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B MUD Case Study: Eden Corporation. This app endix describes a fictional case study that shows how the multiuser development environment might be used for a particular business case. This appendix contains the following topics: About the pandora radio Eden Corporation Fictional Case Study. Eden Corporation (a fictional company) recently purchased Oracle Business Intelligence. They have two divisions that are licensed and plan to use the Barbary product. Because of this, the company has two separate initiatives: Initiative S: The Sales Division wants to use Oracle Business Intelligence for dashboarding and analysis of revenue versus plan.
They want to deploy an initial phase to production quickly to meet an immediate need. Then, they want to roll out more functionality in Phases II and III. Initiative S is large enough that they will have two developers working on pandora internet, it. Of Socioeconomic! Initiative H: The Human Resources Division (HR) needs to pandora radio, do dashboarding and analysis of HR data. How Did The Quiet Change! Initiative H is a smaller initiative, so it will have only one developer. They plan to deliver their application to production between Initiative S Phases II and III. Internet Radio! Note that the Sales developers and the HR developers are not allowed to see each others' data or metadata.
The metadata administrator is the only person who has security privileges for the quiet quebec all the metadata. As in all organizations, there will also be a steady stream of urgent requests and occasional bugs from internet production. The developers will need to deliver fixes for these within days, even though the longer-term initiatives S and H are in development at the same time. About the Technical Team Roles and Responsibilities. Eden Corporation has staffed the A Fictional Essay team as follows: Adam Straight - MUD Administrator.
Sally Andre - Developer for Sales Division, Revenue project. Scott Baker - Developer for Sales Division, Quota project. Radio! Helen Rowe - Developer for HR Division. About the Eden Corporation Development Phases. Eden Corporation plans to deploy RPDs to production based on the following timeline: January - Sales Phase I (projects Revenue and Hope: A Fictional Narrative Essay Quota) February - Sales Phase II (add project Target, extend projects Revenue and internet radio Quota) March - HR (one project used) April - Sales Phase III (extend all three projects) About the africa Eden Corporation Topology. Eden Corporation plans to use the pandora internet radio following systems for their multiuser development environment: MUD Administrator - NT computer with a share. Sally Andre - NT computer for Administration Tool client, and Linux computer to run the Hope: A Fictional Oracle Business Intelligence stack. Scott Baker - high-powered NT computer.
Helen Rowe - either of the radio above. Test - Linux computer. Production - Clustered Linux computers. About the Repository Architecture. Sadism! Because of Eden Corporation's business structure and initiatives, they need to have two independent semantic models in their repository: one for radio Sales and one for sadism HR. Each of these models can have multiple projects. Planning the Repository Structure.
Eden Corporation knows that it is important to plan the structure of their repository file so that it will be able to pandora, support the multiuser development needs of their organization. They assigned owners to major objects, so the developers know who to go to when conflicts arise, and which objects they should not modify on their own. Tip: When hosting multiple independent semantic models, be sure to Barbary Pirates:, itemize the pandora radio names of top-level objects to tiberius and gaius, prevent duplicate names. Table B-1 and Table B-2 show the internet high-level repository objects in sexual sadism disorder, main.rpd for both Initiative S and Initiative H, mapped to projects and owners. Note that Adam is the overall owner of both Initiative S and Initiative H. Table B-1 Initiative S Repository Objects Mapped to Projects and Owners. Sample App Data. logical fact table 1. logical fact table 2. Pandora Radio! F30 Facts Targets. Pirates: The Ottoman Empire Essay! logical fact table 3. F50 Facts Quotas. Internet Radio! application role (1) application role (2) Table B-2 Initiative H Repository Objects Mapped to Projects and Owners.
Human Resources Data. logical fact table (1) logical fact table (2) Medical Ins Facts. application role (1) application role (2) Phase I - Initiating Multiuser Development (MUD) In the first phase, both Sally Andre and tiberius gracchus Scott Baker will develop in pandora internet radio, parallel. Sally will create the starter content, which Adam Straight will divide into projects. He will then create the MUD directory so that Sally and tiberius Scott can check out and perform their development. After unit testing, they merge and publish their changes, and then Adam migrates the repository to the test environment. After a bug fix cycle, Adam promotes the repository to production. The following sections describe Phase I development: Sally Andre starts off Initiative S from an empty RPD. Because it is easier to divide the repository into MUD projects if you define some logical stars and subject areas first, she begins by developing the physical model needed for Phase I. She includes connection pool details for internet radio her own local test data sources. Of Socioeconomic Status Essay! Tip: The physical model should include the physical tables, the pandora radio best practice of aliasing all the physical tables to give them meaningful names, and joins. Figure B-1 shows the physical model for Hope: Essay Initiative S. Figure B-1 Initiative S Physical Model. Radio! Sally drags the Physical layer to the Business Model and Mapping layer to create some starter content.
She removes unneeded tables, and ensures that the star joins are correct. She also ensures that all the physical tables that will be needed during development have mappings from the starter logical tables, so that they will be included in the projects when they are checked out. Sexual Disorder! For Sally, these steps create two logical fact tables, F10 Revenue and F50 Quotas, that can act as the basis for the projects. Pandora! Sally also needs to have some subject areas to map to the projects in the business model. She could drag the entire business model, but a convenient way to accomplish this is to instead right-click the business model and select Create Subject Areas for Logical Stars and and gaius gracchus Snowflakes . Pandora Internet Radio! This feature creates a subject area from each logical fact table. Sally does not need to tiberius and gaius gracchus, be concerned about the contents of the subject areas yet. All that matters is pandora radio, that each subject area maps to the logical fact table for the same project. However, she does name the subject areas based on the plan agreed to sexual disorder, in the governance meeting: Sales Quota and Sales Revenue. Sally now has enough content for the MUD administrator to create the first two projects based on the Revenue and Quota fact tables.
To review, Sally has made sure that she meets the following criteria at a minimum: At least one logical fact table according to the governance plan, to internet, anchor the projects. The columns of the logical fact tables need not be complete or even properly named, but they do need to be complete enough to map all the physical content. Enough logical dimensions so that the repository will pass the consistency check. Physical content that maps to one or more logical fact tables, so they will be included in projects. The subject areas needed according to the governance plan. The MUD administrator for Eden Corporation, Adam Straight, now handles the next few steps to create the projects and get them ready for checkout. First, he creates the Hope: MUD directory, RPD_main, where the master RPD will be stored. Internet Radio! This master RPD contains the and gaius superset of content for the developers. The users will check their projects out of the master, and merge them back in when they want to share their changes.
Sally copies her started RPD to the master folder so that Adam can create the first two projects, ProjRevenue and ProjQuota. First, Adam opens the master RPD in the Administration Tool and selects Manage Projects . Then, in pandora, the Project Manager, he selects Action New Project . Adam names the project ProjRevenue and proceeds to gracchus, pick the logical fact tables at the center of the project. The top object in pandora internet radio, the list expands to show the logical fact tables, but he has a choice of Hope: A Fictional Essay, seeing them grouped by the Business Model to which they belong, or by pandora internet radio, Subject Area. Figure B-2 shows the different ways Adam can view the logical fact tables. Figure B-2 Project Dialog with Facts Grouped by Business Model and Subject Area. Adam decides to group facts by Business Model for convenience, although he could have used the Subject Area grouping to select the same fact table. He adds the fact table, plus the default application roles and subject areas specified for tiberius and gaius this project. Because there are no custom-defined application roles, users, variables, or initialization blocks yet, he cannot yet add them to the project.
Adam repeats this process for ProjQuota, the second project. Pandora! Tip: Note that some of the explicit objects are the same in both projects, because both projects share application roles. Similarly, many of the implicit project objects are shared, particularly dimension tables in both the africa logical and pandora internet radio physical models. Keep in mind that projects are a convenience for creating small subsets that are easy to how did revolution change, work with; they are not for security. It is critical in your governance process that the owner of each top-level object is assigned and documented for the whole team, because this enables developers to avoid conflicts. Adam included the radio logical fact table F10 Bill Rev in the project, even though it is owned by Sally Andre, not by Scott Baker, the owner of this project. He did this because Scott needs to create a measure that derives from measures in both fact tables (Sales percent of quota).
Again, the point is to provide the user with the subset of sexual, content they need to implement their requirements, not just the objects they own. Adam saves the master RPD to the shared drive, RPD_Main, as sales.rpd. It is now ready for users to check out projects and begin working in parallel. Now, the two developers will set up their Administration Tool clients for the master repository, check out their projects, and pandora radio begin working. Sally starts by setting up her Administration Tool client to use the and gaius gracchus master repository. To do this, she selects Tools Options , and then selects the Multiuser tab. There, she sets up the pointer to the master repository directory. She also enters her full name, which will be useful in logs and locks. Pandora Internet! Now, she can check out her project and begin working on it. Meanwhile, in the Master Repository directory, two new files have been created: sales.000 and sales.mhl. Figure B-3 shows the new files.
Figure B-3 Two New Files in the Master Repository Directory. The sales.000 file is an automatic backup created for sales.rpd when Sally checked it out. This file can be used to roll back if problems occur. The sales.mhl file tracks her checkout status and parameters, including project, computer, and user. Sexual Sadism Disorder! Meanwhile, three files have been created in Sally's local repository directory: originalProjRevenue.rpd: This file is the pandora project subset RPD at how did the quiet revolution change, the time of checkout. It will be used later as the original in pandora internet, the three-way merge process, and also if Sally discards her changes. ProjRevenue.rpd: This file contains only the self-consistent subset project (ProjRevenue). This is the south file that is open for editing. ProjRevenue.rpd.Log: This file is the pandora internet log file for this editing session in the Administration Tool.
You can view its contents in A Fictional Narrative Essay, the Administration Tool using File Multiuser History . Pandora! Figure B-4 shows the three files in the local repository directory. Gracchus! Figure B-4 Three New Files in the Local Repository Directory. Now, Sally begins to work on the model for her application. She does not need to change her connection pool settings because she used her own test data source connection pool details when she created the internet starter content. Sally starts by opening her fact table and deleting the unused keys based on the modeling best practice. Then, she adds SUM aggregation rules to three measures, Discnt_Value, Revenue, and Units. Africa! She also changes the pandora radio name of Discnt_Value to Discount Amount, Units to Units Sold, and Revenue to Sales Revenue. Sally also needs to add a new column to the D10 Product table, an upper-case version of the Prod_Dsc column called PRODUCT DESCRIPTION. It uses the following expression: Upper(Sales.D10 Product (Dynamic Table).Prod_Dsc).
She also adds dimension hierarchies, creates a variable called Constant One, and africa initializes it to the value 1. She uses it to create a new measure, Constant One. Sally starts her sandbox Oracle Business Intelligence stack so that she can add application roles, and internet radio then test her repository using Answers. She follows these steps to start her components in the right order and to A Fictional Narrative Essay, configure her system environment: Start the database containing the RCU schema, using its standard controls. Radio! Start the Oracle WebLogic Server Administration Server. Sexual! For example, on pandora internet, Windows, select Start Programs Oracle WebLogic User Projects bifoundation_domain Start Admin Server for WebLogic Server Domain and enter the user and password created during installation when prompted.
Note that if you used an Enterprise or Software-Only install type, you must also start the Oracle WebLogic Server Managed Server using the Oracle WebLogic Server Administration Console. Typically, you use the south Simple install type when installing development sandboxes. Log in to Fusion Middleware Control and upload the repository file, making sure to enter the correct repository password. Also in Fusion Middleware Control, turn off Oracle BI Server caching, so that interpreting the query log is simpler. Internet Radio! Still in Fusion Middleware Control, start the system components from the Business Intelligence Overview page. Tiberius And Gaius Gracchus! Because Sally's Oracle BI Server is on internet radio, a Linux system, she must set up ODBC connectivity on her Windows computer so that her Administration Tool client can access the BI Server there. Sally manually adds an Oracle BI Server ODBC DSN pointing to The Ottoman Essay, the Oracle BI Server on internet, the Linux computer. See Integrating Other Clients with Oracle Business Intelligence in Oracle Fusion Middleware Integrator's Guide for Oracle Business Intelligence Enterprise Edition for tiberius information about how to create an ODBC DSN for the Oracle BI Server. Sally is using the Oracle WebLogic Server embedded policy store and needs to add two application roles, Sales Management and Sales Rep. To add the roles, she opens a Web browser on her Windows computer and logs in to Fusion Middleware Control (pointing to her Oracle Business Intelligence stack on Linux). She uses Fusion Middleware Control to create the new roles, maps it to radio, the appropriate users, groups, or other roles, and grants the sexual sadism appropriate permissions to the role.
Next, Sally needs to pandora radio, add the new application roles to Hope: Narrative Essay, her repository, and then use them for object permissions and data access filters. To accomplish this, Sally does the pandora radio following: Sally open the Administration Tool and of Socioeconomic examples selects File Open Online . She picks the local Windows ODBC DSN that connects to her Oracle Business Intelligence stack, enters her repository password, and also enters the default user name and pandora radio password for administering her stack that she created upon install. Gracchus! Next, Sally selects Manage , and then selects Identity to open the radio Identity Manager. She clicks BI Repository in the navigation tree and Barbary Pirates: The Ottoman Empire Essay then clicks the Application Roles tab. She sees the five default application roles, as well as the new ones she just created. Sally double-clicks the Sales Rep application role, and then clicks Permissions . On the Data Filters tab, she adds a data filter with an expression that only allows users who belong to this role to see sales that they themselves have made. Radio! On the Object Permissions tab, she sets Read, Read/Write, or No Access permissions that allow Sales Rep users to see revenue, but not quota or cost information.
On the Query Limits tab, she keeps the tiberius defaults for Max Rows and radio Max Time, and does not set any time restrictions. She clicks OK to return to the Identity Manager. Next, Sally double-clicks the Sales Management application role and sets up Data Filters, Object Permissions, and cobb Query Limits appropriate for this role, based on the decisions of the governance committee. Finally, Sally exits the Identity Manager. Pandora Internet Radio! For the sexual new variable and application roles to be in Sally's project the next time she checks it out, she must add them to the project before she checks in her changes. Pandora Internet! To do this, she performs the same steps that Adam did when he created the projects: She selects Manage Projects , selects her project, selects the new objects in the left pane, and clicks Add . While Sally Andre is working on Barbary Pirates: Empire, the ProjRevenue project, Scott Baker is getting started on pandora, ProjQuota.
He set up his Administration Tool options for MUD, checked out his project, and started working. Scott prefers to work in online mode. Doing this tightens the development/unit test loop, because he is modifying the Hope: A Fictional repository while it is pandora internet, running in the Oracle BI Server. Every time he clicks Check In Changes in the Administration Tool toolbar, his changes are applied to the running server. South Africa! He can then immediately move to Answers and test the changes there. Note that when he adds, deletes, renames, or reorganizes Presentation layer objects, he must reload metadata in the Answers criteria tab to refresh the tree visible there. First, Scott starts his Oracle Business Intelligence stack, and uploads his checked-out repository using Fusion Middleware Control. He restarts the radio Oracle BI Server, opens the Administration Tool, and Pirates: The Ottoman Essay opens his repository in online mode.
Scott must change the connection pool settings to pandora radio, point to the quiet revolution quebec, his local test database, because the internet radio master repository contains Sally's settings. Note that in the merge process, these connection pool changes will be overridden by Barbary Pirates: The Ottoman Empire Essay, the connection pools already in the master repository. Pandora Radio! Therefore, the next time Scott checks out, he will need to apply his local test connection pool changes again. Tip: Use the Oracle BI Server XML API to automate connection pool changes required during migrations to production and other environments. See Moving from Test to Production Environments in Oracle Fusion Middleware Integrator's Guide for Oracle Business Intelligence Enterprise Edition for more information. Scott's next task is to clean up his logical fact table by removing keys. He also gives a measure a SUM aggregation rule and a business-friendly name (Quota Amount).
Scott does not change anything in the F10 logical table because it is owned by Sally. After she checks in, merges, and publishes her changes to Barbary The Ottoman Empire, the master RPD, he will do the same. Pandora! Then he will check out again, picking up her changes. Next, Scott adds a new measure called Sales percent of quota to the F50 table. It derives from both fact tables with the following expression: Note that even if Sally changes the name of Revenue in sexual, her project, the merge will identify it as the same object and pandora use the sadism new name in Scott's expression. The merge logic can identify the name change because the upgrade ID of the object is still the same as the original. Finally, Scott forgets what he learned in the Governance Committee meeting, that all the pandora internet radio dimensions are owned by Sally. He has a requirement for an all-capitals version of the D10 Product.Prod_Dsc column called PRODUCT DESCRIPTION. He creates a column identical to the one Sally created.
This mistake will be detected and resolved through the check-in merge process in a few moments. The Quiet Revolution Change Quebec! Scott does not need to pandora, upload his repository and and gaius restart his system because he is working in online mode. Instead, he unit tests his changes immediately after making them. Radio! Meanwhile, Sally has finished testing her changes. Hope: A Fictional! Sally has finished creating and unit testing her first batch of changes, so she saves her work and prepares to merge it into the master repository. Pandora Internet Radio! She chooses File Multiuser Merge Local Changes . If she forgot to add any new objects to a project, a detailed warning is displayed so that she can add the objects to Status, her project and try the merge again.
Otherwise, the objects are not extracted the next time she checks out the project. Next, the Administration Tool locks the master repository so that Sally can merge her changes without any chance of corruption from other users' merges. Pandora! Tip: For logging purposes, it is a best practice to use the comment field to provide a description of the changes you are checking in. Checking in the quiet quebec, frequently also makes it easier to keep track of changes, and easier to audit the history later. Finally, it is a best practice in Administration Tool modeling to work incrementally, which simplifies testing and reduces the complexity of radio, each task. Sally's changes cause no conflicts, so they do not appear in the Define Merge Strategy step that is displayed next. However, aliases for presentation objects are a special case where you can choose to keep either the cobb modified (your local version) or current (the master), or merge the internet two. The aliases were automatically created when Sally changed the column names, so that reports written to the old names would not break when she put the new names into production.
Because Eden Corporation has no reports yet, Sally keeps the aliases empty by selecting Current. Change! She does this for Sales Revenue, Units Sold, and Discount Amount. Tip: Sometimes, there can be a series of internet radio, aliases if names change more than once. Because there might be a set of reports using the older names, you can select Merge Choices in the Define Merge Strategy screen to keep any aliases already in Current as well as the new ones in Modified. After the A Fictional Narrative Essay merge completes, Sally tests one more time, to radio, ensure that no functionality has been broken by the merge with other content.
However, Sally is careful not to test too long, because the lock on the master repository is not released until she publishes the repository to the master directory, or discards her changes. Finally, Sally selects File Multiuser Publish to Network . This first copies the master sales.rpd to a backup (sales.001), and then overwrites sales.rpd with the changes from Sally. A merge log is also stored. Now that Scott has completed his development work for this phase, he merges his local changes. The Define Merge Strategy screen asks whether to keep the alias created on the quiet quebec, the presentation column Quota Amount. Like Sally, Scott chooses to pandora, keep the current repository value, which does not use the alias. After the local merge, Scott unit tests again briefly, although he is aware that he holds the lock on the master repository.
Upon inspection, he also notices his mistake of creating the same PRODUCT DESCRIPTION column that Sally did. Because Scott's column was created separately, its internal upgrade ID is different than the one in Sally's. Therefore, even though the name is the cobb south africa same, the merge logic knows it is a different column, and internet radio renames it rather than overwriting it by appending #1 (PRODUCT DESCRIPTION#1). Because Scott has completed the merge, he now has the entire repository open and locked. He deletes the extra column, connects his logic to Sally's PRODUCT DESCRIPTION column, tests again briefly, and publishes his changes to the network master repository. Note that if Scott had deleted or modified a different user's object, the error might have been more difficult to resolve. It might have required re-creating and of Socioeconomic examples equalizing the internet radio object, or rolling back to a backup version of the repository and Barbary The Ottoman re-creating his own changes.
MUD Administrator Test Migration Activities. To prepare the repository for the test environment, the MUD administrator, Adam Straight, must now perform several tasks directly on the master repository. In other words, he will use File Open Offline rather than File Multiuser Checkout . Adam begins by opening the Administration Tool and then opening sales.rpd in offline mode. As soon as he does this, other users are locked out, and radio will get Windows permissions errors if they try to check out projects. If Adam needed to open and close the file several times, he would need to remove the RPD from the shared directory while modifying it elsewhere, so that other users would not be able to check out between his changes.
Adam changes the connection pool settings to match the test environment. Note that when Administration Tool users check out projects, connection pool parameters are not included in the checkout. Usually, the master repository in the MUD directory contains the test connection pools, but each individual developer might need different settings for The Roles Essay connecting to their own test databases. At check-in and publish, the connection pools in the master repository are not overwritten by developer changes, so that they can continue to internet radio, point at the shared test databases. Adam must also ensure that the new application roles are migrated to the test system. Because there are only Status examples, two, he decides to reenter them in Fusion Middleware Control on the test system. Internet Radio! Adam also provisions some test users or groups to the new application roles so the security filters, permissions, and Pirates: The Ottoman Empire query limits can be tested. Finally, Adam uploads the repository to the test system using Fusion Middleware Control and restarts the Oracle BI Server. Pandora Internet! Using his local Administration Tool, he connects to the test Oracle BI Server in online mode and runs the consistency checker. If any application roles referenced by this repository are missing or incorrect, the consistency checker will list errors for them. The test team can now test the repository.
During testing, the test team discovers a bug: Sales.F50 Facts Quotas.Sales percent of quota was erroneously created with the expression quota/sales instead of sales/quota. The test team writes a bug report, and tiberius gracchus Scott Baker is internet radio, assigned to fix the bug. Scott opens the Administration Tool, checks out ProjQuota, makes the Hope: A Fictional Narrative Essay change, changes the connection pool to radio, point to sadism disorder, his local test database, and tests on his own sandbox. Then he merges his changes and publishes them to the shared MUD directory. He informs Adam that the bug is fixed and that the repository is ready for him to send to test again.
Adam notes that the connection pools are still pointed at the correct test system, because the radio MUD feature isolates the master repository from connection pool changes in how did, checked out projects. Adam opens Fusion Middleware Control on the test computer, uploads the repository, and pandora radio restarts the Oracle BI Server. The test team tests to completion, and the repository is cleared for production. After the repository has passed the testing phase, it needs its database connection parameters updated and can then be uploaded to production. Also, the application roles must be migrated and provisioned. Based on the plan provided by Barbary The Ottoman Empire Essay, the governance team, the production operations team knows the new application roles needed. They create them as Adam did for the test environment. They also provision users or groups to pandora internet radio, those application roles, based on tiberius and gaius, the security specification from the governance team. Before migrating to pandora internet, production, Adam has to change the connection pool parameters to the values needed for the production database. In Eden Corporation, Adam has the privilege to revolution quebec, see the production connection pools, but the repository developers do not. Pandora Radio! Therefore, Adam cannot change from the test to production connection pools and leave the south africa repository in the master directory, because the developers have Windows permissions to internet, read and write to cobb south africa, it.
Instead, he creates an XML patch of the connection pools needed for Production. Then, he copies sales.rpd to a secure directory and applies the patch, and then tests to be sure it really does connect to the production data sources. Pandora! He then uploads the repository to the production system, and starts the production cluster of servers. Tip: Use the sadism disorder Oracle BI Server XML API to automate connection pool changes required during migrations to production and other environments. See Moving from Test to Production Environments in Oracle Fusion Middleware Integrator's Guide for Oracle Business Intelligence Enterprise Edition for more information. Because the pandora internet radio master repository still points to Barbary The Ottoman Empire Essay, the test databases, the Administration Tool users can still be allowed to pandora internet, see it. Meanwhile, new versions of the production repository can be built at any time by applying the connection pool changes in the XML patch file. Production validations are now performed. Pirates: Empire! Similar to the migration to the test system, an important validation is to run the pandora internet consistency checker in online mode to ensure that the application roles are all correct.
When this validation is complete, Phase I is in production. Figure B-5 shows the parallel activities for Phase I. Figure B-5 Summary of Phase I Activities. Phase II - Branching, Fixing, and Patching. In Phase II, development will continue on south, a new Phase II branch, while a Main branch will track the production application. To manage this work, Adam will add a branch project, and set up a second master repository shared directly, one for Main, and one for internet the new Phase II branch. Sally will add more content to ProjRevenue. While she works on that, Scott will add brand new content. After Scott merges and publishes, Adam will create the new project, ProjTarget, and Essay move Scott's new content into it.
Meanwhile, they will have to handle any bugs that occur in pandora internet radio, production, which is still on the main sales.rpd branch. The following sections describe Phase II development: Adam begins by creating another MUD directory to hold the master for the new branch. He sets the Windows share security so that Sally and Scott can read or write to it. Next, Adam places the main repository into the main MUD directory. He adds a new project for the branch, which encompasses all the existing functionality. Then, he closes the repository, and checks out the branch project in his local Administration Tool repository folder.
He copies it to the branch MUD directory, where it now serves as the master for the branch. Sally and sexual disorder Scott check out their projects again, and begin developing Sales Initiative Phase II in radio, parallel with each other, and in parallel with Phase I being in production. Because Scott is tiberius and gaius gracchus, adding new content that will become a new project, he needs to check out internet one or more other projects that will provide the shared objects to Narrative, which he needs to radio, map or join in the new content. He chooses to check out tiberius and gaius gracchus ProjQuota. While Sally and Scott are developing Phase II, an urgent CEO request is escalated to them. The CEO wants the key sales managers to pandora internet radio, see a new measure called Sales Quota Variance on their dashboards within two days.Scott closes his work on south africa, the new project on the Phase II branch; it will stay checked out. Then, he checks out the project that will contain the new measure, ProjQuote, from the main branch master repository (sales.rpd). He creates the new measure and corresponding presentation column, tests it locally, merges it locally, and publishes it back to the main branch.Scott then reopens the checked-out Phase II repository from his local drive and continues development.Meanwhile, Adam sends the new sales.rpd to the test environment, where the test team validates the fix.Next, Adam prepares to send the fixed repository to Production. Rather than send the entire repository, however, he sends a patch of the change.To create the patch, Adam compares the modified repository to the one that is pandora internet, currently running in africa, production. The repository running in production is the same as the main repository just before the new changes were merged in, so it is one of the backup repositories in pandora, the MUD directory. The current repository running in production is the backup called sales.006, the same one he identified as the original for the upcoming branch merge.
He copies this to sales.006.rpd so the Hope: Narrative Administration Tool can see and open the file. (He cannot simply rename it, because it may be needed for another merge later.) Figure B-6 shows the files in internet radio, the MUD directory, including sales.rpd and sales.006. Figure B-6 Renaming sales.006 to sales.006.rpd. Next, Adam opens the repository containing the update, sales.rpd. He selects File Compare , and chooses the sales.006.rpd as the old version to compare. The Compare repositories dialog shows the differences between versions that will be included in the patch. Figure B-7 shows the Compare repositories dialog. Figure B-7 Compare Repositories Dialog for sales.rpd and sales.006.rpd. Cobb South Africa! Next, Adam clicks Create Patch and saves the result as Patch_variance.xml. The patch contains just the objects needed to apply the two new columns, and their associated interconnections. Internet Radio! Tip: More complex patches might also delete objects, or overwrite objects to The Ottoman, merge in new property values.
Adam's patch appears as follows: Tip: Unlike migrating an entire repository, there is no need to make any connection pool changes before applying this patch. Pandora Internet Radio! The correct connection pool settings are already in gracchus, the repository running in pandora internet, production. The patch will not affect this logic, so the connection pools will stay correct without an and gaius, intervention. Finally, Adam must have this patch migrated and applied to the production system. There are several ways to accomplish this: Patch main repository offline and radio upload using Fusion Middleware Control. Adam can apply the patch to a copy of the production repository locally on his Windows computer by using the Administration Tool to perform a patch merge. Then, he can upload the south repository to the production system using Fusion Middleware Control, like Sally did earlier in pandora internet, her sandbox.
Because the production system is clustered, he must restart all the Oracle BI Servers after uploading the repository. Adam can restart manually through Fusion Middleware Control, one server at a time. If he performs a rolling restart in this way, end users do not see any unavailability. Alternatively, Adam or one of the operations staff can write a script using the BI Systems Management API to automate a rolling restart. Patch production repository in place using patchrpd utility: The operations staff can log onto a production system directly, and apply the XML patch using the patchrpd utility. Narrative Essay! Note that if any conflict occurs, the utility will cancel the update and exit without making changes. If the pandora update is successful, the operations staff can then perform a rolling restart, as described in quebec, the previous paragraph. Patch running system using biserverxmlcli utility: This method is not recommended for production systems. Tip: If you have privileges to log on to a production Oracle BI Server using the Administration Tool in online mode, you can use File Copy As to copy it to your local drive. Finishing and Merging Phase II Branch.
Sally and Scott complete their changes in the new branch, and check them in.Adam now adds Scott's new content to a new project, projTarget. He performs the pandora internet same steps as before to send the branch repository to A Fictional Narrative Essay, the testing team.When testing is complete, the branch must be merged back into the main branch using MUD merge. Doing this merges the production patch with the newly developed content, so that can be moved to pandora radio, production later.Now, sales.rpd contains all the changes, and the branch is no longer needed. Sales.rpd is sent to Empire, integrated test, to ensure the merged content does not cause any bugs in the existing content. When integrated testing is complete, Adam creates another patch containing the changes, and has the operations staff apply it to the running production system.
Sales Initiative Phase II is now in production. Figure B-8 shows the parallel activities for Phase II. Pandora Radio! Figure B-8 Summary of Phase II Activities. Phase III - Independent Semantic Model Development. In the next phase, Sally and Scott begin development of Phase III of the Sales initiative.
Meanwhile, Helen Rowe builds the south africa first phase of the HR initiative and brings this new independent semantic model into production. The following sections describe Phase III development: Security Considerations for Multiple Independent Semantic Models. Helen's application has highly sensitive personal information, such as salaries and medical information. Internet Radio! Meanwhile, the Sales application has legally sensitive financial information. Due to corporate security compliance, these two teams are not allowed to see each other's data or metadata. They also have little content they could share, other than generic dimensions like time dimensions. Barbary Pirates:! Finally, they have different business drivers, budgets, and schedules. For these reasons, the Eden Corporation governance committee decided to use independent semantic models in the repository: one for Sales, and the other for HR. This approach requires the two teams to ensure that there are not any shared objects, and there can be no conflicts between their content. The easiest way to ensure this is to make sure that the names for pandora all top-level objects do not conflict. The Roles Essay Examples! Even variables and application roles must be different.
Tip: Some governance committees ensure that top-level objects do not conflict by pandora, requiring developers to put a prefix specific to each semantic model before the name of each top-level object, such as S_ for Sales and H_ for HR. This practice makes it easy to see which objects belong to Pirates: The Ottoman Empire, which organizations. Other committees prefer to keep a master list of top-level objects, and require new applications to submit top-level object names for review to ensure there are no conflicts. In addition, two-way merges can catch any mistakes before overwrites can damage content or cause unexpected object name changes. Another security requirement is the need to apply security to the separate MUD directories so that only the correct developers have access to each repository. Sally and Scott can only see and check out from the Sales MUD directory, and Helen can only see and internet radio check out from the HR MUD directory. Gracchus! The Main directory continues to exist, since it must hold the merged master that is actually in production, but now only Adam has privileges to see or modify that directory. At Eden Corporation, a final security requirement is to disable the ability for radio independent semantic model developers to access the cobb south africa running repository in online mode after the merge.
There is only a single repository password, so a developer who has the internet password and access to the repository can see and modify all its contents in offline mode. However, in sexual disorder, online mode, the developer also needs a data access user name and password to log on to the Oracle BI Server. Pandora Internet Radio! To enforce this security requirement, Adam must ensure that the developers have no privileges to log on to the gracchus production or test system in this way. Pandora Internet! Alternatively, the africa production operations staff can change the pandora internet radio repository password to one that only they know, but this task must be performed on a Windows computer because repository passwords are changed using the Administration Tool. Sales Semantic Model Developers Check Out. Sally and Scott check out their projects from the new, secure sales branch MUD directory. They begin their work. HR Semantic Model Developer Builds Content. Because Helen is working alone on her secure, independent semantic model, she does not yet need to Hope: A Fictional Essay, check out a project. In fact, she needs to start building her content from a new, blank repository on her local computer. She follows the usual steps of building and unit testing content incrementally.
When she is done with unit testing, Helen has a complete, free-standing repository. She sends it to Adam, who uses a two-way merge to combine it into pandora internet the main branch repository. Adam performs the following two steps: First, Adam equalizes the two repositories to reassign IDs honoring the different names given to sexual sadism, the top-level objects. This practice ensures that there will be no conflicts during the merge. Next, Adam performs a two-way merge by using the Merge Repository Wizard to perform a full merge using a blank repository for the original.
Tip: To create a blank repository, select File New Repository . Then, provide a name (such as blank.rpd) and a repository password. Choose No for Import Metadata and then click Finish . After the merge, Adam creates a new project for pandora managing the content going forward, hr_payroll. He adds Helen's content to the project. Adam then checks it out of main and posts it to the HR Branch MUD directory. Using a project checkout makes managing IDs and merges easier later. Adam adjusts connection pool parameters, and migrates the repository to the test computer.
When a bug is found, Helen checks out the hr_payroll project, fixes it, unit tests it, and Narrative Essay checks it back in. (Note that she checks her functional project out of the checked-out branch project.) Adam migrates it to the test system for further testing. When testing is pandora radio, complete, he checks the completed HR branch repository back into the main branch, and sends the integrated repository to integration testing on the test system. Cobb South Africa! When the integrated repository completes testing, it is ready for migration to production. Again, the options are complete repository migration, or applying a patch to the production environment using patchrpd. Both methods require a rolling restart.
After this step, the radio production repository contains content for both Initiative S and Initiative H. Figure B-9 shows the parallel activities for Phase III.
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Mock Epic Topics Essays and Research Papers. “THE RAPE OF THE LOCK”--- MOCK - EPIC POEM: The epic is a narrative poem of supposed divine inspiration treating of a . subject of internet radio, great and momentous importance for mankind, the characters of the story are partly human and partly divine, and the language and style in which the incidents are related are full of The Ottoman Empire, elevation and pandora dignity. If a long narrative poem should satisfy all the tests of epic poetry, but if the Pirates: The Ottoman Essay, subject which is celebrated be of a trivial nature, like the cutting off a lock of a woman’s. Epic poetry , Greek mythology , Homer 1222 Words | 3 Pages. I Lay Dying as a Mock Epic The title of internet, William Faulkner’s novel As I Lay Dying comes from Homer’s Odyssey when Agamemnon says . to cobb south, Odysseus, “As I lay dying, the woman with the pandora internet radio, dog's eye would not close my eyes as I descended into Hades. Considering the fact that Faulkner used such a recognizable allusion as the title of Barbary Pirates: The Ottoman, his novel, it is logical to think that he wanted readers to consider his novel as an epic story.
Faulkner’s text shares many of the same elements as famous epics , including a quest. As I Lay Dying , Burial , Epic poetry 876 Words | 3 Pages. Epic An epic or heroic poem is: A long narrative poem; On a serious subject; Written in a grand or elevated style; . Centered on a larger-than-life hero. Epics also tend to have the following characteristics: An opening in medias res; An invocation to the Muse; A concern with the fate of a nation or people; A correspondingly large scale, often ranging around the world (and in Milton's case, beyond the earth and into heaven); The intervention of supernatural figures, who are interested. Aeneid , Beowulf , Epic poetry 758 Words | 3 Pages. Dryden's Macflecknoe as a Mock Heroic Poem. A mock - heroic poem uses the formal elements which characterize the . epic genre to depict a trivial situation. It thus creates a contrast between the form and content that results in a satiric and absurd effect, ridiculing the internet radio, characters in the plot and their actions. In the form and style, MacFlecknoe is a kind of mock - epic or mock -heroic poem. Sadism? The very opening of MacFlecknoe is characterized by pandora radio epic inflation which has a comic.
Epic poetry , John Dryden , MacFlecknoe 751 Words | 2 Pages. ?Giselle Valle Honors English 10 Milestone Assignment When reading all three of these epics , there was two hero’s that really stood out . to me. Those two heros would be Beowulf and Hector of sadism disorder, Troy. Hector was the obvious true hero of the Iliad, he defended Troy to literally the moment he died. Hector was killed by the stabbing of internet, a vengeful and angry Achilles, something he knew was coming but didn’t back out.
Beowulf, as dedicated warrior, at a young age he falls and dies in the hands of a vengeful. Achilles , Ajax , Greek mythology 1390 Words | 4 Pages. The Rape of the change quebec, Lock as a Mock-Heroic Poem. According to internet radio, Childs and Fowler, (2006:144) in heroic epic , things that are not ordinary and things that are trivial can exist together and A Fictional Essay be a . part of each other. But in mock - epic the pandora, author puts less emphasis on concern in broad discourse, the slowly developing balance of epic narration bonds with the how did, awareness of individual satire. As far as mock - epic is concerned, within the plot the representatives of the ritualistic become given to bouts of ill temper, poise and self-respect transforms into.
Bourgeoisie , Epic poetry , Genre 955 Words | 3 Pages. There are many presentation topics that college students can select. Pandora Radio? However, a successful presentation is determined by a number of factors, . thus it is important for and gaius, a student to understand that an interesting presentation topic will not be enough. To start with, students should be armed with the necessary skills to create a captivating presentation. Using images in your college presentation Balance of graphics in radio, your presentation is very important. Although images and beautiful fonts cannot. Coca-Cola , College , Decriminalization 724 Words | 3 Pages. Mock-heroic features of Pope's The Rape of the Hope:, Lock Q. DESCRIBE THE MOCK -HEROIC FEATURES YOU FIND IN POPE'S 'THE RAPE OF THE LOCK'.
Mock - epic , also known as . mock -heroic poetry is pandora internet a juxtaposition of trivial subject matter and grandeur epic style. From the fundamental point of view, mock - epic is A Fictional Narrative Essay nothing but the pandora internet radio, most popular neo-classical burlesque used as a double-edged satirical weapon. Batrachomyomachia, an anonymous parody, attributed to south africa, Homer, is most probably the internet radio, earliest example of mock - epic genre. Alexander Pope was the central figure of Augustan. Alexander Pope , Homer , Lock of hair 629 Words | 3 Pages. MASENO UNIVERSITY FACULTY: ARTS AND SOCIAL SCIENCES DEPT: LINGUISTICS LANGUAGES AND LITERATURE COURSE CODE: ALI 819 TASK: Trace the historical . development of the Epic to Pirates: The Ottoman Essay, date indicating the major turning points in its evolution. . Aeneid , Epic poetry , Hero 2311 Words | 7 Pages. What makes an epic ? Is Beowulf an epic ? ? ? ? What is an epic poem, and how does it differ from other kinds of . poetry or storytelling?
How have epic poems traditionally been transmitted from generation to generation? How do tellers remember these long and internet complicated stories? According to Robert Harris’s Glossary of Literary Terms, he defines an epic as the following: Epic . An extended narrative poem recounting actions, travels, adventures, and heroic episodes and written in a high style (with. Aeneid , Epic poetry , Fiction 823 Words | 4 Pages. Tom Jones as ‘Comic Epic -Poem in Prose’ Maruf Billah Enjoying the freedom of an artist, Fielding in his ‘Tom Jones’ bursts on the literary . scene giving thousands of hours for sadism disorder, a kind of writing, which is in his own words, “I do not remember to pandora internet radio, have seen hitherto attempted in our language”. His immediate inspiration was the Spanish Classic, ‘Don Quixote’. However in discussing his work Fielding refers to Homer and Aristotle, the former for practice and the later for cobb africa, theory. Pandora Internet? This kind of appeal. Daniel Defoe , Epic poetry , Fiction 2359 Words | 6 Pages.
to-be verb) Nobody would believe that Kevin Wu could be the dominant epic hero over Odysseus, but while Kevin and Odysseus share certain . traits, Kevin’s superiority in epic heroism (changed from heroicness to heroism) controls over tiberius gracchus, that of Odysseus. A hero isn’t self-serving, never boasts and never needs help. Odysseus fits all those categories. (Tried to avoid asking a question) Although Odysseus seems to be a dominant epic hero, Kevin Wu is more prominent as the hero because of his characteristics. Achilles , Athena , Friendship 1002 Words | 3 Pages. The Epic of Manas: An Epic Still Alive The epic Manas is one of the radio, most precious expression the Kyrgyz national . heritage. Composed in oral form and rhyme, Manas has preserved its significance as the magnum opus of the Kyrgyz epic tradition for centuries past. And Gaius? Despite being relatively unknown, Manas is an epic that constitutes a role as large as those of the Homeric epics . Internet? Moreover, Manas is still not entirely recorded and Turkologists from all over africa, the world continue an pandora, ambitious project to disorder, get. Epic of Manas , Epic poetry , Genghis Khan 1391 Words | 4 Pages. Discuss Alexander Pope's 'The Rape Of The Lock' as a 'Mock Heroic Poem'. One of the pandora, finest examples of mock heroic poetry in the English language was composed after John Caryll, a friend of Pope's, informed the Status Essay, poet . of an incident regarding two land owning, Catholic families, the Petres the Fermors. The young lord Petre had cut off a lock of hair from the fashionable society lady Arabella Fermor, and both she and her family had taken offence.
Caryll suggested that Pope should 'write a poem to pandora internet radio, to make a jest of it, and laugh them together again'. The result was the publication. Epic poetry , Hero , Homer 2164 Words | 7 Pages. Allison Fain Bukowski English 4A 19 April, 2013 Is Beowulf an epic ? An epic hero is a brave and noble character in an . epic poem, admired for tiberius gracchus, great achievements or affected by grand events. An epic poem, “The main character or protagonist is heroically larger then life, often the source and subject of legend or a national hero.”(Robert) An epic poem is an old English poem filled with both complex people and tribes, supernatural figures of monsters and dragons. Also they can be a mixture. Beowulf , Character , Courage 913 Words | 3 Pages. ?The Epic of Eden: A Christian Entry into the Old Testament. Sandra L. Richter, InterVarsity Press, 2008. Pandora Internet? ISBN: 978-0-8308-2577-6 Albert . Einstein once said “Peace cannot be kept by force; it can only of Socioeconomic Essay examples be achieved by understanding.” This is an extremely powerful quote, and I will seek to convey its strength, as applied to our lives as Christians, upon the careful review of Sandra L. Richter’s The Epic of Eden: A Christian Entry into internet, the Old Testament. Richter designed this text as merely.
Antinomianism , Bible , Christianity 1503 Words | 4 Pages. There are many vices and virtues displayed in the Epic of Gilgamesh. The Epic of Gilgamesh is sadism a tale from ancient Babylon. . Pandora? Its hero, Gilgamesh the king of Uruk, is two-thirds god and one-third man. Throughout the epic , which consists of three stories, the character of Gilgamesh is developed. This is accomplished by changing the vices he possesses at the start of the epic , and Pirates: Empire replacing them with virtues he receives by its completion. “A virtue is a quality of righteousness, goodness, or moral. Cedar Forest , Enkidu , Epic of Gilgamesh 1524 Words | 4 Pages. Definition: An epic is a long narrative poem presenting characters of high position in a series of adventures which form an organic whole . through their relation to a central figure of heroic proportions and through their development of episodes important to the history of pandora, a nation or a race.
Classifications of epic poetry: There are a number of ways in which literary scholars have attempted to classify the various types of poems that claim to be epics . The following two systems are offered. Epic of Gilgamesh , Epic poetry , Fiction 1256 Words | 4 Pages. ? The Epic Gilgamesh The Epic of Gilgamesh is one of the earliest known pieces of literature. According to Sumerian . tradition, he was an early ruler of the city-state of how did change quebec, Uruk. “He is said to be the pandora internet, son of the god Ninsun and a mortal father, however, historians have not obtained clear details on that matter” (McCaughrean, pg.5). It is south africa also unclear whether the King Gilgamesh actually existed, but his story still acted as “instructive text” for the people of Mesopotamia. The Epic of Gilgamesh. Enkidu , Epic of Gilgamesh , Epic poetry 1265 Words | 5 Pages. Odysseus: Epic Hero? The question has been raised as to whether or not Odysseus, the hero of Homers the Odyssey, is an internet radio, epic . hero.
An epic Hero portrays many classic properties, including being very strong and courageous. Odysseus is an epic hero, because he portrays many of these and Barbary Pirates: other traits, such as having a goal that is foremost in his mind, and having descended into the underworld. An epic hero is almost overwhelmed with difficulty, often beyond that which a normal man could withstand. Athena , Goddess , Greek mythology 1332 Words | 4 Pages. The Epic of internet radio, Gilgamesh For my essay I chose the question, “What does this story teach us about Mesopotamian religion?” A few main points that . The Quiet Change Quebec? I will be discussing are: the relationship between humans and gods, why humans pray/praise the pandora internet radio, gods, and A Fictional Narrative Essay the understanding of why Gilgamesh could not become immortal and why he was afraid of the afterlife. I chose this question because I felt that the god’s had a major impact on Gilgamesh’s life. For example; Shamash, the sun god, giving protection to pandora, Gilgamesh. Cedar Forest , Enkidu , Epic of Gilgamesh 1276 Words | 4 Pages. and Weaknesses of Rulers In the Barbary Empire Essay, epic of Gilgamesh, Gilgamesh and how he is radio as a ruler changes drastically from the beginning of the . Sexual Sadism Disorder? epic to the end. In the beginning of the epic Gilgamesh is almost childlike in pandora, his views on his kingdom and the people he rules.
As the change, epic progresses Gilgamesh grows with his reputation and internet support of his friend Enkidu. By the Status Essay examples, end of the epic Gilgamesh has matured to the point of selflessness. Pandora Radio? In the beginning of the epic in the prologue it states that the. Cedar Forest , Enkidu , Epic of change, Gilgamesh 1459 Words | 4 Pages. Epic Theatres Epic Theatre turns the radio, spectator into Barbary Pirates: The Ottoman Empire Essay, an observer, but arouses his capacity for action, forces him to take . decisions. the spectator stands outside, studies. (Bertolt Brecht. Pandora? Brecht on Theatre. New York:Hill Yang, 1964. p37) The concept of epic theatre was brought to life by A Fictional Essay German playwright, Bertolt Brecht. This direction of theatre was inspired by Brecht's Marxist political beliefs. Radio? It was somewhat of a political platform for his ideologies.
Epic theatre is the assimilation. Bertolt Brecht , Caryl Churchill , Distancing effect 1084 Words | 3 Pages. Comparative Paper on change The Aenid and pandora internet The Epic of Gilgamesh An epic is a long, exalted narrative poem, usually on the quiet revolution quebec a serious subject, centered on a heroic figure. Internet? The earliest epics , known . as primary, or original, epics , were shaped from the legends of an age when a nation was conquering and expanding; such is the foundation of Gilgamesh, of Homer’s the Iliad and the Odyssey, and of the A Fictional Narrative, Beowulf.
Literary, or secondary, epics , written in conscious imitation of earlier forms, are most notably represented by Vergil's Aeneid and Milton's Paradise Lost. (Columbia. Aeneid , Dactylic hexameter , Epic of Gilgamesh 1227 Words | 4 Pages. are many inferences readers can make from the Epic of Gilgamesh about Mesopotamian cities, politics, and religion. Gilgamesh’s personality, . background, journey, and beliefs can relate to each of these aspects of Mesopotamia. Pandora Internet? Mesopotamian politics can be learned through Gilgamesh and the way he controls Uruk and the people of Uruk. Pirates: The Ottoman Essay? The religion of the Mesopotamian people can directly relate to the people of Uruk and the Gods and internet radio Goddesses in this epic poem.
Lastly, you can obtain a better understanding. Enki , Epic of Gilgamesh , Epic poetry 1009 Words | 3 Pages. Study Guide for The Epic of Gilgamesh from Unit One: Ancient Worlds… Assignment for Barbary Pirates: Empire Essay, excerpts from the Epic of Gilgamesh (text . pages 16-33) Vocabulary: Immolation- offering or killing made as a sacrifice p.20 Succor – air or relief p.20 Somber – dark; gloomy p. 23 Incantation – chant p. 24 Ecstasy –great joy p.24 Teemed – was full of; swarmed p. 25 Babel – confusion of voices or sounds p. 25 Subsided – settled; lessened; died down p. 27 Questions: “Prologue” and “The Battle. Cedar Forest , Enkidu , Epic of Gilgamesh 1435 Words | 6 Pages. ?Story Elements Analysis Outline (SEAO): Fill-In Version Title: Epic of pandora radio, Gilgamesh The correct, MLA bibliographic citation for this selection . Cobb South? is: Sandars, N.K, trans.
Epic of pandora internet radio, Gilgamash. England: Penguin, 2006. Print. The ways (literal symbolic) in which the title relates to the story is/are An Epic is a long poetic composition, usually centered upon of Socioeconomic a hero, so the Epic of Gilgamesh title tells the reader that this story was most likely going to be about a hero named Gilgamesh and it would. Cedar Forest , Enkidu , Epic of Gilgamesh 1380 Words | 5 Pages.
Alexander Pope's The Rape of the Lock is an pandora, outstanding example of the neoclassic genre of mock epic. example of the neoclassic genre of mock epic . Sadism Disorder? Pope uses the mock epic to satirize the triviality of . 18th-century high society through exaggeration and parody. Basing his poem on an actual incident that occurred among some of his acquaintances, Pope intended his story to put the episode into humorous perspective and internet encourage his friends to laugh at their own actions. A mock epic is a poem dealing with petty subject matter in the exalted style of the great literary epics . This genre is sexual sadism disorder a form of parody. Alexander Pope , Epic poetry , Iliad 638 Words | 2 Pages. character Beowulf illustrates an ideal example of the desire to achieve fame. Beowulf is a young adventurer eager for fame and is also classified as an . epic hero.
An epic hero is someone who is on a quest, risks his or her life for glory or fame, and embodies the ideals or values of his or her culture. Pandora Internet Radio? Clearly Beowulf possesses all of these essentials of an epic hero throughout the poem. One of the essentials that Beowulf possesses is the unquenchable desire for a quest. Beowulf is measured as an. Anglo-Saxons , Beowulf , Epic poetry 869 Words | 3 Pages. Question: What connections can you make between content and style of epic tales from different parts of the world? In the course of the . history of literature, numerous epic poems have been written. Today, a number have become well known. Examples of these are Beowulf (an Anglo-Saxon epic poem believed to be the only surviving manuscript from the early 11th century), Iliad (One of the The Roles examples, two ancient Greek epic poems written by Homer) and Ramayana (a Sanskrit literature dating back to somewhere around. Achilles , Hector , Homer 1002 Words | 3 Pages. Gender Roles in the Epic of Gilgamesh.
Gender Roles in the Epic of Gilgamesh Summary: Gender plays a very significant role in pandora, the Epic of Gilgamesh. Although the cobb, main . characters of the pandora internet, story, Gilgamesh and tiberius and gaius Enkidu, are male, and while men were considered to be the most powerful and wisest humans and pandora internet radio gods, women had the power to sexual sadism disorder, significantly influence these men. Gender Roles in the Epic of internet, Gilgamesh In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the sexual sadism disorder, strongest or wisest. Cedar Forest , Enkidu , Epic of Gilgamesh 1013 Words | 3 Pages. The Epic Of Gilgamesh In the Epic of pandora internet radio, Gilgamesh, Gilgamesh undertakes a journey of A Fictional, self-discovery and transformation from a . tyrannical leader to a refined, mature and wiser king. The hero of Uruk, who is two-thirds god and one-third man, was introduced as the reigning monarch of Uruk who was a notorious rapist causing hatred and internet concern within in the kingdom.
In the epic , his friendship and adventures undertaken with Enkidu, the death of Enkidu, and his failure to achieve immortality are key. Cedar Forest , Enkidu , Epic of Gilgamesh 948 Words | 3 Pages. MOCK Case Study AD5 - Audit Participant Information IMPORTANT NOTICE: This exercise should be considered as an example of case study . that could be used in south, the EPSO Assessment Centre. The problems have not been fully elaborated, but give a global overview of the radio, type of Narrative Essay, problems you could be confronted with in a real assessment centre. Copyright EPSO, Office C-80, 1049 Brussel All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted. Audit , European Commission , European Parliament 5531 Words | 33 Pages. opinion on the meaning behind the Epic of Gilgamesh, I find that it highly resembles the beliefs of radio, Christianity. There are key events during . Hope: A Fictional Narrative Essay? this epic that teach Gilgamesh, as well as anyone else who will listen and read, that tell of the pandora, true journey of south africa, finding immortality.
Gilgamesh learns the pandora, inevitability of Status, death, and has a hard time coping with it. The search for immortality seems to be an obsession for many men and women all throughout history. In the Epic of Gilgamesh a man investigates. Ancient history , Christianity , Epic of Gilgamesh 930 Words | 3 Pages. Aylin Sipahi CMLT C110 Final Essay for Epic of Gilgamesh February 19, 2013 The Epic of Gilgamesh serves as a great looking . Internet? glass into a long lost culture in which most artifacts are lost. The story centers on Gilgamesh, a ruthless king who is tiberius two thirds god and one third man. As king, he does not meet his potentials of leadership as he is internet often self-centered and sometimes depicted as inhumane. When his dear friend Enkidu dies, he sets off to find immortality.
He eventually fails, but during. Atra-Hasis , Epic of Gilgamesh , Epic poetry 1614 Words | 4 Pages. of the gaps” in The Epic of Gilgamesh. The friendship of Gilgamesh and Enkidu benefits them both greatly by tiberius and gaius making up for each other’s . limitations. You see this when they become stronger together to fight Humbaba and the Bull of Heaven, when Enkidu rationalizes with Gilgamesh and when Gilgamesh inspires Enkidu to become less of a cowardly man. When two men fight with each other; there is radio strength, and with strength comes protection. There are two evident situations in The Roles of Socioeconomic Status examples, the Epic , when Gilgamesh and.
Cedar Forest , Enkidu , Epic of Gilgamesh 900 Words | 3 Pages. The Epic of Gilgamesh We learn about ancient civilizations through literature, artifacts, and stories passed down from generation to . generation. The Mesopotamian civilization is one of radio, earth's earliest civilizations, and it's also one we know very little about. We can gather information about these people's way life, beliefs, and geographical location. The Epic of gracchus, Gilgamesh, a literary work from pandora internet, this time period, shows us several important pieces of information that helps us understand this ancient. 1445 Words | 4 Pages. ?The Epic of Gilgamesh Writing Style Simple, Poetic, Repetitive The Epic of Gilgamesh Style In A Glossary of sexual, Literary Terms, . literary scholar M. H. Internet? Abrams lists five essential characteristics of Status examples, epic literature: (1) ' The hero is a figure of pandora internet radio, great national or even cosmic importance; (2) The setting of the poem is ample in scale, and may be worldwide, or even larger; (3) The action involves superhuman deeds in battle; (4) In these great actions the of Socioeconomic Status Essay, gods and other supernatural beings take. Enkidu , Epic of Gilgamesh , Epic poetry 2359 Words | 7 Pages. Running head: THE EPIC OF Gilgamesh The Epic of pandora internet radio, Gilgamesh Barbara A Karnes New MexicoCommunity College The Epic . of sadism disorder, Gilgamesh The epic of Gilgamesh is story of love, meaning, companionship, the pandora radio, search for immortality and what it means to be human. Consequently, it is not only an epic story that conveys the The Roles Status Essay examples, beliefs and philosophies of the Mesopotamian civilization and Sumerian culture, but it is pandora also a timeless, classic tale of spiritual pilgrimage that explores universal themes that transcend.
Cedar Forest , Enkidu , Epic of Gilgamesh 1315 Words | 4 Pages. ?The Epic of Gilgamesh The Epic of Gilgamesh tells the story of a legendary king of Uruk in South Baby-lonia (van Reeth 1994). . Pirates:? He was the fifth ruler of Uruk after the deluge and possibly ruled Uruk around 2800 BCE (van Reeth 1994). The Epic itself was originally conveyed in oral form, but was written down in Sumerian using cuneiform writing on pandora radio clay tablets around 2000 BCE (Hooker 1996). Cobb? Many fragments of the epic also survive in internet, other languages such as Hurrian and Hittite (Hooker 1996). The most. Cedar Forest , Enkidu , Epic of Gilgamesh 1524 Words | 7 Pages. The Epic of Gilgamesh Heroes have existed throughout the history of man. The Epic of Gilgamesh is an epic poem . of a king in ancient Babylon.
The story revolves around Gilgamesh the Empire Essay, King of pandora radio, Uruk and his companion Enkidu. Gilgamesh was the cobb africa, 5th king of the Acadian city Uruk around 2,750BCE. Pandora Radio? The epic was written on twelve tablets found in the ruins of an ancient city called Ninevah in modern day Iraq. The city of Essay, Ninevah has been dated back to 668-627BCE, but the story of pandora radio, Gilgamesh has been discovered. Cedar Forest , Enkidu , Epic of Gilgamesh 1193 Words | 3 Pages. EPIC Organizational Behavior Drew Foster A. Initial Thinking About My Career 3 B. Self Knowledge and Awareness 4 EPIC . 1: MBTI 4 EPIC 2: Career Leader Work Interest Scores 4 EPIC 3: Career Leader Work Profile 5 EPIC 4: Chosen Self-Assessment Results 5 C. Career Exploration and Plan 12 EPIC 5: Three Jobs That Interest Me 12 EPIC 6: Most Desired Job 14 EPIC 7: Two Potential Companies 15 EPIC 8: Summary of Interview 16 EPIC 9: Three-Year Plan 18 EPIC 10: Current Resume. Collective investment scheme , Epic poetry , Finance 6199 Words | 16 Pages. The Epic Of Gilgamesh What It Means To Be Human. ?The Epic of Hope: A Fictional Essay, Gilgamesh presents a fascinating interpretation on what means to internet radio, be human, and informs us a great deal about how the ancient . Mesopotamians saw themselves in tiberius and gaius, relation to pandora internet radio, a seemingly chaotic natural order. An initial reading of the Sumerian epic presents a bleak and confusing outlook on tiberius and gaius gracchus the events of the internet, story, was the story of Gilgamesh irrelevant? While his quest for immortality was ultimately in vain, and Barbary Essay he would have to pandora internet, concede the uncomfortable fact of his own mortality, this is.
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Abortion , Canadian Charter of Barbary The Ottoman Empire Essay, Rights and Freedoms , Capital punishment 662 Words | 3 Pages. Title: Gilgamesh Type: Epic Author: Anonymous Theme: The central idea of Gilgamesh was the greed that he had to receive eternal . life. Gilgamesh was a selfish person who was half god and internet half man and tiberius gracchus wanted to keep his youth after seeing Enkidu die. Internet? Gilgamesh knew his destiny was not to receive eternal life because he was half man. Sexual? He decided to go against the odds to fight against not having eternal life searching for the secret despite what the Gods told him. Exposition: The story. Afterlife , Death , Epic of Gilgamesh 956 Words | 3 Pages. The role of women in The Epic of Gilgamesh
The role of women is a very important topic in The Epic of Gilgamesh, and various women are chosen to represent various aspects . of the mesopotamian conception of women. In the ancient times males were inessential to the preservation of life. Radio? The Epic of Gilgamesh shows how the inability of males to give birth causes a sense of despair and alienation. And Gaius? While the representation of women might seem confusing at first with its wide range of pandora radio, traits, the epic tries to sexual sadism disorder, demonstrate all aspects of pandora internet radio, women. Epic of Gilgamesh , Female , Gender 1564 Words | 4 Pages. Mock Collective Bargaining Exercise Michael De Jesus, Dave Zygiel, Jackie Moreland, Sarah Pinheiro, and Anne Rogers Eastern . Nazarene College Industrial Relations BAM 58 August 7th, 2013 United Metal Products Workers Union Good evening ladies and revolution gentlemen, my name is Michael De Jesus. I am the radio, President of the United Metal Products Workers Union. On my side is the Vice President of the United Metal Products Workers Union Sarah Pinheiro. We are here today to represent the. Christmas , Collective bargaining , Employment 701 Words | 3 Pages. Divination and quebec astrology were also important aspects of ancient Mesopotamian religious practice.
In Mesopotamian after life was a very debatable . topic . As Mesopotamians were bound to the earth in internet radio, a life of servitude without promise of sexual sadism disorder, salvation there was no definite afterlife; only hints of a place of pandora radio, darkness were given to us through stories such as the cobb south africa, novel of The Epic of Gilgamesh. Ancient Egypt , Ancient Egyptian religion , Babylonia 1742 Words | 5 Pages. The Epic of Gilgamesh The story of Gilgamesh was one of the world’s first literary works but most importantly the very first . epic . “An epic or heroic poem is a long narrative poem, on a serious subject [that was] written in a grand or elevated style, centered on a larger-than-life hero” (Lynch). Because it was only recited orally for many centuries it was forgotten and vanished until “it was recorded at Sumer in the late third millennium B.C.E” (Fiero 19). The story of Gilgamesh is about an internet radio, arrogant. Cedar Forest , Enkidu , Epic of Gilgamesh 1293 Words | 4 Pages. The Epic of Gilgamesh Through numerous experiences: his friendship with Enkidu, their dreams and journies together, and Pirates: The Ottoman Essay his quest for . immortality, Gilgamesh changes from a selfish and radio cruel individual to a wise leader. The Ottoman Empire Essay? Gilgamesh, King of Uruk, was a spoiled and selfish person in character.
There was no one who compared to internet radio, his kingliness and as a result was running around Uruk out of control and unchecked. South? In efforts to find a balance Aruru created Enkidu out of clay and sent him into pandora, the. Cedar Forest , Enkidu , Epic of tiberius, Gilgamesh 1562 Words | 4 Pages. ? Mock Meeting Block A Script (10-Minute Fishbowl) Characters New Community Staff Partner (SP) Returning Committee Chair (Chair) New . Logistics Chair (Logistics) Team Development Chair – Past Top Team Captain (Team D) Survivor/Caregiver Chair – Also a Survivor (SCC) Introductions Scene: Large table with chairs around the table, flipchart, and an audience; each character has a table tent with his/her name and role. Pandora Internet? All characters are at the table with the exception of the Team Development.
Agenda , Chair , Chairs 1635 Words | 6 Pages. In studying the title character in The Epic of tiberius and gaius gracchus, Gilgamesh, the most obvious change he goes through is the process of growing up and pandora internet learning to of Socioeconomic Status examples, . take responsibility of himself, and of his subordinates. Gilgamesh's adventure, both mentally and physically, entails a journey that takes Gilgamesh through many obstacles, which help him learn his duties that he must ful?ll. Aside from his main change of growing up and becoming a responsible adult, king and friend, Gilgamesh goes through a minor, character. Emotion , Enkidu , Epic of Gilgamesh 1244 Words | 4 Pages. Greek Epics There are some challenges in each history period, and pandora internet radio authors will create some heroes in their epics that reflect . values of the culture at the time. Tiberius And Gaius Gracchus? By studying the hero’s actions and his motivations, it tells the society conditions and the civilization of that history period. Homer; the authors of The Iliad and The Odyssey; and Vergil; the pandora internet radio, authors of The Aeneid are two of the greatest writers in ancient western civilization. There are heroes in these three literatures to Hope: Essay, reflect.
Achilles , Aeneas , Homer 859 Words | 3 Pages. ?The Epic of Gilgamesh: Transformation of Gilgamesh Rewrite Gilgamesh is a dynamic hero who transforms throughout the epic in . four phases. The epic simply begins with Gilgamesh ruling the city of Uruk as an egotistical, self-centered tyrant. The gods observe Gilgamesh’s arrogance and pandora internet radio send Enkidu to mentor him and sadism teach him the value of people. After Enkidu and radio Gilgamesh prevail through the trials the gods sent them, they become too conceited and are punished for the transgressions. Due to tiberius and gaius gracchus, his friend. Cedar Forest , Enkidu , Epic of Gilgamesh 1062 Words | 3 Pages. ? CLU3M1-01 CULMINATING ACTIVITY: MOCK TRIAL On Behalf of the internet, Defence: Anver Williams v. Donovan Tisi By: Shaneka Lewis Opening . Statement: Greeting courtroom members, I am Shaneka Lewis apart of the Defence Attorney and I will be representing my client Donovan Tisi pleading not guilty upon the robbery and bodily harm charges. On December 5th 2013 at 5:30 PM, Anver Williams had claimed to be walking home from and gaius, his basketball practice where he perhaps had been wearing his brand new basketball. Did You See Me Coming? , Direct examination , Robbery 1085 Words | 5 Pages. ?The Epic of Gilgamesh: Paper One The legendary story of Gilgamesh can sometimes be regarded as a story which can tell us about the human . Internet? nature and desire to be immortal.
While some would argue and debate assert that Gilgamesh did not gain anything in the end from his long trip to the “undying lands,” so to say I would strongly arguemaintain that he did learn much and gained a lotessential information from his long trip to seek immortality. Whether or not Gilgamesh could attain immortality was. Atra-Hasis , Cedar Forest , Droit de seigneur 1492 Words | 5 Pages. The Epic of Hope: Narrative Essay, Sundiata is internet a West African tale that tells the story of the rise to Essay, power of Mali's greatest king, Sundiata (Son-Jara). Pandora? In this . epic , the griot Djeli Mamoudou Kouyate begins the story from the south, humiliating childhood of pandora internet radio, Son Jara (Sundiata), to the jealousy between his stepmother Sassouma and his half brother Dankaran Tuma, to the continue conflicts with the great sorcerer Soumaoro and the later achievements of Sundiata for his fatherland and his people. Of Socioeconomic Status Examples? The Empire of Mali rose out of what.
Africa , Ghana , Ghana Empire 1143 Words | 3 Pages. Epic of Gilgamesh vs. Pandora? Noahs Flood The epic of Gilgamesh and “Noah and the Flood” both tell stories of a treacherous flood . which wiped out all of mankind. Cobb South Africa? These “The Great Hymn to the Aten” is the longest of several New Kingdom praise poems to the sun god Aten. This poem, composed as a hymn, or sacred song, was found on the wall of a tomb built for a royal scribe named Ay and internet radio his wife.
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20 Best And Worst Fonts To Use On Your Resume. Before you even walk into a job interview you’ve made a first impression on pandora radio, the interviewer. How? Through your resume. Essay! According to a study conducted by the job search site TheLadders.com, recruiters spend only about six seconds scanning a resume.
So it’s essential that your resume makes a great first impression — that it looks professional and pandora internet radio well organized. How do you do that? You start by using a resume font people can actually read (that#8217;s what this post is for), then you design a resume that stands out Hope: Narrative from the rest (here#8217;s how you do that). Radio! When you have both these things you go into Canva and design the thing for free in no time (here#8217;s how you upload fonts from this article into Canva and here#8217;s where you go in Canva to start your new resume design right now). Times New Roman is probably the most commonly chosen fonts for sexual, resumes — the very reason you should avoid it, and why it appears on our “Worst” list. So if you don’t want your resume to look like hundreds of others, you’ll want to choose something else.
And Garamond is a great alternative. A timeless serif typeface like Times New Roman, Garamond’s precursors have been in use for around 500 years. The modern version has the benefit of giving your resume a classic, polished look that’s much more interesting that the overused Times New Roman. As a bonus, if you’re struggling to condense your resume to one to two pages (which is a good idea), Garamond can help you fit more text on a page without sacrificing readability by lowering the font size or crowding your design by tightening up the spacing. Pandora! This simple, sophisticated sans-serif typeface, designed in England in the 1920s, will give your resume a look that is both classic and modern. It’s used widely in tiberius gracchus, the UK (across the pandora British Railways system, by the BBC) and sexual sadism elsewhere. You might also notice that Gill Sans is very similar to the custom lettering featured on internet, the famous, WWII-era “Keep Calm and Carry On” poster, rediscovered at a British bookstore in 2000 and subsequently popularized with many replicas of the design. You’ll find this font distributed with Mac OS X and Essay some Microsoft software as Gill Sans MT.
Cambria, a serif font, is part of a suite of typefaces called the ClearType Font Collection, which has been widely distributed with Microsoft Office programs. These typefaces (Calibri, Cambria, Candara, Consolas, Constantia, and Corbel) were designed specifically to perform well on computer monitors. The studio that created Cambria describes it as “the ‘new Times New Roman”…designed specifically for on-screen reading, while still remaining applicable for print,” thanks to pandora radio, its sturdy letter construction that retains legibility even at small sizes. This makes Cambria a good choice for both online and printed resumes. Wikimedia Commons/Hans Hoogglans. Although it has been the default Microsoft Word font since 2007, Calibri is change quebec, still not used as often as Arial, which landed on our “Worst” list for that reason. Pandora Radio! This font has other things going for it, though; professional resume writer Donna Svei points out that typing in Calibri at sexual a 12 pt. Pandora Internet Radio! size will produce around 500 to 750 words, the ideal length of a two-page resume. How Did Revolution Change Quebec! Our third and last selection from Microsoft’s ClearType Font Collection, Constantia’s rounder letterforms make it look more friendly and internet radio less stuffy than many serif typefaces.
It’s also suitable for tiberius and gaius gracchus, use both on-screen and in printed documents, making it useful for when you need to distribute your resume in internet radio, both digital and A Fictional Narrative Essay hard copy form. Originally designed for corporate use, Lato is sans-serif font created to look neutral in body copy but have some unique traits at larger sizes. The font’s designer describes Lato as “serious but friendly” — perfect for internet, resumes. It comes in a wide range of weights and styles, though the “hairline,” “thin,” and “light” weights will be too hard to see at small sizes. Change! It’s available for download (free for both personal and commercial use) and for pandora, web use on Google Fonts. Didot is a distinctive serif font with an upscale look (perhaps a product of sexual its Parisian roots). This classy typeface can lend some style to radio, your resume and seems to be particularly popular for industries like fashion and photography. Sexual Disorder! However, its delicate serifs display most clearly at larger sizes, so you’ll do best saving Didot for headings rather than body copy. Wikimedia Commons/Pierre Rudloff. This Swiss sans-serif typeface is internet radio, considered by many designers and typographers to be the king of fonts.
It even has its own self-titled documentary film. Thanks to its modern, clean lines and exceptional clarity, Helvetica is widely used in everything from major corporate logos (BMW, American Airlines, Microsoft) to New York City’s subway signs. To give your resume a clean and contemporary look that’s still professional, try Helvetica. It’s included with Mac operating systems, but if you’re wanting to use it with Windows, you’ll have to purchase it. Sexual! Georgia is another alternative to Times New Roman. Pandora Internet! This serif font has letterforms with thicker strokes that make it easy to read even at small sizes. Plus, because it was created specifically for clarity on how did, computer monitors, it looks great viewed on any digital document, such as if you’re sending your resume as a PDF. Internet Radio! This versatile sans-serif font has a very clean, crisp appearance that will give any resume an updated look.
It has multiple weights that you can use to differentiate the various sections and features of your resume, but you should probably avoid the “book” and “light” weights, as well as any condensed versions — they can be hard to read. Avenir Next is another good option; it was released as a follow-up to Avenir to improve the font’s on-screen display capabilities. Dribbble/Mario Leo Fasolo. Hope: Essay! Surprised this one is on the list? There’s nothing wrong with the pandora font in itself, it’s just that it has been (over)used and abused. Since everyone else is using it on their resumes, yours won’t stand out. Plus, Times New Roman is tiberius gracchus, hard to read at very small sizes and doesn’t display particularly well on screens.
Like Gill Sans on our “Best” list, Futura was created in internet, the 1920s. Tiberius And Gaius Gracchus! Except this sans-serif typeface was designed in Germany and is more geometric in form. Although it’s a clean, attractive font, the overall appearance is somewhat stylized and internet radio atypical. With quirks like unusually tall lowercase letters and a jarring contrast between sharp and round letter shapes, Futura leans more toward decorative and interesting (a.k.a, a display font, meant to be used sparingly) than practical for text-heavy documents like resumes. In the overused category, Arial is Times New Roman’s sans-serif equivalent. Using a font that’s so common (and, some would say, boring) may be perceived as a lazy choice — not putting much thought or effort into your resume. Plus, Arial is basically an adaptation of Helvetica that’s a little looser and more irregular in its construction.
There’s nothing wrong with conventional fonts, but there are better sans-serif choices out there than Arial. Designed to replicate the tiberius gracchus look of a typewriter and later adapted for use on internet, actual electric typewriters, this font makes it look like — you guessed it — you typed your resume on a typewriter. Which you didn’t — unless you haven’t updated your resume in 30 some-odd years. Plus, because this is a monospaced typeface (every letter is sexual, spaced equally, as opposed to most other proportionally spaced fonts) it can look a little unnatural, particularly for whole pages of internet text. Tempted to The Roles of Socioeconomic examples, put your name at pandora internet the top of your resume in a script that looks like handwriting to give it a little personality? Don’t do it! And especially don’t use Brush Script, which has been so overused that it now looks cheap and dated rather than retro and cobb nostalgic (it was designed in 1942). Pandora! While certain creative industries will offer some leeway in playing with the appearance of Hope: A Fictional Narrative your resume, when in doubt, it’s always a safe bet to stick to pandora, conservative font choices (which means no scripts or other display fonts). Unless you’ve been living under a rock for the past several years, you’ll know that using Comic Sans is considered the cardinal sin of font choices. It was created in 1994 to replicate the look of comic book speech bubbles, and that’s about all it’s appropriate for.
The casual, almost childish look of the font makes it distracting in any serious context. And in case you’re wondering why anyone would use Comic Sans on a resume, according to sexual disorder, this manager, it does happen. Just remember: it’s a good rule of thumb to stay far away from any font that might possibly come across as fun, flowery, flashy, or funky. Internet! Century Gothic has a sleek, modern look, but it’s probably a little too irregular for resumes. Revolution Change Quebec! Additionally, the thin letters of pandora internet radio this font’s regular weight can be hard to disorder, read, particularly at internet radio small sizes.
There’s really no good reason anyone should want to use this on a resume, but people seem to like it. Sexual Sadism! So if you’re tempted to give your resume an adventurous or exotic air with Papyrus, resist. This font is so cliche (probably second only to Comic Sans) that is has become something of a joke — Fast Co. Pandora Radio! Design puts it this way: “as everyone who has written a school project over The Ottoman the last decade will tell you, Papyrus is the font you use to spell out the word #8220;Egypt.#8221; Want to make a bold, confident impression with your resume? You don’t need a bold, heavy font to internet radio, do it. Impact is most likely intended for use in all caps for Barbary Pirates: The Ottoman Empire, headlines, but because it includes lowercase letters, people are sure to pandora internet, use it for body copy, where it’s almost impossible to read. Yes, Trajan Pro has a dignified, important feel, but it would be more appropriate etched into cobb stone than typed on your resume. That’s because the pandora internet radio typeface was inspired by tiberius gracchus, the letterforms carved into Trajan’s Column, a monument dedicated to the Roman emperor of the radio same name. The font only has capital letters and small caps (no lowercase option), which makes it unsuitable for how did revolution change quebec, typing out readable sentences on pandora, your resume. So it’s probably a good idea to leave Trajan to the movie posters (more than 400 of them), particularly those starring Russell Crowe.
For resumes, a font size of how did the quiet change 10 to 12 pt. Pandora Internet Radio! (depending on the particular font, but no smaller than that) is standard. Larger sizes are acceptable for headings or subheadings. Remember that everyone viewing your resume on a computer will have different fonts installed, and you don’t want your carefully chosen typeface automatically replaced with a substitute that messes up the document’s appearance and formatting. That’s why it’s a good idea to cobb south africa, always save and send your resume as a PDF, which preserves the original appearance (unlike a MS Word document). Do you have a favorite (or least favorite) font for resumes? Share in the comments below. Bring great design to your entire workplace. Janie is a freelance writer and graphic designer and the owner of Design Artistree Creative Studio. After college, she built on her background in art to explore design. and pandora loved it. Now, she enjoys finding ways to combine the cobb craftsmanship of traditional fine arts with the digital possibilities of graphic design.
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An Essay on pandora, Morals, by Philip Wylie. Pessimism For Mass Consumption. An Essay on change, Morals. by Philip Wylie. New York, Rinehart Co., 1947. 204 pp. $2.50.
It is to the credit of the pandora internet American way of A Fictional Essay life that it intends everything and pandora radio, everybody for mass consumption. But as long as consumers’ taste remains on its present level this otherwise laudable intention causes serious damage in the realm of culture. Culture for the “masses”yes. Joy for sexual disorder the “masses”by all means. But not all culture for the “masses”not yet. Internet? The mass digestion has to be prepared. To trim, rationalize, and pre-digest for mass consumption such difficult cultural objects as the fine arts, poetry, and philosophy will at how did change, the present moment only mislead where we seek most to enlighten. (Lest this be thought too patronizing an attitude, let me explain that we allincluding myselfare mass consumers in one or more areas of pandora internet culture.) That democratic assumption which makes the “average” man believe everything to be within his reach has, especially of late, done considerable harm to sexual culture in this country. Pandora Internet Radio? The latest manifestation of this assumption is the non-fictional writing of Philip Wylie.
Who would have dreamed fifty years ago that pessimism could ever be made into an article saleable on the drug store level? Mr. Wylie demonstrates that almost anything can, in principle, be adapted to mass taste. Not that the “masses” will actually read this latest book of Pirates: Essay his, but we think immediately at pandora radio, the first glance at the first page: who will read this book if not they? Mr. Wylie’s earlier work of non-fiction, Generation of and gaius gracchus Vipers , as banal as it finally is, may have had the spark of something valid in its first impulse. At least it was negative. Pandora Internet Radio? Unfortunately, his new book is positive, and it is a farrago of such arrantly assertive and cobb, militant nonsense as the editor of even an pandora American publishing house rarely lets go to the printer.
This, perhaps, is what the contemporary village atheist really looks like in printsad decline of the provincial iconoclast, of the little shoemaker who used to Hope: Essay read Schopenhauer and Nietzsche! Only in this awful age could half-bakedness sink so low, only in this age could such half-bakedness reach print in anything but subsidized editions. Mr. Wylie claims that man can solve his present difficulties only by freeing his instincts from the domination of the ego. The ego means churches, institutions, Communism, most public issues, etc., etc., all of which man ought to pandora internet repudiate in order to Hope: A Fictional Essay realize himself and the fact that he is, to pandora internet radio start with, only an animal. The psychoanalyst Jung’s archetypessupposedly constant expressions of our instinctual needshint at the direction in which salvation lies. Down with almost everything. But for all Mr. Wylie’s subversive bluster in the name of the sadism instincts, we discover that Americanism remains intact and that in internet radio, the end he doesn’t even really mean what he says about religion. Everything can be taken back.
And in any case Mr. Wylie’s windy, slightly illiterate prose generates mutual contradictions out of its very syntax. This is, among other things, revolution for the timid layman. Without having to go to the bother of making one, he will get the sensation of a revolution from an attitude of violent, insubordinate, and irrelevant assertiveness. The emptier the assertiveness the purer the sensation.
But what he will get more than anything else in the end is the sensation, without the Hope: Narrative Essay difficulty of the internet radio actual experience, of having read something profound. Profundity for the masses, too. In the final analysis, if we go by of Socioeconomic Essay examples, Kant’s aesthetics, Mr. Wylie’s book has to internet be considered as a work of art, however low the level of that artsince, according to Kant (and this reviewer agrees with him), art gives one the sensation of a thing without necessarily including its meaning. But I have already taken this book too seriously.
The important thing about it is not its absurdity or anything else that pertains to its explicit content. What, aside from its character as a new form of culture for the “masses,” makes it worth noticing at all is that it constitutes one more symptom of a dissatisfaction with’ the quality of contemporary American life that is spreading even to the smuggest and most worldly-successful sectors of our society. Essay on Morals is a banal symptom; nevertheless the state of mind it bears witness to is in a historical and sociological context a serious one. When people like Mr. Wylie become bored and anxious, then American culture must indeed be deemed to have lost a good many of its inner resources. I do not believe that our society’s failing ability to allay the anguished boredom of the individuals who compose it can be blamed altogether on the international situation and the threat of the examples atomic bomb. The social mechanisms for maintaining interest in life and the expectation of pandora satisfactory rewards had begun to the quiet revolution change break down in this country before 1939. Internet Radio? The war may have speeded the process up but it did not initiate it. Conversation had already begun to flag ten years ago; our public pronouncements, our pleasures, our entertainment, our literature and art were already losing their pertinence. Today they seem so radically irrelevant that even people like Mr.
Wylie, a writer of popular fiction undistinguished even in tiberius, its own sphere, have begun to notice it and no longer know how to keep their place. The situation must be even more serious than we realize. An Essay on Morals, by Philip Wylie. The Terrible American Turn Toward Illiberalism. Can it be reversed? Sohrab Ahmari 2017-09-13.
Writing in pandora internet, these pages last year (“Illiberalism: The Worldwide Crisis,” July/August 2016), I described this surge of intemperate politics as a global phenomenon, a crisis of illiberalism stretching from France to the Philippines and from South Africa to Greece. Donald Trump and Bernie Sanders, I argued, were articulating American versions of this growing challenge to liberalism. By “liberalism,” I was referring not to Barbary The Ottoman the left or center-left but to the philosophy of individual rights, free enterprise, checks and balances, and cultural pluralism that forms the internet radio common ground of of Socioeconomic Status politics across the West. Less a systematic ideology than a posture or sensibility, the internet radio new illiberalism nevertheless has certain core planks. Chief among these are a conspiratorial account of world events; hostility to free trade and finance capital; opposition to immigration that goes beyond reasonable restrictions and bleeds into virulent nativism; impatience with norms and procedural niceties; a tendency toward populist leader-worship; and skepticism toward international treaties and institutions, such as NATO, that provide the Hope: Narrative scaffolding for the U.S.-led postwar order. The new illiberals, I pointed out, all tend to admire established authoritarians to varying degrees. Trump, along with France’s Marine Le Pen and many others, looks to Vladimir Putin. For Sanders, it was Hugo Chavez’s Venezuela, where, the Vermont socialist said in 2011, “the American dream is more apt to be realized.” Even so, I argued, the pandora internet radio crisis of how did change illiberalism traces mainly to pandora internet discontents internal to the quiet liberal democracies.
Trump’s election and his first eight months in internet radio, office have confirmed the thrust of my predictions, if not all of the policy details. On the policy front , the new president has proved too undisciplined, his efforts too wild and haphazard, to reorient the A Fictional Narrative U.S. Radio? government away from postwar liberal order. The courts blunted the “Muslim ban.” The Trump administration has reaffirmed Washington’s commitment to defend treaty partners in Europe and tiberius, East Asia. Trumpian grumbling about allies not paying their fair share—a fair point in pandora, Europe’s case, by the way—has amounted to just that. The president did pull the U.S. out of Socioeconomic Essay, of the Trans-Pacific Partnership, but even the ultra-establishmentarian Hillary Clinton went from supporting to internet radio opposing the pact once she figured out which way the The Roles Essay Democratic winds were blowing.
The North American Free Trade Agreement, which came into being nearly a quarter-century ago, does look shaky at the moment, but there is no reason to think that it won’t survive in some modified form. Yet on the cultural front , the crisis of illiberalism continues to pandora rage. If anything, it has intensified, as attested by the events surrounding the and gaius protest over a Robert E. Lee statue in Charlottesville, Virginia. The president refused to pandora condemn unequivocally white nationalists who marched with swastikas and chanted “Jews will not replace us.” Trump even suggested there were “very fine people” among them, thus winking at the so-called alt-right as he had during the campaign. In the days that followed, much of the left rallied behind so-called antifa (“anti-fascist”) militants who make no secret of their allegiance to violent totalitarian ideologies at the other end of the political spectrum. Disorder is the new American normal, then. Questions that appeared to have been settled—about the sexual sadism disorder connection between economic and political liberty, the pandora internet radio perils of conspiracism and romantic politics, America’s unique role on the world stage, and so on—are unsettled once more. Tiberius And Gaius? Serious people wonder out loud whether liberal democracy is worth maintaining at all, with many of them concluding that it is pandora internet radio not. Cobb Africa? The return of pandora internet radio ideas that for good reason were buried in gracchus, the last century threatens the decent political order that has made the U.S. an exceptionally free and prosperous civilization. F or many leftists , America’s commitment to liberty and radio, equality before the law has always masked despotism and exploitation. This view long predated Trump’s rise, and if they didn’t subscribe to it themselves, too often mainstream Democrats and and gaius, progressives treated its proponents—the likes of Noam Chomsky and Howard Zinn—as beloved and respectable, if slightly eccentric, relatives.
This cynical vision of the pandora internet radio free society (as a conspiracy against the dispossessed) was a mainstay of the quiet change Cold War–era debates about the internet relative merits of Western democracy and Communism. How Did The Quiet Revolution Change? Soviet apologists insisted that Communist states couldn’t be expected to uphold “merely” formal rights when they had set out to shape a whole new kind of man. Radio? That required “breaking a few eggs,” in the words of the Stalinist interrogators in Arthur Koestler’s Darkness at Noon . Anyway, what good were free speech and due process to the coal miner, when under capitalism the how did whole social structure was rigged against him? That line worked for internet a time, until the scale of Soviet tyranny became impossible to justify by anyone but its most abject apologists. It became obvious that “bourgeois justice,” however imperfect, was infinitely preferable to the Marxist alternative. With the Communist experiment discredited, and Western workers uninterested in staging world revolution, the illiberal left began shifting instead to sexual sadism disorder questions of identity. Radio? In race-gender-sexuality theory and the identitarian “subaltern,” it found potent substitutes for dialectical materialism and the proletariat. We are still living with the consequences of cobb south this shift. Although there were superficial resemblances, this new politics of pandora internet radio identity differed from earlier civil-rights movements.
Those earlier movements had sought a place at the American table for hitherto entirely or somewhat excluded groups: blacks, women, gays, the disabled, and so on. Sexual Sadism Disorder? In doing so, they didn’t seek to overturn or radically reorganize the table. Instead, they reaffirmed the American Founding (think of Martin Luther King Jr.’s constant references to pandora internet radio the Declaration of Independence). And these movements succeeded, owing to America’s tremendous capacity for absorbing social change. Yet for examples the new identitarians, as for the Marxists before them, liberal-democratic order was systematically rigged against the downtrodden—now redefined along lines of race, gender, and sexuality, with social class quietly swept under the rug. Internet Radio? America’s strides toward racial progress, not least the election and re-election of an African-American president, were dismissed. The U.S. still deserved condemnation because it fell short of Status Essay examples perfect inclusion, limitless autonomy, and complete equality—conditions that no free society can achieve given the root fact of human nature. Internet? The accidentals had changed from the Marxist days, in other words, but the south essentials remained the same. In one sense, though, the identitarians went further. The old Marxists still claimed to stand on objectively accessible truth. Not so their successors.
Following intellectual lodestars such as the gender theorist Judith Butler, the internet radio identity left came to reject objective truth—and with it, biological sex differences, aesthetic standards in art, the possibility of universal moral precepts, and the quiet, much else of the kind. Internet Radio? All of these things, the left identitarians said, were products of repressive institutions, hierarchies, and cobb south, power. Today’s “social-justice warriors” are heirs to this sordid intellectual legacy. Pandora Internet? They claim to seek justice. But, unmoored from any moral foundations, SJW justice operates like mob justice and revolutionary terror, usually carried out the quiet quebec, online. SJWs claim to pandora radio protect individual autonomy, but the obsession with group identity and and gaius, power dynamics means that SJW autonomy claims must destroy the autonomy of others.
Self-righteousness married to total relativism is pandora internet a terrifying thing. It isn’t enough to have legalized same-sex marriage in the U.S. via judicial fiat; the evangelical baker must be forced to The Roles of Socioeconomic bake cakes for internet radio gay weddings. It isn’t enough to have won legal protection and social acceptance for the transgendered; the of Socioeconomic Essay Orthodox rabbi must use preferred trans pronouns on pain of criminal prosecution. Likewise, since there is no objective truth to be gained from the open exchange of ideas, any speech that causes subjective discomfort among members of marginalized groups must be suppressed, if necessary through physical violence. Pandora Internet Radio? Campus censorship that began with speech codes and mobs that prevented conservative and pro-Israel figures from Essay, speaking has now evolved into a general right to beat anyone designated as a “fascist,” on- or off-campus. For the illiberal left, the election of pandora internet Donald Trump was indisputable proof that behind America’s liberal pieties lurks, forever, the and gaius beast of bigotry.
Trump, in this view, wasn’t just an unqualified vulgarian who nevertheless won the decisive backing of pandora radio voters dissatisfied with the alternative or alienated from mainstream politics. Sexual? Rather, a vote for Trump constituted a declaration of war against women, immigrants, and other victims of American “structures of oppression.” There would be no attempt to pandora internet radio persuade Trump supporters; war would be answered by war. This isn’t liberalism. Since it can sometimes appear as an extension of traditional civil-rights activism, however, identity leftism has glommed itself onto liberalism. It is Essay frequently impossible to tell where traditional autonomy- and equality-seeking liberalism ends and repressive identity leftism begins. Whether based on faulty thinking or out of a sense of weakness before an internet radio angry and energetic movement, liberals have too often embraced the identity left as their own. They haven’t noticed how the Hope: Narrative identitarians seek to undermine, not rectify, liberal order.
Some on the left, notably Columbia University’s Mark Lilla, are sounding the alarm and calling on Democrats to stress the common good over tribalism. Yet these are a few voices in the wilderness. Identitarians of various stripes still lord over the broad left, where it is fashionable to believe that the U.S. project is predatory and oppressive by design. Pandora Radio? If there is a viable left alternative to identity on cobb africa, the horizon, it is the one offered by internet radio, Sanders and his “Bernie Bros”—which is to sexual sadism say, a reversion to the socialism and class struggle of the previous century. Americans, it seems, will have to wait a while for reason and responsibility to return to the left. hen there is the illiberal fever gripping American conservatives. Pandora? Liberal democracy has always had its critics on the right, particularly in Continental Europe, where statist, authoritarian, and blood-and-soil accounts of The Roles of Socioeconomic Status conservatism predominate. Mainstream Anglo-American conservatism took a different course. Radio? It has championed individual rights, free enterprise, and pluralism while insisting that liberty depends on public virtue and moral order, and that sometimes the claims of liberty and autonomy must give way to those of tradition, state authority, and the common good. The whole beauty of American order lies in revolution quebec, keeping in tension these rival forces that are nevertheless fundamentally at peace.
The Founders didn’t adopt wholesale Enlightenment liberalism; rather, they tempered its precepts about universal rights with the teachings of biblical religion as well as Roman political theory. Pandora? The Constitution drew from all three wellsprings. The product was a whole, and it is a pointless and gracchus, ahistorical exercise to elevate any one source above the others. American conservatism and liberalism, then, are in fact branches of each other, the one (conservatism) invoking tradition and pandora internet, virtue to cobb south africa defend and, when necessary, discipline the regime of liberty; the other (liberalism) guaranteeing the pandora internet open space in A Fictional Essay, which churches, volunteer organizations, philanthropic activity, and other sources of tradition and civic virtue flourish, in freedom, rather than through state establishment or patronage. One result has been long-term political stability, a blessing that Americans take for granted. Another has been the pandora transformation of revolution change liberalism into the lingua franca of all politics, not just at home but across a world that, since 1945, has increasingly reflected U.S. Radio? preferences. The great French classical liberal Raymond Aron noted in 1955 that the “essentials of liberalism—the respect for individual liberty and The Ottoman, moderate government—are no longer the property of a single party: they have become the radio property of Empire all.” As Aron archly pointed out, even liberalism’s enemies tend to frame their objections using the rights-based talk associated with liberalism. Under Trump, however, some in the party of the right have abdicated their responsibility to liberal democracy as a whole. They have reduced themselves to the lowest sophistry in defense of the New Yorker’s inanities and daily assaults on presidential norms. Beginning when Trump clinched the GOP nomination last year, a great deal of conservative “thinking” has amounted to: You did X to us, now enjoy it as we dish it back to you and then some . Entire websites and internet radio, some of the biggest stars in right-wing punditry are singularly devoted to Barbary Essay making this rather base point. If Trump is radio undermining this or that aspect of liberal order that was once cherished by how did the quiet change quebec, conservatives, so be it; that 63 million Americans supported him and that the president “drives the left crazy”—these are good enough reasons to go along.
Some of this is partisan jousting that occurs with every administration. Radio? But when it comes to Trump’s most egregious statements and conduct—such as his repeated assertions that the U.S. and Putin’s thugocracy are moral equals—the apologetics are positively obscene. Enough pooh-poohing, whataboutery, and misdirection of this kind, and there will be no conservative principle left standing. More perniciously, as once-defeated illiberal philosophies have returned with a vengeance to how did the quiet revolution quebec the left, so have their reactionary analogues to pandora internet radio the right. A Fictional Narrative? The two illiberalisms enjoy a remarkable complementarity and even cross-pollinate each other. This has developed to pandora internet the point where it is sometimes hard to distinguish Tucker Carlson from cobb africa, Chomsky, Laura Ingraham from Julian Assange, the Claremont Review from pandora radio, New Left Review , and so on. Two slanders against liberalism in particular seem to be gathering strength on disorder, the thinking right. The first is the tendency to frame elements of liberal democracy, especially free trade, as a conspiracy hatched by capitalists, the managerial class, and others with soft hands against American workers. One needn’t renounce liberal democracy as a whole to believe this, though believers often go the whole hog.
The second idea is that liberalism itself was another form of totalitarianism all along and, therefore, that no amount of conservative course correction can set right what is wrong with the pandora system. These two theses together represent a dismaying ideological turn on tiberius, the right. The first—the account of global capitalism as an imposition of internet power over the powerless—has gained currency in the pages of American Affairs , the Hope: A Fictional Narrative Essay new journal of Trumpian thought, where class struggle is pandora radio a constant theme. Other conservatives, who were always skeptical of free enterprise and U.S.-led world order, such as the Weekly Standard ’s Christopher Caldwell, are also publishing similar ideas to a wider reception than perhaps greeted them in the past. In a March 2017 essay in Barbary Pirates: The Ottoman Empire, the Claremont Review of Books , for example, Caldwell flatly described globalization as a “con game.” The perpetrators, he argued, are “unscrupulous actors who have broken promises and seized a good deal of hard-won public property.” These included administrations of internet radio both parties that pursued trade liberalization over decades, people who live in cities and therefore benefit from the knowledge-based economy, American firms, and Pirates: The Ottoman Empire, really anyone who has ever thought to capitalize on global supply chains to boost competitiveness—globalists, in a word. By shipping jobs and manufacturing processes overseas, Caldwell contended, these miscreants had stolen not just material things like taxpayer-funded research but also concepts like “economies of scale” (you didn’t build that!).
Thus, globalization in pandora internet, the West differed “in degree but not in cobb south africa, kind from the contemporaneous Eastern Bloc looting of state assets.” That comparison with predatory post-Communist privatization is pandora a sure sign of ideological overheating. It is somewhat like saying that a consumer bank’s lending to home buyers differs in degree but not in kind from Hope: A Fictional, a loan shark’s racket in a housing project. Well, yes, in the sense that the underlying activity—moneylending, the purchase of assets—is the same in both cases. But the context makes all the difference: The globalization that began after World War II and accelerated in pandora internet radio, the ’90s took place within a rules-based system, which duly elected or appointed policymakers in Western democracies designed in good faith and for a whole host of legitimate strategic and economic reasons. These policymakers knew that globalization was as old as civilization itself. It would take place anyway, and the quiet revolution, the only pandora internet radio question was whether it would be rules-based and efficient or the kind of globalization that would be driven by Hope: A Fictional, great-power rivalry and therefore prone to protectionist trade wars.
And they were right. What today’s anti-trade types won’t admit is that defeating the Trans-Pacific Partnership and internet radio, a proposed U.S.-European trade pact known as TTIP won’t end globalization as such; instead, it will cede the game to other powers that are less concerned about Pirates: The Ottoman Essay rules and fair play. The postwar globalizers may have gone too far (or not far enough!). They certainly didn’t give sufficient thought to the losers in the system, or how to deal with the de-industrialization that would follow when information became supremely mobile and wages in internet radio, the West remained too high relative to The Roles examples skills and productivity gains in pandora internet radio, the developing world. They muddled and compromised their way through these questions, as all policymakers in the real world do.
The point is that these leaders—the likes of FDR, Churchill, JFK, Ronald Reagan, Margaret Thatcher, and, yes, Bill Clinton—acted neither with malice aforethought nor anti-democratically. It isn’t true, contra Caldwell, that free trade necessarily requires “veto-proof and non-consultative” politics. The U.S., Britain, and other members of what used to be called the Free World have respected popular sovereignty (as understood at the time) for as long as they have been trading nations. Put another way, you were far more likely to enjoy political freedom if you were a citizen of one of these states than of countries that opposed economic liberalism in Pirates: The Ottoman, the 20th century. Internet Radio? That remains true today. Of Socioeconomic Essay? These distinctions matter. Caldwell and like-minded writers of the right, who tend to dwell on liberal democracies’ crimes, are prepared to tolerate far worse if it is pandora radio committed in the name of Essay defeating “globalism.” Hence the speech on Putin that Caldwell delivered this spring at pandora internet radio, a Hillsdale College gathering in Phoenix. Promising not to “talk about what to think about Putin,” he proceeded to praise the Russian strongman as the “preeminent statesman of our time” (alongside Turkish strongman Recep Tayyip Erdogan). Putin, Caldwell said, “has become a symbol of national self-determination.” Then Caldwell made a remark that illuminates the link between the illiberalisms of yesterday and disorder, today. Putin is to pandora internet radio “populist conservatives,” he declared, what Castro once was to progressives. “You didn’t have to be a Communist to appreciate the Hope: Essay way Castro, whatever his excesses, was carving out pandora radio, a space of autonomy for south his country.”
Whatever his excesses, indeed. he other big idea is that today’s liberal crises aren’t a bug but a core feature of liberalism. This line of thinking is particularly prevalent among some Catholic traditionalists and other orthodox Christians (both small- and capital-“o”). The common denominator, it seems to pandora radio me, is having grown up as a serious believer at tiberius and gaius, a time when many liberals—to their shame—have declared war on faith generally and social conservatism in particular. The argument essentially is this: We (social conservatives, traditionalists) saw the threat from liberalism coming. Radio? With its claims about abstract rights and universal reason, classical liberalism had always posed a danger to the Church and to people of God.
We remembered what those fired up by Narrative, the new ideas did to our nuns and altars in France. Still we made peace with American liberal order, because we were told that the Founders had “built on low but solid ground,” to borrow Leo Strauss’s famous formulation, or that they had “built better than they knew,” as American Catholic hierarchs in the 19th century put it. Maybe these promises held good for a couple of centuries, the argument continues, but they no longer do. Witness the second sexual revolution under way today. Pandora? The revolutionaries are plainly telling us that we must either conform our beliefs to of Socioeconomic Status examples Herod’s ways or be driven from the democratic public square. Can it still be said that the internet Founding rested on The Roles of Socioeconomic Essay examples, solid ground? Did the Founders really build better than they knew? Or is what is pandora radio passing now precisely what they intended, the rotten fruit of the Enlightenment universalism that they planted in the Constitution? We don’t love Trump (or Putin, Hungary’s Viktor Orban, etc.), but perhaps he can counter the pincer movement of The Roles sexual and pandora radio, economic liberalism, and restore a measure of solidarity and commitment to the Western project. The most pessimistic of these illiberal critics go so far as to argue that liberalism isn’t all that different from cobb south africa, Communism, that both are totalitarian children of the Enlightenment. One such critic, Harvard Law School’s Adrian Vermeule, summed up this position in a January essay in First Things magazine:
The stock distinction between the pandora Enlightenment’s twins—communism is violently coercive while liberalism allows freedom of south thought—is glib. Illiberal citizens, trapped [under liberalism] without exit papers, suffer a narrowing sphere of permitted action and speech, shrinking prospects, and increasing pressure from regulators, employers, and acquaintances, and even from friends and family. Liberal society celebrates toleration, diversity, and free inquiry, but in practice it features a spreading social, cultural, and ideological conformism. Radio? 1. I share Vermeule’s despair and Hope: A Fictional Narrative, that of pandora radio many other conservative-Christian friends, because there have been genuinely alarming encroachments against conscience, religious freedom, and the dignity of life in Western liberal democracies in recent years. Even so, despair is an unhelpful companion to sober political thought, and the case for plunging into political illiberalism is weak, even on social-conservative grounds. Here again what commends liberalism is historical experience, not abstract theory.
Simply put, in the real-world experience of the 20th century, the gracchus Church, tradition, and religious minorities fared far better under liberal-democratic regimes than they did under illiberal alternatives. Are coercion and conformity targeting people of pandora radio faith under liberalism? To be sure. But these don’t take the form of the gulag or the and gaius gracchus concentration camp or the soccer stadium–cum-killing field. Catholic political practice knows well how to internet radio draw such moral distinctions between regimes: Pope John Paul II befriended Reagan. If liberal democracy and Communism were indeed “twins” whose distinctions are “glib,” why did he do so? And as Pascal Bruckner wrote in his essay “The Tyranny of Guilt,” if liberal democracy does trap or jail you (politically speaking), it also invariably slips the key under your cell door. The Swedish midwives driven out of the profession over Hope: Narrative, their pro-life views can take their story to the media. The Down syndrome advocacy outfit whose anti-eugenic advertising was censored in France can sue in national and then international courts. The Little Sisters of the Poor can appeal to the Supreme Court for a conscience exemption to Obamacare’s contraceptives mandate. Pandora Internet? And so on.
Conversely, once you go illiberal, you don’t just rid yourself of the NGOs and doctrinaire bureaucrats bent on Hope: A Fictional Narrative Essay, forcing priests to perform gay marriages; you also lose the legal guarantees that protect the Church, however imperfectly, against capricious rulers and popular majorities. And if public opinion in the West is turning increasingly secular, indeed anti-Christian, as social conservatives complain and pandora internet, surveys seem to confirm, is it really a good idea to militate in favor of a more illiberal order rather than defend tooth and nail liberal principles of freedom of tiberius conscience? For tomorrow, the state might fall into Elizabeth Warren’s hands. Nor, finally, is internet political liberalism alone to blame for south the Church’s retreating on various fronts. There have been plenty of wounds inflicted by churchmen and laypeople, who believed that they could best serve the pandora radio faith by conforming its liturgy, moral teaching, and public presence to cobb south liberal order. But political liberalism didn’t compel these changes, at least not directly. In the space opened up by liberalism, and amid the kaleidoscopic lifestyles that left millions of pandora people feeling empty and confused, it was perfectly possible to propose tradition as an alternative. It is still possible to do so. N one of this is to excuse the failures of sadism disorder liberals.
Liberals and mainstream conservatives must go back to the drawing board, to figure out why it is that thoughtful people have come to conclude that their system is incompatible with democracy, nationalism, and religious faith. Traditionalists and others who see Russia’s mafia state as a defender of Christian civilization and national sovereignty have been duped, but liberals bear some blame for driving large numbers of people in the West to that conclusion. This is a generational challenge for the liberal project. So be it. Liberal societies like America’s by nature invite such questioning. Pandora Internet? But before we abandon the 200-and-some-year-old liberal adventure, it is worth examining the Narrative ways in pandora internet, which today’s left-wing and sexual sadism disorder, right-wing critiques of it mirror bad ideas that were overcome in the previous century. The ideological ferment of the moment, after all, doesn’t relieve the illiberals of the responsibility to reckon with the lessons of the past.
1 Vermeule was reviewing The Demon in Democracy , a 2015 book by the Polish political theorist and parliamentarian Ryszard Legutko that makes the same case. Fred Siegel’s review of the English edition appeared in our June 2016 issue. The Campus Sex-Crime Tribunals Are Losing. How the courts are intervening to block some of the most unjust punishments of our time. KC Johnson 2017-09-08. Barrett’s decision marked the internet radio 59th judicial setback for disorder a college or university since 2013 in a due-process lawsuit brought by a student accused of sexual assault. (In four additional cases, the school settled a lawsuit before any judicial decision occurred.) This body of law serves as a towering rebuke to pandora internet the Obama administration’s reinterpretation of Title IX, the 1972 law barring sex discrimination in schools that receive federal funding. Beginning in 2011, the Education Department’s Office for the quiet revolution change Civil Rights (OCR) issued a series of internet radio “guidance” documents pressuring colleges and universities to revolution change quebec change how they adjudicated sexual-assault cases in ways that increased the likelihood of guilty findings. Amid pressure from student and faculty activists, virtually all elite colleges and universities have gone far beyond federal mandates and have even further weakened the rights of students accused of sexual assault. Like all extreme victims’-rights approaches, the new policies had the greatest impact on the wrongly accused.
A 2016 study from UCLA public-policy professor John Villasenor used just one of the changes—schools employing the lowest standard of pandora proof, a preponderance of the evidence—to predict that as often as 33 percent of the time, campus Title IX tribunals would return guilty findings in cases involving innocent students. Villasenor’s study could not measure the impact of other Obama-era policy demands—such as allowing accusers to A Fictional appeal not-guilty findings, discouraging cross-examination of accusers, and urging schools to adjudicate claims even when a criminal inquiry found no wrongdoing. In a September 7 address at George Mason University, Education Secretary Betsy DeVos stated that “no student should be forced to sue their way to due process.” But once enmeshed in the campus Title IX process, a wrongfully accused student’s best chance for justice may well be a lawsuit filed after his college incorrectly has found him guilty. (According to data from United Educators, a higher-education insurance firm, 99 percent of students accused of campus sexual assault are male.) The Foundation for Individual Rights has identified more than 180 such lawsuits filed since the 2011 policy changes. That figure, obviously, excludes students with equally strong claims whose families cannot afford to go to court. Radio? These students face life-altering consequences. As Judge T.S. The Roles Of Socioeconomic Essay Examples? Ellis III noted in a 2016 decision, it is “so clear as to pandora internet be almost a truism” that a student will lose future educational and employment opportunities if his college wrongly brands him a rapist. “It is not the role of the federal courts to disorder set aside decisions of school administrators which the pandora internet radio court may view as lacking in Hope:, wisdom or compassion.” So wrote the Supreme Court in a 1975 case, Wood v. Strickland . While the Supreme Court has made clear that colleges must provide accused students with some rights, especially when dealing with nonacademic disciplinary questions, courts generally have not been eager to intervene in such matters. This is what makes the developments of the last four years all the more remarkable. The process began in May 2013, in a ruling against St.
Joseph’s University, and has lately accelerated (15 rulings in 2016 and 21 thus far in 2017). Of the 40 setbacks for colleges in federal court, 14 came from judges nominated by Barack Obama, 11 from Clinton nominees, and nine from selections of George W. Bush. Brown University has been on the losing side of three decisions; Duke, Cornell, and Penn State, two each. Court decisions since the expansion of Title IX activism have not all gone in one direction. In 36 of the due-process lawsuits, courts have permitted the internet radio university to Barbary Pirates: The Ottoman Empire maintain its guilty finding. (In four other cases, the university settled despite prevailing at pandora radio, a preliminary stage.) But even in these cases, some courts have expressed discomfort with campus procedures. One federal judge was “greatly troubled” that Georgia Tech veered “very far from an ideal representation of due process” when its investigator “did not pursue any line of investigation that may have cast doubt on [the accuser’s] account of the revolution quebec incident.” Another went out of radio his way to say that he considered it plausible that a former Case Western Reserve University student was actually “innocent of the sexual sadism charges levied against him.” And one state appellate judge opened oral argument by bluntly informing the pandora radio University of sexual sadism disorder California’s lawyer, “When I . . . Radio? finished reading all the how did the quiet change quebec briefs in this case, my comment was, ‘Where’s the kangaroo?’” Judges have, obviously, raised more questions in cases where the college has found itself on the losing side. Those lawsuits have featured three common areas of concern: bias in the investigation, resulting in a college decision based on incomplete evidence; procedures that prevented the pandora radio accused student from challenging his accuser’s credibility, chiefly through cross-examination; and schools utilizing a process that seemed designed to produce a predetermined result, in response to real or perceived pressure from the federal government. C olleges and universities have proven remarkably willing to south act on incomplete information when adjudicating sexual-assault cases.
In December 2013, for example, Amherst College expelled a student for sexual assault despite text messages (which the college investigator failed to discover) indicating that the accuser had consented to sexual contact. The accuser’s own testimony also indicated that she might have committed sexual assault, by initiating sexual contact with a student who Amherst conceded was experiencing an alcoholic blackout. When the accused student sued Amherst, the college said its failure to uncover the text messages had been irrelevant because its investigator had only sought texts that portrayed the incident as nonconsensual. In February, Judge Mark Mastroianni allowed the accused student’s lawsuit to proceed, commenting that the texts could raise “additional questions about the credibility of the version of events [the accuser] gave during the disciplinary proceeding.” The two sides settled in pandora internet, late July. Amherst was hardly alone in its eagerness to avoid evidence that might undermine the accuser’s version of events; the of Socioeconomic Status examples same happened at Penn State, St. Radio? Joseph’s, Duke, Ohio State, Occidental, Lynn, Marlboro, Michigan, and cobb south africa, Notre Dame. Even in cases with a more complete evidentiary base, accused students have often been blocked from presenting a full-fledged defense.
As part of its reinterpretation of pandora internet radio Title IX, the Obama administration sought to shield campus accusers from cross-examination. OCR’s 2011 guidance “strongly” discouraged direct cross-examination of accusers by the accused student—a critical restriction, since most university procedures require the accused student, rather than his lawyer, to defend himself in the hearing. OCR’s 2014 guidance suggested that this type of cross-examination in and of itself could create a hostile environment. The Obama administration even spoke favorably about the growing trend among schools to abolish hearings altogether and allow a single official to serve as investigator, prosecutor, judge, and jury in sexual-assault cases. The Supreme Court has never held that campus disciplinary hearings must permit cross-examination. Nonetheless, the recent attack on the practice has left schools struggling to explain why they would not want to utilize what the Court has described as the “greatest legal engine ever invented for the discovery of truth.” In June 2016, the University of Empire Cincinnati found a student guilty of sexual assault after a hearing at which neither his accuser nor the university’s Title IX investigator appeared. In an unintentionally comical line, the hearing chair noted the absent witnesses before asking the accused student if he had “any questions of the Title IX report.” The student, befuddled, replied, “Well, since she’s not here, I can’t really ask anything of the report.” (The panel chair did not indicate how the “report” could have answered any questions.) Cincinnati found the internet student guilty anyway. 1. Limitations on full cross-examination also played a role in judicial setbacks for Middlebury, George Mason, James Madison, Ohio State, Occidental, Penn State, Brandeis, Amherst, Notre Dame, and cobb south africa, Skidmore.
Finally, since 2011, more than 300 students have filed Title IX complaints with the Office for Civil Rights, alleging mishandling of their sexual-assault allegation by their college. OCR’s leadership seemed to welcome the complaints, which allowed Obama officials not only to inspect the individual case but all sexual-assault claims at the school in internet radio, question over sexual, a three-year period. Northwestern University professor Laura Kipnis has estimated that during the Obama years, colleges spent between $60 million and $100 million on these investigations. If OCR finds a Title IX violation, that might lead to a loss of federal funding. This has led Harvard Law professors Jeannie Suk Gersen, Janet Halley, Elizabeth Bartholet, and Nancy Gertner to observe in radio, a white paper submitted to OCR that universities have “strong incentives to ensure the school stays in OCR’s good graces.” One of the gracchus earliest lawsuits after the Obama administration’s policy shift, involving former Xavier University basketball player Dez Wells, demonstrated how an OCR investigation can affect the fairness of pandora internet a university inquiry. The accuser’s complaint had been referred both to Xavier’s Title IX office and the Cincinnati police. The police concluded that the allegation was meritless; Hamilton County Prosecuting Attorney Joseph Deters later said he considered charging the accuser with filing a false police report. Deters asked Xavier to Essay examples delay its proceedings until his office completed its investigation.
School officials refused. Instead, three weeks after the initial allegation, the university expelled Wells. He sued and speculated that Xavier’s haste came not from a quest for justice but instead from pandora internet radio, a desire to avoid difficulties in finalizing an agreement with OCR to resolve an unrelated complaint filed by sexual sadism, two female Xavier students. (In recent years, OCR has entered into dozens of similar resolution agreements, which bind universities to policy changes in exchange for removing the threat of losing federal funds.) In a July 2014 ruling, Judge Arthur Spiegel observed that Xavier’s disciplinary tribunal, however “well-equipped to adjudicate questions of cheating, may have been in over its head with relation to an alleged false accusation of sexual assault.” Soon thereafter, the two sides settled; Wells transferred to pandora radio the University of Maryland. Ohio State, Occidental, Cornell, Middlebury, Appalachian State, USC, and Columbia have all found themselves on africa, the losing side of court decisions arising from cases that originated during a time in which OCR was investigating or threatening to pandora radio investigate the school. (In the south Ohio State case, one university staffer testified that she didn’t know whether she had an obligation to correct a false statement by an accuser to a disciplinary panel.) Pressure from OCR can be indirect, as well. The Obama administration interpreted federal law as requiring all universities to have at internet radio, least one Title IX coordinator; larger universities now employ dozens of Title IX personnel who, as the Harvard Law professors explained, “have reason to fear for their jobs if they hold a student not responsible or if they assign a rehabilitative or restorative rather than a harshly punitive sanction.” A mid the A Fictional Narrative Essay wave of radio judicial setbacks for universities, two decisions in particular stand out. Easily the most powerful opinion in a campus due-process case came in March 2016 from Judge F. Dennis Saylor. While the stereotypical campus sexual-assault allegation results from an alcohol-filled, one-night encounter between a male and a female student, a case at Brandeis University involved a long-term monogamous relationship between two male students. A bad breakup led to the accusing student’s filing the following complaint, against which his former boyfriend was expected to provide a defense: “Starting in Hope: Narrative Essay, the month of September, 2011, the Alleged violator of Policy had numerous inappropriate, nonconsensual sexual interactions with me. Radio? These interactions continued to occur until around May 2013.” To adjudicate, Brandeis hired a former OCR staffer, who interviewed the two students and and gaius gracchus, a few of their friends.
Since the university did not hold a hearing, the investigator decided guilt or innocence on her own. She treated each incident as if the two men were strangers to each other, which allowed her to determine that sexual “violence” had occurred in the relationship. The accused student, she found, sometimes looked at his boyfriend in internet radio, the nude without permission and sometimes awakened his boyfriend with kisses when the boyfriend wanted to stay asleep. Cobb? The university’s procedures prevented the student from seeing the investigator’s report, with its absurdly broad definition of sexual misconduct, in preparing his appeal. “In the internet radio context of American legal culture,” Boston Globe columnist Dante Ramos later argued, denying this type of information “is crazy.” “Standard rules of evidence and gracchus, other protections for the accused keep things like false accusations or mistakes by authorities from hurting innocent people.” When the internet university appeal was denied, the student sued. At an and gaius gracchus October 2015 hearing to consider the university’s motion to dismiss, Saylor seemed flabbergasted at the unfairness of the school’s approach. “I don’t understand,” he observed, “how a university, much less one named after Louis Brandeis, could possibly think that that was a fair procedure to not allow the accused to see the accusation.” Brandeis’s lawyer cited pressure to conform to OCR guidance, but the judge deemed the pandora radio university’s procedures “closer to Salem 1692 than Boston, 2015.” The following March, Saylor issued an 89-page opinion that has been cited in virtually every lawsuit subsequently filed by of Socioeconomic Status, an accused student. Pandora Radio? “Whether someone is a ‘victim’ is a conclusion to be reached at the end of The Roles Essay a fair process, not an radio assumption to be made at the beginning,” Saylor wrote. Pirates: Empire? “If a college student is to be marked for internet radio life as a sexual predator, it is reasonable to require that he be provided a fair opportunity to cobb south africa defend himself and an impartial arbiter to make that decision.” Saylor concluded that Brandeis forced the accused student “to defend himself in internet, what was essentially an inquisitorial proceeding that plausibly failed to provide him with a fair and reasonable opportunity to be informed of the charges and to present an sexual sadism disorder adequate defense.” The student, vindicated by the ruling’s sweeping nature, then withdrew his lawsuit. Pandora Internet? He currently is pursuing a Title IX complaint against Brandeis with OCR. Four months later, a three-judge panel of the Second Circuit Court of Appeals produced an opinion that lacked Saylor’s rhetorical flourish or his understanding of the basic unfairness of the campus Title IX process. But by creating a more relaxed standard for and gaius gracchus accused students to make federal Title IX claims, the Second Circuit’s decision in Doe v. Columbia carried considerable weight.
Two Columbia students who had been drinking had a brief sexual encounter at a party. More than four months later, the accuser claimed she was too intoxicated to have consented. Her allegation came in radio, an atmosphere of campus outrage about the university’s allegedly insufficient toughness on sexual assault. Status Essay Examples? In this setting, the accused student found Columbia’s Title IX investigator uninterested in hearing his side of the story. He cited witnesses who would corroborate his belief that the accuser wasn’t intoxicated; the investigator declined to speak with them. The student was found guilty, although for reasons differing from the initial claim; the internet Columbia panel ruled that he had “directed unreasonable pressure for sexual activity toward the [accuser] over a period of weeks,” leaving her unable to consent on the night in question.
He received a three-semester suspension for this nebulous offense—which even his accuser deemed too harsh. He sued, and the case was assigned to Judge Jesse Furman. Furman’s opinion provided a ringing victory for Columbia and the Obama-backed policies it used. As Title IX litigator Patricia Hamill later observed, Furman’s “almost impossible standard” required accused students to have inside information about the institution’s handling of other sexual-assault claims—information they could plausibly obtain only Barbary Pirates: through the legal process known as discovery, which happens at a later stage of pandora litigation—in order to survive a university’s initial motion to dismiss. Furman suggested that, to of Socioeconomic Status Essay examples prevail, an accused student would need to show that his school treated a female student accused of sexual assault more favorably, or at pandora, least provide details about how cases against other accused students showed a pattern of gracchus bias. But federal privacy law keeps campus disciplinary hearings private, leaving most accused students with little opportunity to uncover the pandora information before their case is dismissed. At the same time, the opinion excused virtually any degree of unfairness by the institution.
Furman reasoned that taking “allegations of rape on campus seriously and how did the quiet revolution quebec, . . . treat[ing] complainants with a high degree of sensitivity” could constitute “lawful” reasons for university unfairness toward accused students. Internet? Samantha Harris of the Foundation for Individual Rights in Education detected the decision’s “immediate and revolution change quebec, nationwide impact” in several rulings against accused students. It also played the same role in internet radio, university briefs that Saylor’s Brandeis opinion did in filings by accused students. The Columbia student’s lawyer, Andrew Miltenberg, appealed Furman’s ruling to the Second Circuit. The stakes were high, since a ruling affirming the lower court’s reasoning would have all but foreclosed Title IX lawsuits by accused students in New York, Connecticut, and sexual sadism disorder, Vermont. But a panel of three judges, all nominated by Democratic presidents, overturned Furman’s decision.
In the opinion’s crucial passage, Judge Pierre Leval held that a university “is not excused from liability for discrimination because the discriminatory motivation does not result from a discriminatory heart, but rather from radio, a desire to avoid practical disadvantages that might result from unbiased action. A covered university that adopts, even temporarily, a policy of bias favoring one sex over the other in Hope: A Fictional Narrative, a disciplinary dispute, doing so in order to avoid liability or bad publicity, has practiced sex discrimination, notwithstanding that the motive for the discrimination did not come from ingrained or permanent bias against that particular sex.” Before the Columbia decision, courts almost always had rebuffed Title IX pleadings from accused students. More recently, judges have allowed Title IX claims to proceed against Amherst, Cornell, California–Santa Barbara, Drake, and Rollins. After the Second Circuit’s decision, Columbia settled with the pandora internet radio accused student, sparing its Title IX decision-makers from having to testify at a trial. James Madison was one of the few universities to take a different course, with disastrous results. A lawsuit from an accused student survived a motion to dismiss, but the university refused to settle, allowing the student’s lawyer to depose the three school employees who had decided his client’s fate. One unintentionally revealed that he had misapplied the sexual sadism university’s own definition of consent. Pandora Internet Radio? Another cited the importance of the accuser’s slurring words on a voicemail, thus proving her extreme intoxication on the night of the alleged assault. It was left to the accused student’s lawyer, at a deposition months after the decision had been made, to note that the voicemail in question actually was received on a different night. In December 2016, Judge Elizabeth Dillon, an Obama nominee, granted summary judgment to the accused student, concluding that “significant anomalies in the appeal process” violated his due-process rights under the Constitution. niversities were on the losing side of 36 due-process rulings when Obama appointee Catherine Lhamon was presiding over the quiet revolution, the Office for Civil Rights between 2013 and 2016; no record exists of radio her publicly acknowledging any of them.
In June 2017, however, Lhamon suddenly rejoiced that “yet another federal court” had found that students disciplined for sexual misconduct “were not denied due process.” That Fifth Circuit decision, involving two former students at the University of Houston, was an odd case for her to celebrate. The majority cabined its findings to the “unique facts” of the case—that the accused students likely would have been found guilty even under the south africa fairest possible process. And the dissent, from Judge Edith Jones, denounced the internet procedures championed by Lhamon and revolution change quebec, other Obama officials as “heavily weighted in favor of finding guilt,” predicting “worse to come if appellate courts do not step in to protect students’ procedural due process right where allegations of quasi-criminal sexual misconduct arise.” At this stage, Lhamon, who now chairs the pandora internet radio U.S. Commission on Civil Rights, cannot be taken seriously when it comes to cobb south questions of pandora internet campus due process. But other defenders of the current Title IX regime have offered more substantive commentary about the university setbacks. Legal scholar Michelle Anderson was one of the few to even discuss the due-process decisions. “Colleges and universities do not always adjudicate allegations of gracchus sexual assault well,” she noted in a 2016 law review article defending the Obama-era policies.
Anderson even conceded that some colleges had denied “accused students fairness in disciplinary adjudication.” But these students sued, “and campuses are responding—as they must—when accused students prevail. So campuses face powerful legal incentives on both sides to address campus sexual assault, and to do so fairly and impartially.” This may be true, but Anderson does not explain why wrongly accused students should bear the financial and pandora radio, emotional burden of inducing their colleges to implement fair procedures. More important, scant evidence exists that colleges have responded to the court victories of how did wrongly accused students by creating fairer procedures. Some have even made it more difficult for wrongly accused students to sue. After losing a lawsuit in December 2014, Brown eliminated the right of students accused of sexual assault to have “every opportunity” to present evidence.
That same year, an accused student showed how Swarthmore had deviated from its own procedures in pandora, his case. Barbary The Ottoman Empire? The college quickly settled the lawsuit—and then added a clause to its procedures immunizing it from radio, similar claims in disorder, the future. Swarthmore currently informs accused students that “rules of evidence ordinarily found in legal proceedings shall not be applied, nor shall any deviations from pandora internet, any of these prescribed procedures alone invalidate a decision.” Many lawsuits are still working their way through the how did the quiet judicial system; three cases are pending at federal appellate courts. Of the pandora two that address substantive matters, oral arguments seemed to reveal skepticism of the university’s position. On July 26, a three-judge panel of the First Circuit considered a case at Boston College, where the accused student plausibly argued that someone else had committed the sexual assault (which occurred on a poorly lit dance floor). Judges Bruce Selya and cobb south africa, William Kayatta seemed troubled that a Boston College dean had improperly intruded on the hearing board’s deliberations. At the Sixth Circuit a few days later, Judges Richard Griffin and Amul Thapar both expressed concerns about the University of Cincinnati’s downplaying the importance of cross-examination in pandora radio, campus-sex adjudications.
Judge Eric Clay was quieter, but he wondered about the tension between the university’s Title IX and sexual sadism, truth-seeking obligations. In a perfect world, academic leaders themselves would have created fairer processes without judicial intervention. But in the current campus environment, such an approach is impossible. So, at least for the short term, the courts remain the best, albeit imperfect, option for students wrongly accused of pandora internet radio sexual assault. Meanwhile, every year, young men entrust themselves and their family’s money to institutions of Barbary Pirates: The Ottoman Empire higher learning that are indifferent to their rights and unconcerned with the injustices to which these students might be subjected. 1 After a district court placed that finding on hold, the university appealed to the Sixth Circuit. Review of 'Terror in France' By Gilles Kepel.
James Kirchick 2017-09-13. Kepel is particularly knowledgeable about the history and pandora radio, process of radicalization that takes place in his nation’s heavily Muslim banlieues (the depressed housing projects ringing Paris and other major cities), and Terror in France is informed by decades of fieldwork in these volatile locales. What we have been witnessing for more than a decade, Kepel argues, is the “third wave” of Barbary Essay global jihadism, which is internet not so much a top-down doctrinally inspired campaign (as were the 9/11 attacks, directed from afar by tiberius gracchus, the oracular figure of pandora Osama bin Laden) but a bottom-up insurgency with an “enclave-based ethnic-racial logic of violence” to it. Change Quebec? Kepel traces the phenomenon back to radio 2005, a convulsive year that saw the second-generation descendants of A Fictional Narrative Essay France’s postcolonial Muslim immigrants confront a changing socio-political landscape. That was the year of the greatest riots in modern French history, involving mostly young Muslim men. Pandora Radio? It was also the year that Abu Musab al-Suri, the Syrian-born Islamist then serving as al-Qaeda’s operations chief in Europe, published The Global Islamic Resistance Call . This 1,600-page manifesto combined pious imprecations against the West with do-it-yourself ingenuity, an south Anarchist’s Cookbook for the Islamist set. In Kepel’s words, the manifesto preached a “jihadism of proximity,” the brand of pandora civil war later adopted by the Islamic State.
It called for ceaseless, mass-casualty attacks in Western cities—attacks which increase suspicion and regulation of Muslims and, in turn, drive those Muslims into the arms of violent extremists. The third-generation jihad has been assisted by two phenomena: social-networking sites that easily and widely disseminate Islamist propaganda (thus increasing the rate of examples self-radicalization) and the so-called Arab Spring, which led to state collapse in Syria and Libya, providing “an exceptional site for military training and propaganda only internet a few hours’ flight from Europe, and at a very low cost.” Kepel’s book is not just a study of the ideology and tactics of Islamists but a sociopolitical overview of how this disturbing phenomenon fits within a country on the brink. For example, Kepel finds that jihadism is emerging in conjunction with developments such as the “end of industrial society.” A downturn in work has led to an ominous situation in which a “right-wing ethnic nationalism” preying on the economically anxious has risen alongside Islamism as “parallel conduits for expressing grievances.” Filling a space left by the French Communist Party (which once brought the ethnic French working class and Arab immigrants together), these two extremes leer at each other from opposite sides of Empire a societal chasm, signaling the potentially cataclysmic future that awaits France if both mass unemployment and Islamist terror continue undiminished. The French economy has also had a more direct inciting effect on jihadism. Internet? Overregulated labor markets make it difficult for how did the quiet quebec young Muslims to get jobs, thus exacerbating the conditions of social deprivation and exclusion that make individuals susceptible to radicalization. Pandora Internet Radio? The inability to tackle chronic unemployment has led to widespread Muslim disillusionment with the left (a disillusionment aggravated by another, often glossed over, factor: widespread Muslim opposition to the Socialist Party’s championing of same-sex marriage).
Essentially, one left-wing constituency (unions) has made the unemployment of another constituency (Muslim youth) the mechanism for maintaining its privileges. Kepel does not, however, cite deprivation as the sole or even main contributing factor to Islamist radicalization. One Parisian banlieue that has sent more than 80 residents to fight in Syria, he notes, has “attractive new apartment buildings” built by cobb south africa, the state and features a mosque “constructed with the backing of the pandora Socialist mayor.” It is also the birthplace of well-known French movie stars of Arab descent, and thus hardly a place where ambition goes to sexual sadism disorder die. “The Islamophobia mantra and the victim mentality it reinforces makes it possible to rationalize a total rejection of France and a commitment to pandora jihad by making a connection between unemployment, discrimination, and French republican values,” Kepel writes. How Did The Quiet Revolution Change Quebec? Indeed, Kepel is pandora internet radio refreshingly derisive of the term “Islamophobia” throughout the book, excoriating Islamists and change, their fellow travelers for “substituting it for anti-Semitism as the West’s cardinal sin.” These are meaningful words coming from internet radio, Kepel, a deeply learned scholar of Islam who harbors great respect for the faith and its adherents. Kepel also weaves the saga of and gaius jihadism into the ongoing “ kulturkampf within the French left.” Arguments about Islamist terrorism demonstrate a “divorce between a secular progressive tradition” and the children of the pandora internet Muslim immigrants this tradition fought to defend. Cobb South Africa? The most ironically perverse manifestation of this divorce was ISIS’s kidnapping of Didier Francois, co-founder of the civil-rights organization SOS Racisme . Kepel recognizes the origins of this divorce in the “red-green” alliance formed decades ago between Islamists and elements of the French intellectual left, such as Michel Foucault, a cheerleader of the Iranian revolution. Though he offers a rigorous history and pandora internet, analysis of the jihadist problem, Kepel is generally at Hope: A Fictional Essay, a loss for solutions. He decries a complacent French elite, with its disregard for genuine expertise (evidenced by the decline in institutional academic support for Islamicists and Arabists) and the narrow, relatively impenetrable way in which it perpetuates itself, chiefly with a single school (the Ecole normale superieure) that practically every French politician must attend. Despite France’s admirable republican values, this has made the process of assimilation rather difficult. But other than wishing that the internet radio public education system become more effective and inclusive at instilling republican values, Kepel provides little in the way of suggestions as to how France emerges from sexual sadism, this mess. That a scholar of such erudition and pandora radio, humanity can do little but throw up his hands and issue a sigh of despair cannot bode well.
The third-generation jihad owes as much to the political breakdown in and gaius gracchus, France as it does to the meltdown in the Middle East. Defeating this two-headed beast requires a new and comprehensive playbook: the West’s answer to The Global Islamic Resistance Call. That book has yet to be written. Matthew Continetti 2017-09-13. resident Trump, in case you haven’t noticed, has a tendency to exaggerate.
Nothing is “just right” or “meh” for him. Buildings, crowds, election results, and military campaigns are always outsized, gargantuan, larger, and more significant than you might otherwise assume. “People want to internet believe that something is the Hope: Essay biggest and the greatest and the most spectacular,” he wrote 30 years ago in The Art of the pandora internet Deal . “I call it truthful hyperbole. Sadism Disorder? It’s an innocent form of exaggeration—and a very effective form of pandora internet radio promotion.” So effective, in fact, that the press has picked up the habit. Reporters and Status examples, editors agree with the president that nothing he does is ordinary. After covering Trump for radio more than two years, they still can’t accept him as a run-of-the-mill politician. And while there are aspects of Donald Trump and his presidency that are, to say the least, unusual, the media seem unable to distinguish between the sexual disorder abnormal and significant—firing the FBI director in radio, the midst of an sexual sadism investigation into radio, one’s presidential campaign, for example—and the commonplace. Consider the fiscal deal President Trump struck with Democratic leaders in africa, early September. On September 6, the president held an pandora Oval Office meeting with Vice President Pence, Treasury Secretary Mnuchin, and Narrative Essay, congressional leaders of both parties. He had to find a way to (a) raise the internet debt ceiling, (b) fund the federal government, and (c) spend money on hurricane relief. The problem is that a bloc of House Republicans won’t vote for (a) unless the increase is accompanied by significant budget cuts, which interferes with (b) and (c).
To raise the debt ceiling, then, requires Democratic votes. And the debt ceiling must be raised. “There is zero chance—no chance—we will not raise the debt ceiling,” Senate Majority Leader Mitch McConnell said in August. The meeting went like this. First House Speaker Paul Ryan asked for tiberius an 18-month increase in the debt ceiling so Republicans wouldn’t have to vote again on internet radio, the matter until after the midterm elections. Democrats refused. The Quiet Revolution Change? The bargaining continued until Ryan asked for a six-month increase. The Democrats remained stubborn. So Trump, always willing to kick a can down the road, interrupted Mnuchin to pandora offer a three-month increase, a continuing resolution that will keep the government open through December, and about $8 billion in Essay, hurricane money. The Democrats said yes. That, anyway, is what happened.
But the media are not satisfied to internet radio report what happened. They want—they need —to tell you what it means. And what does it mean? Well, they aren’t really sure. But it’s something big. Empire Essay? It’s something spectacular. For example: 1. Pandora Internet Radio? “Trump Bypasses Republicans to Strike Deal on Debt Limit and Harvey Aid” was the tiberius headline of a story for internet radio the New York Times by Peter Baker, Thomas Kaplan, and Michael D. Shear. Of Socioeconomic? “The deal to keep the pandora internet radio government open and paying its debts until Dec.
15 represented an extraordinary public turn for the president, who has for cobb south much of his term set himself up on pandora internet radio, the right flank of the Republican Party,” their article began. Fair enough. But look at how they import speculation and opinion into the following sentence: “But it remained unclear whether Mr. Trump’s collaboration with Democrats foreshadowed a more sustained shift in strategy by a president who has presented himself as a master dealmaker or amounted to just a one-time instinctual reaction of The Roles of Socioeconomic Status a mercurial leader momentarily eager to poke his estranged allies.” 2. “The decision was one of the most fascinating and mysterious moves he’s made with Congress during eight months in internet radio, office,” reported Jeff Zeleny, Dana Bash, Deirdre Walsh, and Jeremy Diamond for Barbary Pirates: The Ottoman Empire Essay CNN. Thanks for sharing! 3. “Trump budget deal gives GOP full-blown Stockholm Syndrome,” read the headline of Tina Nguyen’s piece for Vanity Fair . “Donald Trump’s unexpected capitulation to pandora radio new best buds ‘Chuck and Nancy’ has thrown the Grand Old Party into a frenzy as Republicans search for The Ottoman Empire Essay explanations—and scapegoats.” 4. “For Conservatives, Trump’s Deal with Democrats Is Nightmare Come True,” read the pandora internet radio headline for A Fictional Essay a New York Times article by Jeremy W. Internet? Peters and of Socioeconomic Status Essay, Maggie Haberman. “It is the scenario that President Trump’s most conservative followers considered their worst nightmare, and on Wednesday it seemed to come true: The deal-making political novice, whose ideology and loyalty were always fungible, cut a deal with Democrats.” 5. Pandora Internet Radio? “Trump sides with Democrats on fiscal issues, throwing Republican plans into chaos,” read the the quiet revolution change Washington Post headline the day after the deal was announced. “The president’s surprise stance upended sensitive negotiations over internet, the debt ceiling and other crucial policy issues this fall and tiberius, further imperiled his already tenuous relationships with Senate Majority Leader Mitch McConnell and radio, House Speaker Paul Ryan.” Yes, the negotiations were upended. Then they made a deal.
6. “Although elected as a Republican last year,” wrote Peter Baker of the Times , “Mr. Trump has shown in the nearly eight months in office that he is, in Hope: A Fictional Narrative Essay, many ways, the first independent to hold the pandora internet presidency since the advent of the two-party system around the time of the Civil War.” The title of Baker’s news analysis: “Bound to No Party, Trump Upends 150 Years of Two-Party Rule.” One hundred and africa, fifty years? Why not 200? The journalistic rule of thumb used to be that an internet radio article describing a political, social, or cultural trend requires at least three examples. Not while covering Trump. If Trump does something, anything, you should feel free to inflate its importance beyond all recognition.
And stuff your “reporting” with all sorts of dramatic adjectives and frightening nouns: fascinating , mysterious , unexpected , extraordinary , nightmare , chaos , frenzy , and sadism disorder, scapegoats . It’s like a Vince Flynn thriller come to life. The case for radio the significance of the budget deal would be stronger if there were a consensus about whom it helped. There isn’t one. At first the press assumed Democrats had won. South? “Republicans left the internet radio Oval Office Wednesday stunned,” reported Rachael Bade, Burgess Everett, and south, Josh Dawsey of Politico . Another trio of Politico reporters wrote, “In the pandora aftermath, Republicans seethed privately and distanced themselves publicly from the deal.” Republicans were “stunned,” reported Kristina Peterson, Siobhan Hughes, and Louise Radnofsky of the Wall Street Journal . “Meet the swamp: Donald Trump punts September agenda to December after meeting with Congress,” read the headline of Charlie Spiering’s Breitbart story. By the following week, though, these very outlets had decided the GOP was looking pretty good. “Trump’s deal with Democrats bolsters Ryan—for now,” read the Politico headline on September 11. “McConnell: No New Debt Ceiling Vote until ‘Well into 2018,’” reported the Washington Post . “At this point…picking a fight with Republican leaders will only help him,” wrote Gerald Seib in sadism, the Wall Street Journal . “Trump has long warned that he would work with Democrats, if necessary, to fulfill his campaign promises. And Wednesday’s deal is a sign that he intends to follow through on that threat,” wrote Breitbart’s Joel Pollak. The sensationalism, the conflicting interpretations, the pandora internet visceral language is Pirates: The Ottoman dizzying. We have so many reporters chasing the same story that each feels compelled to gussy up a quotidian budget negotiation until it resembles the Ribbentrop–Molotov pact, and none feel it necessary to apply to their own reporting the scrutiny and incredulity they apply to Trump. The truth is that no one knows what this agreement portends.
Nor is it the job of a reporter to divine the meaning of current events like an augur of Rome. Sometimes a cigar is just a cigar. And a deal is just a deal. Remembering something wonderful. Terry Teachout 2017-09-13. Not surprisingly, many well-established performers were left in the lurch by the rise of the new media. Moreover, some vaudevillians who, like Fred Allen, had successfully reinvented themselves for radio were unable to make the transition to TV.
But a handful of pandora exceptionally talented performers managed to move from vaudeville to cobb africa radio to TV, and radio, none did it with more success than Jack Benny, whose feigned stinginess, scratchy violin playing, slightly effeminate demeanor, and preternaturally exact comic timing made him one of the world’s most beloved performers. After establishing himself in vaudeville, he became the star of a comedy series, The Jack Benny Program , that aired continuously, first on radio and The Roles of Socioeconomic Essay examples, then TV, from 1932 until 1965. Save for Bob Hope, no other comedian of pandora radio his time was so popular. With the demise of nighttime network radio as an entertainment medium, the 931 weekly episodes of The Jack Benny Program became the province of comedy obsessives—and because Benny’s TV series was filmed in black-and-white, it is africa no longer shown in syndication with any regularity. And while he also made Hollywood films, some of which were box-office hits, only one, Ernst Lubitsch’s To Be or Not to radio Be (1942), is sadism today seen on TV other than sporadically. Nevertheless, connoisseurs of comedy still regard Benny, who died in 1974, as a giant, and numerous books, memoirs, and articles have been published about his life and art. Most recently, Kathryn H. Radio? Fuller-Seeley, a professor at the University of Texas at Austin, has brought out Jack Benny and the Golden Age of A Fictional Essay Radio Comedy , the first book-length primary-source academic study of The Jack Benny Program and its star. 1 Fuller-Seeley’s genuine appreciation for Benny’s work redeems her anachronistic insistence on viewing it through the fashionable prism of gender- and race-based theory, and her book, though sober-sided to the point of occasional starchiness, is often quite illuminating. Most important of all, off-the-air recordings of 749 episodes of the radio version of The Jack Benny Program survive in internet radio, whole or part and can easily be downloaded from the Web.
As a result, it is possible for people not yet born when Benny was alive to hear for themselves why he is still remembered with admiration and affection—and why one specific aspect of his performing persona continues to tiberius fascinate close observers of the American scene. B orn Benjamin Kubelsky in Chicago in 1894, Benny was the internet radio son of Eastern European emigres (his father was from Poland, his mother from Lithuania). The Quiet? He started studying violin at six and had enough talent to radio pursue a career in music, but his interests lay elsewhere, and by the time he was a teenager, he was working in vaudeville as a comedian who played the violin as part of his act. Over time he developed into a “monologist,” the period term for what we now call a stand-up comedian, and he began appearing in films in 1929 and on network radio three years after that. Radio comedy, like silent film, is and gaius gracchus now an obsolete art form, but the program formats that it fostered in the ’20s and ’30s all survived into pandora radio, the era of TV, and some of them flourish to this day. One, episodic situation comedy, was developed in large part by Jack Benny and his collaborators. South? Benny and pandora internet radio, Harry Conn, his first full-time writer, turned his weekly series, which started out as a variety show, into a weekly half-hour playlet featuring a regular cast of sexual disorder characters augmented by guest stars. Such playlets, relying as they did on a setting that was repeated from internet radio, week to week, were easier to write than the free-standing sketches favored by Allen, Hope, and other ex-vaudevillians, and by the late ’30s, the sitcom had become a staple of radio comedy. The process, as documented by Fuller-Seeley, was a gradual one. The Jack Benny Program never broke entirely with the variety format, continuing to feature both guest stars (some of whom, like Ronald Colman, ultimately became semi-regular members of the show’s rotating ensemble of players) and songs sung by Dennis Day, a tenor who joined the cast in 1939.
Nor was it the cobb africa first radio situation comedy: Amos Andy , launched in 1928, was a soap-opera-style daily serial that also featured regular characters. Nevertheless, it was Benny who perfected the form, and his own character would become the prototype for countless later sitcom stars. The show’s pivotal innovation was to turn Benny and pandora internet, the other cast members into how did the quiet revolution change, fictionalized versions of themselves—they were the stars of a radio show called “The Jack Benny Program.” Sadye Marks, Benny’s wife, played Mary Livingstone, his sharp-tongued secretary, with three other characters added as the pandora radio self-reflexive concept took shape. Don Wilson, the stout, genial announcer, came on board in of Socioeconomic Status Essay examples, 1934. He was followed in 1936 by Phil Harris, Benny’s roguish bandleader, and, in 1939, by Day, Harris’s simple-minded vocalist.
To this team was added a completely fictional character, Rochester Van Jones, Benny’s raspy-voiced, outrageously impertinent black valet, played by internet, Eddie Anderson, who joined the of Socioeconomic Essay cast in 1938. As these five talented performers coalesced into a tight-knit ensemble, the jokey, vaudeville-style sketch comedy of the early episodes metamorphosed into sitcom-style scripts that portrayed their offstage lives, as well as the making of the show itself. Scarcely any conventional jokes were told, nor did Benny’s writers employ the radio topical and political references in which Allen and cobb africa, Hope specialized. Instead, the internet show’s humor arose almost entirely from the close interplay of character and The Roles of Socioeconomic, situation. Benny was not solely responsible for the creation of this format, which was forged by Conn and perfected by his successors. Instead, he doubled as the star and radio, producer—or, to use the modern term, show runner—closely supervising the writing of the scripts and directing the performances of the sexual other cast members. Pandora Internet Radio? In addition, he and Conn turned the south africa character of Jack Benny from a sophisticated vaudeville monologist into internet radio, the hapless butt of the show’s humor, a vain, sexually inept skinflint whose character flaws were ceaselessly twitted by and gaius gracchus, his colleagues, who in radio, turn were given most of the biggest laugh lines. This latter innovation was a direct reflection of Benny’s real-life personality. Legendary for his voluble appreciation of other comedians, he was content to respond to the wisecracking of the quiet revolution change his fellow cast members with exquisitely well-timed interjections like “Well!” and “Now, cut that out,” knowing that the comic spotlight would remain focused on the man of whom they were making fun and secure in the knowledge that his own comic personality was strong enough to pandora radio let them shine without eclipsing him in the process.
And with each passing season, the fictional personalities of Benny and south, his colleagues became ever more firmly implanted in the minds of their listeners, thus allowing the internet writers to get laughs merely by alluding to their now-familiar traits. At the same time, Benny and his writers never stooped to coasting on their familiarity. Even the funniest of the “cheap jokes” that were their stock-in-trade were invariably embedded in sadism disorder, carefully honed dramatic situations that heightened their effectiveness. A celebrated case in internet, point is the Hope: best-remembered laugh line in internet, the history of The Jack Benny Program , heard in Pirates: The Ottoman Essay, a 1948 episode in which a burglar holds Benny up on the street. Radio? “Your money or your life,” the Barbary Empire Essay burglar says—to which Jack replies, after a very long pause, “I’m thinking it over!” What makes this line so funny is, of course, our awareness of Benny’s stinginess, reinforced by a decade and a half of constant yet subtly varied repetition. What is radio not so well remembered is that the line is disorder heard toward the end of an episode that aired shortly after Ronald Colman won an Oscar for his performance in A Double Life . Inspired by this real-life event, the writers concocted an elaborately plotted script in pandora internet radio, which Benny talks Colman (who played his next-door neighbor on the show) into letting him borrow the Oscar to A Fictional Essay show to radio Rochester. It is on Pirates: The Ottoman Empire, his way home from this errand that Benny is held up, and pandora internet, the burglar not only robs him of gracchus his money but also steals the statuette, a situation that was resolved to equally explosive comic effect in the course of two subsequent episodes. No mere joke-teller could have performed such dramatically complex scripts week after week with anything like Benny’s effectiveness. Pandora Radio? The secret of The Jack Benny Program was that its star, fully aware that he was not “being himself” but playing a part, did so with an actor’s skill.
This was what led Ernst Lubitsch to sexual disorder cast him in To Be or Not to Be , in which he plays a mediocre Shakespearean tragedian, a character broadly related to but still quite different from the one who appeared on his own radio show. As Lubitsch explained to Benny, who was skeptical about his ability to carry off the part: A clown—he is a performer what is doing funny things. A comedian—he is a performer what is saying funny things. But you, Jack, you are an pandora internet radio actor, you are an actor playing the part of a comedian and this you are doing very well. To Be or Not to Be also stands out from the rest of Benny’s work because he plays an identifiably Jewish character. The Jack Benny character that he played on radio and TV, by contrast, was never referred to or explicitly portrayed as Jewish. To be sure, most listeners were in no doubt of his Jewishness, and not merely because Benny made no attempt in change, real life to conceal his ethnicity, of which he was by all accounts proud. The Jack Benny Program was written by pandora, Jews, and the ego-puncturing insults with which their scripts were packed, as well as the schlemiel-like aspect of Benny’s “fall guy” character, were quintessentially Jewish in style.
As Benny explained in a 1948 interview cited by and gaius gracchus, Fuller-Seeley: The humor of my program is this: I’m a big shot, see? I’m fast-talking. I’m a smart guy. I’m boasting about how marvelous I am. I’m a marvelous lover. I’m a marvelous fiddle player. Then, five minutes after I start shooting off my mouth, my cast makes a shmo out of me. Even so, his avoidance of specific Jewish identification on the air is noteworthy precisely because his character was a miser.
At a time when overt anti-Semitism was still common in radio, America, it is remarkable that Benny’s comic persona was based in large part on an anti-Semitic stereotype—yet one that seems not to have inspired any anti-Semitic attacks on Benny himself. When, in 1945, his writers came up with the idea of an “I Can’t Stand Jack Benny Because . And Gaius Gracchus? . . ” write-in campaign, they received 270,000 entries. Only three made mention of his Jewishness. As for the winning entry, submitted by internet radio, a California lawyer, it says much about what insulated Benny from such attacks: “He fills the air with boasts and Barbary Pirates: The Ottoman Empire Essay, brags / And obsolete, obnoxious gags / The way he plays his violin / Is music’s most obnoxious sin / His cowardice alone, indeed, / Is matched by his obnoxious greed / And all the radio things that he portrays / Show up MY OWN obnoxious ways.” It is clear that Benny’s foibles were seen by his listeners not as particular but universal, just as there was no harshness in the razzing of his fellow cast members, who very clearly loved the Benny character in spite of Pirates: The Ottoman Empire Essay his myriad flaws. So, too, did the American people. Several years after his TV series was cancelled, a corporation that was considering using him as a spokesman commissioned a national poll to find out how popular he was. It learned that only 3 percent of the respondents disliked him. Therein lay Benny’s triumph: He won total acceptance from the American public and did so by embodying a Jewish stereotype from which the sting of prejudice had been leached.
Far from being a self-hating whipping boy for anti-Semites, he turned himself into pandora, WASP America’s Jewish uncle, preposterous yet lovable. W hen the of Socioeconomic Essay bottom fell out of network radio, Benny negotiated the pandora radio move to TV without a hitch, debuting on change, the small screen in 1950 and bringing the radio version of The Jack Benny Program to pandora radio a close five years later, making it one of the very last radio comedy series to shut up shop. Cobb Africa? Even after his weekly TV series was finally canceled by CBS in 1965, he continued to radio star in well-received one-shot specials on NBC. But Benny’s TV appearances, for all their charm, were never quite equal in quality to his radio work, which is how did the quiet quebec why he clung to the radio version of The Jack Benny Program until network radio itself went under: Better than anyone else, he knew how good the show had been. For the rest of his life, he lived off the pandora accumulated comic capital built up by 21 years of The Roles of Socioeconomic Status Essay weekly radio broadcasts. Now, at long last, he belongs to the ages, and The Jack Benny Program is a museum piece.
Yet it remains hugely influential, albeit at one or more removes from the original. From The Dick Van Dyke Show and The Danny Thomas Show to Seinfeld , Everybody Loves Raymond , and The Larry Sanders Show , every ensemble-cast sitcom whose central character is pandora internet radio a fictionalized version of tiberius gracchus its star is based on Benny’s example. And now that the internet radio ubiquity of the Web has made the Essay examples radio version of his series readily accessible for the first time, anyone willing to make the modest effort necessary to seek it out is in a position to discover that The Jack Benny Program , six decades after it left the air, is still as wonderfully, benignly funny as it ever was, a monument to the talent of the man who, more than anyone else, made it so. Review of 'The Transferred Life of George Eliot' By Philip Davis. Thomas L. Jeffers 2017-09-13. The Transferred Life of George Eliot.
Not that there’s any danger these theoretically protesting students would have read George Eliot’s works—not even the short one, Silas Marner (1861), which in an earlier day was assigned to high schoolers. I must admit I didn’t find my high-school reading of Silas Marner a pleasant experience—sports novels for boys like John R. Internet? Tunis’s The Kid from Tomkinsville were inadequate preparation. Africa? I must confess, too, that when I was in graduate school, determined to study 17th-century English verse, my reaction to the suggestion that I should also read Middlemarch (1871–72) was “ What?! An 800-page novel by the guy who wrote Silas Marner ?” A friend patiently explained that “the guy” was actually Mary Ann Evans, born in 1819, died in 1880. Partly because she was living in pandora radio, sin with the literary jack-of-all-trades George Henry Lewes (legally and irrevocably bound to his estranged wife), she adopted “George Eliot” as a protective pseudonym when, in her 1857 debut, she published Scenes from Clerical Life . I did, many times over and with awe and delight, go on to read Middlemarch and the seven other novels, often in revolution change quebec, order to teach them to college students. Students have become less and less receptive over the years. Pandora Internet? Forget modern-day objections to George Eliot’s complex political or religious views.
Adam Bede (1859) and The Mill on and gaius gracchus, the Floss (1860) were too hefty, and the triple-decked Middlemarch and Deronda , even if I set aside three weeks for them, rarely got finished. The middle 20th century was perhaps a more a propitious time for appreciating George Eliot, Henry James, and other 19th-century English and pandora, American novelists. Influential teachers like F.R. Cobb Africa? Leavis at Cambridge and radio, Lionel Trilling at Columbia were then working hard to gracchus persuade students that the study of pandora radio literature, not just poetry and how did change quebec, drama but also fiction, matters both to their personal lives—the development of their sensibility or character—and to internet their wider society. The “moral imagination” that created Middlemarch enriches our minds by dramatizing the complications—the frequent blurring of good and evil—in our lives. How Did The Quiet? Great novels help us cope with ambiguities and make us more tolerant of one another. Many of Leavis’s and Trilling’s students became teachers themselves, and for several decades the feeling of cultural urgency was sustained. In the 1970s, though, between the leftist emphasis on literature as “politics by other means” and the deconstructionist denial of the possibility of pandora internet radio any knowledge, literary or otherwise, independent of political power, the high seriousness of how did change Leavis and Trilling began to fade. The study of George Eliot and her life has gone through many stages.
Directly after her death came the pandora internet sanitized, hagiographic “life and letters” by Empire Essay, J.W. Cross, the much younger man she married after Lewes’s death. Gladstone called it “a Reticence in pandora, three volumes.” The three volumes helped spark, if they didn’t cause, the long reaction against the Victorian sages generally that culminated in the dismissively satirical work of the Bloomsbury biographer and critic Lytton Strachey in his immensely influential Eminent Victorians (1916). Tiberius? Strachey’s mistreatment of his forbears was, with regard to pandora internet radio George Eliot at least, tempered almost immediately by Virginia Woolf. It was Woolf who in Hope: A Fictional, 1919 provocatively said that Middlemarch had been “the first English novel for adults.” Eventually, the critical tide against George Eliot was decisively reversed in pandora internet, the ’40s by Joan Bennett and Leavis, who made the inarguable case for her genuine and lasting achievement. That period of correction culminated in the 1960s with Gordon S. Haight’s biography and with interpretive studies by Barbara Hardy and W.J. Harvey. Books on George Eliot over the last four decades have largely been written by Barbary Pirates: The Ottoman Empire, specialists for specialists—on her manuscripts or working notes, and on radio, her affiliations with the scientists, social historians, and competing novelists of her day. The same is true, only more so, of the sexual sadism disorder books written, with George Eliot as the pandora radio ostensible subject, to promote deconstructionist or feminist agendas. Biographies have done a better job appealing to the common reader, not least because the woman’s own story is inherently compelling. The question right now is whether a book combining biographical and interpretive insight—one “pitched,” as publishers like to Status Essay examples say, not just at experts but at radio, the common reader—is past praying for.
Philip Davis, a Victorian scholar and tiberius and gaius gracchus, an editor at Oxford University Press, hopes not. His The Transferred Life of George Eliot —transferred, that is, from her own experience into her letters, journals, essays, and pandora radio, novels, and beyond them into The Roles of Socioeconomic Status Essay examples, us—deserves serious attention. Davis is conscious that George Eliot called biographies of writers “a disease of English literature,” both overeager to discover scandals and too inclined to substitute day-to-day travels, relationships, dealings with publishers and so on, for critical attention to the books those writers wrote. Davis therefore devotes himself to George Eliot’s writing. Alas, he presumes rather too much knowledge on the reader’s part of the day-to-day as charted in Haight’s marvelous life. (A year-by-year chronology at the front of the book would have helped even his fellow Victorianists.) As for George Eliot’s writing, Davis is determined to refute “what has been more or less said . . . in radio, the schools of theory for the last 40 years—that 19th-century realism is conservatively bland and unimaginative, bourgeois and parochial, not truly art at all.” His argument for the richness, breadth, and art of George Eliot’s realism—her factual and sympathetic depiction of poor and middling people, without omitting a candid representation of the rich—is most convincing. What looms largest, though, is the realist, the woman herself—the Mary Ann Evans who, from the letters to the novels, became first Marian Evans the translator and sexual, essayist and then later “her own greatest character”: George Eliot the novelist.
Davis insists that “the meaning of that person”—not merely the voice of pandora internet radio her omniscient narrators but the omnipresent imagination that created the of Socioeconomic Status whole show—“has not yet exhausted its influence nor the larger future life she should have had, and may still have, in the world.” The transference of George Eliot’s experience into radio, her fiction is unquestionable: In The Mill on the Floss , for example, Mary Ann is and gaius Maggie, and her brother Isaac is Tom Tulliver. Internet Radio? Davis knows that a better word might be transmutation, as George Eliot had, in how did change, Henry James’s words, “a mind possessed,” for “the creations which brought her renown were of the radio incalculable kind, shaped themselves in mystery, in some intellectual back-shop or secret crucible, and were as little as possible implied in of Socioeconomic, the aspect of her life.” No data-accumulating biographer, even the pandora internet radio most exhaustive, can account for that “incalculable . . . mystery.” Which is why Davis, like a good teacher, gives us exercises in “close reading.” He pauses to consider how a George Eliot sentence balances or turns on an easy-to-skip-over word or phrase—the balance or turn often representing a moment when the novelist looks at what’s on the underside of the cards. George Eliot’s style is subtle because her theme is subtle. Take D.H. Lawrence’s favorite heroine, the adolescent Maggie Tulliver. The external event in Pirates:, The Mill on the Floss may be the pandora internet radio girl’s impulsive cutting off her unruly hair to spite her nagging aunts, or the young woman’s drifting down the river with a superficially attractive but truly impossible boyfriend. But the real “action” is Maggie’s internal self-blame and self-assertion. No Victorian novelist was better than George Eliot at tracing the psychological development of, say, a husband and wife who realize they married each other for shallow reasons, are unhappy, and now must deal with the ordinary necessities of balancing the domestic budget—Lydgate and Rosamund in Middlemarch —or, in the same novel, the religiously inclined Dorothea’s mistaken marriage to Hope: Narrative the old scholar Casaubon.
That mistake precipitates not merely disenchantment and pandora radio, an unconscious longing for love with someone else, but (very finely) a quest for a religious explanation of and Hope:, guide through her quandary. It’s the internet radio religio-philosophical side of George Eliot about and gaius which Davis is strongest—and weakest. Internet Radio? Her central theological idea, if one may simplify, was that the God of the Bible didn’t exist “out there” but was a projection of the imagination of the Hope: Narrative people who wrote it. Jesus wasn’t, in Davis’s characterization of her view, “the impervious divine, but [a man who] shed tears and suffered,” and died feeling forsaken. “This deep acceptance of so-called weakness was what most moved Marian Evans in her Christian inheritance. Internet? It was what God was for.” That is, the character of Jesus, and the dramatic play between him and his Father, expressed the human emotions we and cobb, George Eliot are all too familiar with. The story helps reconcile us to pandora internet radio what is, finally, inescapable suffering. George Eliot came to this demythologized understanding not only tiberius of Judaism and Christianity but of all religions through her contact first with a group of pandora intellectuals who lived near Coventry, then with two Germans she translated: David Friedrich Strauss, whose 1,500-page Life of Jesus Critically Examined (1835–36) was for her a slog, and Ludwig Feuerbach, whose Essence of Christianity (1841) was for her a joy. Also, in the search for the universal morality that Strauss and Feuerbach believed Judaism and Christianity expressed mythically, there was Spinoza’s utterly non-mythical Ethics (1677). It was seminal for A Fictional Essay her—offering, as Davis says, “the intellectual origin for freethinking criticism of the Bible and for the replacement of internet radio religious superstition and dogmatic theology by pure philosophic reason.” She translated it into English, though her version did not appear until 1981. I wish Davis had left it there, but he takes it too far. He devotes more than 40 pages—a tenth of the whole book—to her three translations, taking them as a mother lode of south africa ideational gold whose tailings glitter throughout her fiction.
These 40 pages are followed by 21 devoted to Herbert Spencer, the Victorian hawker of theories-of-everything (his 10-volume System of Synthetic Philosophy addresses biology, psychology, sociology, and ethics). She threw herself at pandora, the feet of this intellectual huckster, and though he rebuffed her painfully amorous entreaties, she never ceased revering him. And Gaius? Alas, Spencer was a stick—the kind of philosopher who was incapable of pandora emotion. And she was his intellectual superior in every way. The chapter is cobb largely unnecessary. The book comes back to pandora life when Davis turns to George Henry Lewes, the Essay man who gave Mary Ann Evans the confidence to become George Eliot—perhaps the greatest act of loving mentorship in all of literature. Like many prominent Victorians, Lewes dabbled in pandora internet radio, all the arts and how did, sciences, publishing highly readable accounts of them for a general audience. His range was as wide as Spencer’s, but his personality and writing had an irrepressible verve that Spencer could only have envied. Lewes was a sort Stephen Jay Gould yoked to Daniel Boorstin, popularizing other people’s findings and radio, concepts, and coming up with a few of his own.
He regarded his Sea-Side Studies (1860) as “the book . . . which was to me the most unalloyed delight,” not least because Marian, whom he called Polly, had helped gather the tiberius gracchus data. Radio? She told a friend “There is so much happiness condensed in it! Such scrambles over Status Essay, rocks, and peeping into clear pool [sic], and strolls along the pure sands, and fresh air mingling with fresh thoughts.” In his remarkably intelligent 1864 biography of Goethe, Lewes remarks that the poet “knew little of the companionship of two souls striving in emulous spirit of loving rivalry to radio become better, to become wiser, teaching each other to soar.” Such a companionship Lewes and Barbary Pirates: Empire Essay, George Eliot had in spades, and some of Davis’s best passages describe it. Regrettably, Davis also offers many passages well below the standard of his best—needlessly repeating an already established point or obfuscating the obvious. Still, The Transferred Lives is the most formidably instructive, and certainly complete, life-and-works treatment of George Eliot we have. Win two free tickets to Commentary’s roast of Jonah Goldberg!
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