jahrhunderts in sudan current event, Wien spielt, setzt sich -- neben dem im selben Jahr erschienenen The Prestige -- vielleicht am direktesten mit den phantasmagorischen Wurzeln des Kinos auseinander. Men (1997 Film)? Der Magier und Illusionist Eisenheim (Edward Norton) läßt hier die totgeglaubte Gemahlin des Kronprinzen von Österreich-Ungarn auf einer Bühne als Gespenst auferstehen. On Stereotypography? Eingebunden in 12 angry, ein klassisches ödipales Dreiecks-/Eifersuchtsdrama thematisiert der Film hier genau die Themen, die das phantasmagorische Kino ausmachen. Visual Crowding? Man könnte sagen, daß sich The Illusionist in 12 angry men (1997 film), dreierlei Hinsicht selbstreflexiv mit dem Medium Film beschäftigt: 1) als Reflexion auf die Freudsche Konstellation des ödipalen Dreiecks, das in heart donne, Hollywoodfilmen immer wieder thematisiert wird; 2) als Reflexion auf die illusorischen, spektakulären und eben phantasmagorischen Wurzeln des Kinos zu Anfang des 20.

Jahrhunderts; 3) als Reflexion auf den Konnex zwischen dem Trauma des Verlusts eines geliebten Menschen und dessen phantasmatischer Auferstehung auf Zelluloid. Postklassische Filme wie The Illusionist versuchen, genau wie das frühe Kino und Robertsons Phantasmagoria, den Zuschauer (inter-)aktiv in men (1997, das Geschehen hineinzusaugen; Thomas Elsaesser nennt dieses Phänomen engulfment . The Pharaohs Of Ancient Egypt? Mit engulfment wird das 'Verschlungenwerden' oder 'Abtauchen' des Zuschauers in men (1997, die Diegese des Films verstanden, wie etwa in Right to Decide Essay, einen Wasserstrudel. 12 Angry Men (1997? Eine gute kinematographische Metapher hierfür ist zum Beispiel der Wasser-/Blutstrudel am Ende der Duschszene in Essay, Alfred Hitchcocks Psycho (1960) oder der sprichwörtliche 'Vertigo' aus Hitchcocks gleichnamigem Film von 1958, der auf Deutsch auch den symptomatischen Untertitel Aus dem Reich der Toten trägt. 12 Angry Men (1997 Film)? Man kann das Kino durchaus als eine Art Schnittstelle zwischen dem Reich der Toten und dem Reich der Lebenden bezeichnen. Sudan Current Event? Wie der Filmwissenschaftler Ken Gelder beispielsweise schreibt, war es genau diese Qualität des Kinos, auf die Kommentatoren des frühen Stummfilmkinos aufmerksam machten: Berichte über frühe Formen des modernen Kinos [. Film)? ] betonen die Fähigkeit des Kinos Bilder zum Leben zu erwecken, den Tod selbst überwinden zu können und lebendiger zu erscheinen, als wir selbst [. Right? ]. Das postklassische Kino versucht ein Gefühl der Identifikation mit Traumata der Angst, des Verlusts oder der Gewalt zu suggerieren. Film)? Wie die zeitgenössische Filmtheorie betont, anerkennt dieses Kino, daß die Filmerfahrung prinzipiell und in Right to Decide, allererster Linie eine körperliche Erfahrung ist und eben nicht eine entkörperlichte, wie sie das Camera-obscura-Modell suggeriert. Men (1997? In diesem Sinne kann die Leinwand des Kinos nicht mehr lediglich als rechteckiges, zweidimensionales 'Fenster' (zur Welt) konzeptionalisiert werden, sondern viel eher als eine Art Schnittstelle, als liminales Schwellenreich zwischen Subjekt und Welt; zwischen dem Körper des Zuschauers und seinen eigenen Phantasmen, Sehnsüchten und Projektionen. Current Event? In diesem Sinne ist das Kino eine Begehren und Phantasmen produzierende kulturelle Entität, die uns mit den Grundlagen unserer (körperlichen) Existenz, dem Leben und dem Tod, permanent konfrontiert.

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How This Simple Resume Model and Career Portfolio Example Landed a Dream Job. Need a resume makeover? See the before and after of a resume transformation. Use this powerfully simple resume model and 12 angry film), career portfolio as your guide. The days of slapping together a resume and getting results long gone. The days of just having a resume are pretty much over as well. Meet Ken Cordova. As he finished his master’s degree, he wanted to put himself out there to explore new career opportunities. His problem? His resume.

Here’s his resume before: Here’s his powerfully simple resume after: Ken went through a resume transformation. He developed a simple resume and career portfolio to land his dream job. I’ll walk you though how you can do the same. Ken supplemented his resume with a great career portfolio. It took some time and effort, but it quickly paid off as he soon landed a dream job. Essay. In fact, he turned down interviews at one point. I’ll walk you through what Ken did to build this simple resume model and film), career portfolio example. As I always say, simple is visual crowding, hard. I’ll keep it as easy as possible for you and 12 angry, show you how to replicate these as well as the the broken analysis tools he used.

Even if you aren’t in the job market, I still recommend you keep your resume updated and build a career portfolio. At some point, you’ll likely need both. Don’t wait until that time to start frantically building them. Components of film) a Powerfully Simple Resume Model. Recruiters and hiring managers are scan readers. They need to check a ton of the pharaohs of ancient resumes in a short time so they skim most of them. If something catches their attention, they’ll actually read the resume, which drastically increases your chances of men (1997 a first interview. The resume content and keywords are important but scannability is critical. Donne. If you can’t get a hiring manager’s attention, great content gets you nowhere. The importance of content comes to 12 angry film) play after you’ve caught their attention. So what do you do?

Rethink your resume design by understanding how people initially scan a web page. Without knowing the science of how people read web content, which version of heart john donne analysis Ken’s resume would you be more likely to read? Remember, you have hundreds of men (1997 resumes to go through in a short period. What makes a simple resume powerful? How easy it is to visually scan. Not only is the new, simple resume more visually appealing, it’s also easier to scan. Current. Here’s the 12 angry men (1997 science behind it.

Content is organized in an ‘F’ formation. Although it might sound odd to ieee code of ethics design a simple resume as a web page, hiring managers use the 12 angry film) same approach as people use to scan a website. According to a Nielson Group study, people quickly scan web content in an F-shape pattern. After the scan, they decide if they commit to reading the content in current, more detail. Now doesn’t this sound like the typical hiring manager approach I just described? Hiring managers scan content like users scan content on a web page before deciding to commit. Ken’s more simple resume makes it easy to scan the content. The GIF image below simulates for you a hiring manager quickly flipping through resumes. Click on it to activate it.

Click on the image to activate an animation that simulates a hiring manager quickly flipping through resumes. Which one would make you stop? Visually, which one is 12 angry film), most appealing and on Stereotypography, stands out most? Ken’s simple resume is easy to scan. As you design your resume, make it easy to scan. Ken’s resume is easy to 12 angry scan and digest the content. Right Essay. Given the ‘F’ pattern, here is how a typical person scan’s his resume: This resume model is easy to scan which makes a commitment to reading more likely. The first scan is 12 angry, likely to go from of ancient, left-to-right. 12 Angry Men (1997. His picture is at the end, which catches attention and continues the scan.

You might try putting a headline with this first scan as well. Keep this section as simple as possible as to not overwhelm the of ancient egypt reader. Scan 2 and 12 angry, 3 can go either way. Likely, there is a slight scan down to the left and then off to the right. That second scan catches keywords such as: If you were hiring someone for donne analysis a leadership position, wouldn’t you want to keep reading after quickly scanning those words?

He made great use of not only the keywords but the 12 angry film) placement of them based on how people scan a resume. Depending on where scan 2 started, the third scan is slower (especially based on the resume keywords and placement). This is where commitment to finish reading his resume happens. Visually organized resume content. Ken’s more simple resume is visually organized. This makes the content easier to read and digest. Once the the pharaohs of ancient egypt scanning stops, the reader has to decide if it is going to be ‘easy to read.’ This resume model is 12 angry men (1997, organized into code of ethics three sections. Much like a website header, this resume header gives a visual sign of order and a quick overview. The picture is a powerful way for film) someone to put a person to visual crowding the page.

Ken’s resume model makes effective use of a sidebar that is visually separated by the background color. The information has great keywords and summary information for anyone scanning this content. He further separates the content into sections with headers. Men (1997 Film). Easy to scan and easy to Right digest. Ken separates the main content with a white background. He further organizes content with separators. Although there is 12 angry, plenty of heart john analysis content here, it appears brief and easy to read thanks to the visual organization. Ken uses the action-result formula for his resume structure instead of simply listing tasks. 12 Angry Men (1997. He quickly tells a story of the value he brings to the pharaohs of ancient the business. Tools resources to build this simple resume. For developing content, keywords and organizing this resume model, Ken used a collection of resume strategies I developed.

He also didn’t rush it. He took his time and 12 angry film), went through each part thoroughly. As a part of the toolkit, Ken discovered hundreds of templates at Canva. He used a combination of the ieee of ethics pre-designed templates. The service and 12 angry film), templates are free. I also have a list of other free templates in a resume development toolkit chapter on resume design and customization. I list lots of options there! So the question that many of you are probably asking is:

How did he fit 20+ years of experience on the broken john donne a one-page resume? He didn’t and you don’t need to either. Men (1997. Pick the most recent and relevant experience based on your position targets. Right To Decide. Ken made fantastic use of a supplemental professional career portfolio. Here’s how he did it and why you should do it too. Career and men (1997 film), Professional Portfolio Example. With the latest trends in talent acquisition moving to digital, people want to know you before they meet you. The first thing people will do is Google you.

Make sure they immediately find the right information. A career portfolio is a digital display of to Decide your professional experience and film), accomplishments. Visual Crowding. Professional portfolios range in length from a single page to a thousand-page website that includes case studies, references and visual galleries (especially for photographers). Most people hear ‘website’ and think ‘I. It’s not difficult. Men (1997. I’ll show you a simple way of creating a simple but powerful career portfolio. Why is a career portfolio important when looking for the pharaohs of ancient egypt work? When someone types your name into a search bar, the displayed results are called SERP (Search Engine Result Page). The more authoritative web properties associated with your name, the more information displayed in your SERP. Here is the men (1997 film) SERP for of ancient Kris Fannin as an example:

A career and professional portfolio will increase your exposure, authority, and SERP when people search for film) you. Why does your SERP matter? Because I guarantee people will search for you while looking for work. Visual Crowding. A career portfolio helps them find what they want and learn more about you as a person and a professional. Additionally, a professional portfolio provides you exposure even when you aren’t looking for a job. It brings opportunities to you and not you chasing opportunities down in a reactive way. Career portfolios are not just a copy and paste of your resume, although they should contain your resume. Ken did an excellent job of 12 angry developing a simple yet powerful portfolio together. He used the Essay Wix platform for building and hosting his site.

The current version of Ken’s portfolio can be found here. He had never built a website before, although you wouldn’t know that looking at it. At the 12 angry film) end of this section, I’ll give you some other options to build yours. Let’s walk through the sections and content so you can use a similar format. Career portfolio ‘Home’ and to Decide, introduction page. Use this section to give a brief introduction and catch their attention.

Be professional and personable. A career portfolio is a perfect complement to a scannable, simple resume. Just under the introduction, Ken provides a CTA (Call to Action) to learn more about him. Men (1997 Film). Include a simple contact form and Right to Decide, link to your active social profiles as well. Career portfolio ‘About Me’ – be human. This is an area to let people know the value you bring as a professional. 12 Angry Men (1997 Film). Notice – and this is very important – Ken did NOT just copy and paste the content of his resume.

He gives a short overview of his career, what he’s looking for and personal traits that make him successful. He has another CTA that invites the user to explore his resume. He includes some personal information below, which I highly recommend. Why? Hiring managers are looking for an organizational culture fit. They want to know more than your skills and experience. They want to know you as a person. This is also an opportunity to connect with a potential employer as a human – not just a resume. Seriously? How could you NOT start to like Ken after seeing and reading this? Make sure your career portfolio includes some personal content.

It helps to connect with the person reading it and makes you an code of ethics, actual human. Career portfolio ‘Resume’ and ‘Skills’ sections. Ken broke these into 12 angry two different pages, and there is a reason. First, he has a page with his resume content. Notice, it is not exactly the same as his actual resume which is key. Be slightly more descriptive. He also added a video background to the header of the page. Because this content can be more ‘dry,’ this is of ethics, a great strategy to engage a user immediately. He then takes it a step further by adding a ‘Skills’ page. Why did he separate the two?

Because he made it conversational. It has great wording and visuals and further builds his ‘case’ to 12 angry a potential employer. Make your career portfolio conversational and appealing. Ken added a separate ‘Skills’ page to his portfolio which further engages a potential employer and builds his case. Career portfolio ‘Education’ and ‘Contact’ sections. Although rather straightforward, these are important sections for Essay on Stereotypography a professional portfolio. You might be tempted to put them on one page, but I recommend you separate them.

Separate sections allow you to go into more detail. Additional sections to consider for your career portfolio. Although not included in men (1997 film), Ken’s, some extra content and sections to consider adding to your portfolio include: Video or a video introduction . What better way for someone to the broken ‘get to know you’ than a video introduction? If you decide to include one, I would put it on the first page. These aren’t difficult to 12 angry men (1997 make. Just dress professionally and fire up your webcam. FAQ section . What questions do potential employers ask you? What are some unusual questions you’ve been asked in an interview that you are confident you answered well? Include them in an FAQ section! You could also answer each question on video.

Take a look at Intelivate’s FAQ section for ideas on how to Right Essay organize them. Alternatives to a dedicated website. If you don’t want to build a dedicated site, here are a couple of great alternatives. All three have free and premium products. You have just about everything you need to build a great, simple resume and 12 angry men (1997 film), career portfolio. I know it can be overwhelming, so take it one step at a time. Bookmark this and come back to it as you start each part. Remember, even if you aren’t in john donne, the job market, please do both of these proactively now before you ‘need’ them later. Men (1997. At the the broken heart least, you’ll open the door to new opportunities. I know I gave you a lot of information here.

If you have any questions, don’t hesitate to let me know over on men (1997 Twitter or Facebook. I’d love to connect as well! Don’t forget to sudan current event subscribe above to get more business and career insights delivered directly to you. Related solutions to help you with your resume and career portfolio. Virtual Jobs #038; Your Home Office: 21 Tips for Success and 12 angry men (1997 film), Sanity. Process Documentation – Protecting the Lifeline of Your Business Operations. Are Leaders Born or Made? Why You Need to Know.

Headquartered in Tampa, Florida, Intelivate’s B2B consulting services, employee training programs, career solutions and digital marketing services build the business, team, and Essay, career of 12 angry film) your dreams. Whichever solution is right for you, working with us, you won’t get a linear or a flat approach but, instead, a three-dimensional strategy that addresses the core of sudan current event your challenge.